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In recent years, Laura Cottingham has emerged as one of the most visible feminist critics of the so-called post-feminist generation. Following a social-political approach to art history and criticism that accepts visual culture as part of a larger social reality, Cottingham's writings investigate central tensions currently operative in the production, distribution and evaluation of art, especially those related to cultural production by and about women. Seeing Through the Seventies: Essays on Feminism and Art gathers together Cottingham's key essays from the 1990's. These include an appraisal of Lucy R. Lippard, the most influential feminist art critic of the1970's; a critique of the masculinist bias implicit to modernism and explicitly recuperated by commercially successful artists during the 1980s; an exhaustive analysis of the curatorial failures operative in the "Bad Girls" museum exhibitions of the early 1990s; surveys of feminist-influenced art practices during the women's liberationist period; speculations on the current possibilities and obstacles that attend efforts to recover lesbian cultural history; and an examination of the life, work and obscuration of the early twentieth-century French photographer Claude Cahun.
In recent years, Laura Cottingham has emerged as one of the most visible feminist critics of the so-called post-feminist generation. Following a social-political approach to art history and criticism that accepts visual culture as part of a larger social reality, Cottingham's writings investigate central tensions currently operative in the production, distribution and evaluation of art, especially those related to cultural production by and about women. Seeing Through the Seventies: Essays on Feminism and Art gathers together Cottingham's key essays from the 1990's. These include an appraisal of Lucy R. Lippard, the most influential feminist art critic of the1970's; a critique of the masculinist bias implicit to modernism and explicitly recuperated by commercially successful artists during the 1980s; an exhaustive analysis of the curatorial failures operative in the "Bad Girls" museum exhibitions of the early 1990s; surveys of feminist-influenced art practices during the women's liberationist period; speculations on the current possibilities and obstacles that attend efforts to recover lesbian cultural history; and an examination of the life, work and obscuration of the early twentieth-century French photographer Claude Cahun.
A collection of essays, articles, interviews, and photographs reflects American social life, politics, art, and entertainment during the 1970s
It is the year 4022; all of the ancient country of Usa has been buried under many feet of detritus from a catastrophe that occurred back in 1985. Imagine, then, the excitement that Howard Carson, an amateur archeologist at best, experienced when in crossing the perimeter of an abandoned excavation site he felt the ground give way beneath him and found himself at the bottom of a shaft, which, judging from the DO NOT DISTURB sign hanging from an archaic doorknob, was clearly the entrance to a still-sealed burial chamber. Carson's incredible discoveries, including the remains of two bodies, one of then on a ceremonial bed facing an altar that appeared to be a means of communicating with the Gods and the other lying in a porcelain sarcophagus in the Inner Chamber, permitted him to piece together the whole fabric of that extraordinary civilization.
Do you sometimes find yourself longing for "the good old days"? Do you laugh at yourself for even thinking this because - after all - you're not even 50 yet? And - upon seeing some of the things the kids of today have, or when you see how easy they have it, do you catch yourself thinking out loud "When I was a kid..." only to cover your mouth in horror as you realize that you sound just like your parents? Do you feel a jolt of... you're not sure what... when you realize that you're thinking of the '70s? How good things were in the '70s? Join the author as he recounts his own experiences growing up in this avocado green and burnt orange decade. The things we had and the things we didn't have; the things we took for granted and what family life was like in those years. Remember the music, the movies, the cars, the toys, the fashions, and so much more as your sentimental recollections play once again before you like a worn out 8mm movie in your mind. We were kids in the '60s, teens in the '70s, and now we're almost 50. This is a humorous, nostalgic, pensive, and fun-filled look at what it was like to grow up in this generation. Try to keep up with the fun as you revisit your childhood memories, and don't be surprised if you, like the author, find yourself longing once again for "the good old days." DARRYLL SHERMAN lives in Pullman, Washington with his wife and their two children. He is a licensed Architect and works at Washington State University. He also has his own business designing private residences in the greater Palouse area. He is a pianist, songwriter and singer and is involved in the music department at his local church. Growing up in beautiful western Washington, Darryll attributes his appreciation of nature to the many family vacations spent in the Cascades and the surrounding areas. His interests also include carpentry, gardening, fishing, hiking, racquetball and art.
Comic book version of seventies history and popular culture in the United States.
Unless you lived through the 1970s, it seems impossible to understand it at all. Drug delirium, groovy fashion, religious cults, mega corporations, glitzy glam, hard rock, global unrest—from our 2018 perspective, the seventies are often remembered as a bizarre blur of bohemianism and disco. With Pick Up the Pieces, John Corbett transports us back in time to this thrillingly tumultuous era through a playful exploration of its music. Song by song, album by album, he draws our imaginations back into one of the wildest decades in history. Rock. Disco. Pop. Soul. Jazz. Folk. Funk. The music scene of the 1970s was as varied as it was exhilarating, but the decade’s diversity of sound has never been captured in one book before now. Pick Up the Pieces gives a panoramic view of the era’s music and culture through seventy-eight essays that allow readers to dip in and out of the decade at random or immerse themselves completely in Corbett’s chronological journey. An inviting mix of skilled music criticism and cultural observation, Pick Up the Pieces is also a coming-of-age story, tracking the author’s absorption in music as he grows from age seven to seventeen. Along with entertaining personal observations and stories, Corbett includes little-known insights into musicians from Pink Floyd, Joni Mitchell, James Brown, and Fleetwood Mac to the Residents, Devo, Gal Costa, and Julius Hemphill. A master DJ on the page, Corbett takes us through the curated playlist that is Pick Up the Pieces with captivating melody of language and powerful enthusiasm for the era. This funny, energetic book will have readers longing nostalgically for a decade long past.
Most of us think of the 1970s as an "in-between" decade, the uninspiring years that happened to fall between the excitement of the 1960s and the Reagan Revolution. A kitschy period summed up as the "Me Decade," it was the time of Watergate and the end of Vietnam, of malaise and gas lines, but of nothing revolutionary, nothing with long-lasting significance. In the first full history of the period, Bruce Schulman, a rising young cultural and political historian, sweeps away misconception after misconception about the 1970s. In a fast-paced, wide-ranging, and brilliant reexamination of the decade's politics, culture, and social and religious upheaval, he argues that the Seventies were one of the most important of the postwar twentieth-century decades. The Seventies witnessed a profound shift in the balance of power in American politics, economics, and culture, all driven by the vast growth of the Sunbelt. Country music, a southern silent majority, a boom in "enthusiastic" religion, and southern California New Age movements were just a few of the products of the new demographics. Others were even more profound: among them, public life as we knew it died a swift death. The Seventies offers a masterly reconstruction of high and low culture, of public events and private lives, of Jonathan Livingston Seagull, Evel Knievel, est, Nixon, Carter, and Reagan. From The Godfather and Network to the Ramones and Jimmy Buffett; from Billie jean King and Bobby Riggs to Phyllis Schlafly and NOW; from Proposition 13 to the Energy Crisis; here are all the names, faces, and movements that once filled our airwaves, and now live again. The Seventies is powerfully argued, compulsively readable, and deeply provocative.
A pictorial look back at a special time in a special place, a social history of the 1970s counterculture on the Mendocino Coast of northern California, with 160 pages and over 180 documentary photos. The limited first edition was sold out a week after release, becoming an instant rare book. The current First Revised Edition is the same book with a few errors and omissions corrected. "...Nicholas Wilson brings that era to blazing life once more. It's time travel at its funniest and most poignant.... Reading 'Mendocino In the Seventies' is a bittersweet visit to a time we imagined could last forever, but was gone in the space of a decade or so. ... If you can find a copy ... by all means grab it." -- Tony Miksak in Words On BooksRead the full review by longtime bookseller Tony Miksak in the archive at http://web.archive.org/web/20080514075418/http://www.gallerybookshop.com/bkm/wob061217.htmlFor complete details and sample photos see www.nwilsonphoto.com/book.htm