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An accessible yet rigorous and generously illustrated exploration of the computational approach to the study of biological vision. Seeing has puzzled scientists and philosophers for centuries and it continues to do so. This new edition of a classic text offers an accessible but rigorous introduction to the computational approach to understanding biological visual systems. The authors of Seeing, taking as their premise David Marr's statement that “to understand vision by studying only neurons is like trying to understand bird flight by studying only feathers,” make use of Marr's three different levels of analysis in the study of vision: the computational level, the algorithmic level, and the hardware implementation level. Each chapter applies this approach to a different topic in vision by examining the problems the visual system encounters in interpreting retinal images and the constraints available to solve these problems; the algorithms that can realize the solution; and the implementation of these algorithms in neurons. Seeing has been thoroughly updated for this edition and expanded to more than three times its original length. It is designed to lead the reader through the problems of vision, from the common (but mistaken) idea that seeing consists just of making pictures in the brain to the minutiae of how neurons collectively encode the visual features that underpin seeing. Although it assumes no prior knowledge of the field, some chapters present advanced material. This makes it the only textbook suitable for both undergraduate and graduate students that takes a consistently computational perspective, offering a firm conceptual basis for tackling the vast literature on vision. It covers a wide range of topics, including aftereffects, the retina, receptive fields, object recognition, brain maps, Bayesian perception, motion, color, and stereopsis. MatLab code is available on the book's website, which includes a simple demonstration of image convolution.
There is a lot more to photography than simply picking up a camera, pointing it toward something, and tripping the shutter. Achieving a great photograph requires thought and preparation, an understanding of the photographic process, and a firm grasp of how light and composition affect a photo. There must be personal involvement and personal expression. There must be experimentation, with the recognition that only a small percentage of experiments end successfully. In this book, best-selling author and world-renowned photographer and teacher Bruce Barnbaum explores these seldom-discussed issues by drawing upon his personal experiences and observations from more than 40 years of photographing and teaching. In addition to photographs, Bruce also uses painting, music, and writing, as well as the sciences and even business, to provide pertinent examples of creative thinking. These examples serve as stepping-stones that will lead you to your own heightened ability to see and be creative. Creativity is a topic that is almost wholly ignored in formal education because most instructors think that it cannot be taught or learned. To the contrary, Bruce has proven that photographic seeing and creativity can be taught, learned, and improved. This book expands on the ideas that are central to Bruce's method of teaching photography, which he has used in workshops for the past 41 years. Included in the book are in-depth discussions on the following topics: Defining your own unique rhythm and approach as a photographer How to translate the scene in front of you to the final photograph The differences and similarities between how an amateur and a professional approach photography The differences between realism and abstraction, and the possibilities and limitations of each Learning to expand your own seeing and creativity through classes, workshops, and associating with other photographers Why the rules of composition should be ignored How to follow your passion When to listen to the critics and when to ignore them The book is richly illustrated with over 90 photographs taken by Bruce as well as other photographers.Seeing and creativity are difficult to teach, but not impossible. This very different, perhaps groundbreaking book is sure to inspire photographers of all skill levels-from beginners to seasoned professionals-to think deeply about the issues involved in creating successful photographs.
Have you ever wondered how a blind person pours a cup of coffee? Or how they and their guide dog know when it's safe to cross a busy road? When Lois Strachan lost her sight at the age of 21 years she had to learn the answers to these and countless other questions of how to live as a blind person in a sighted world. In this delightfully quirky and entertaining book Lois shares some of the secrets she discovered about how to live an "ordinary" life in an extraordinary way despite her blindness. "An entertaining, informative and educational read that gives you an insight into the life of an inspirational woman who lives life to the fullest. Well worth reading." Gail Glover - Executive Director, South African Guide-Dogs Association for the Blind "A must-read for anyone, with or without a disability." Hanif Kruger -Resource Centre Manager, South African National Council for the Blind "Lois's stories provide insights on how to positively deal with the challenges in life to emerge victorious." Bob "Idea Man Hooey - author of "Why didn't I THINK of that?" "In her fascinating account of the life of a blind person, Lois Strachan lifts the lid on aspects of life that most of us take for granted. We should all learn a lot from Lois's different way of seeing." George Mahood - Author of Free Country & Every Day is a Holiday
A 50-year-old classic, which was revised and expanded in 1974. Explains how the eye organizes visual material according to psychological laws.
Tarry's new second edition describes a child-centered classroom where students can expose and explore critical content and connect their learning to the real world.
Wonderland finally seems as if it’s getting back to normal. Queen Alyss is back on the throne, and reunited with her childhood sweetheart, Dodge. But the fight for Wonderland is far from over. King Arch, in nearby Boarderland, is conniving to overthrow everything for which Alyss and her friends have fought so hard. Even worse, King Arch has found an ally in the recently returned Redd, who has been biding her time and gathering new and evil assassins in the Catacombs of Paris. With enemies circling and danger looming, someone close to Alyss lets her down—and threatens the future of Wonderland forever.
Traces the life and career of the California artist, who currently works with pure light and the subtle modulation of empty space
Have you ever had the experience of getting angry, upset, or worried about something—only later to discover some crucial fact you hadn’t known? Or have you ever been delighted with something or someone, and later found out you’d been had? Something you had not taken into account explained everything in a different way. You had no reason at all ...

In this fully revised and greatly expanded second edition of The Essence of Photography, world-renowned photographer and teacher Bruce Barnbaum draws upon 50 years of experience and observation to teach the art of photographic seeing and creativity.

There is a lot more to photography than simply picking up a camera, pointing it toward something, and tripping the shutter. Achieving a great photograph requires thought and preparation, an understanding of the photographic process, and a firm grasp of how light and composition affect a photo. There must be personal involvement and personal expression. There must be experimentation, with the recognition that only a small percentage of experiments end successfully.

In this revised and expanded second edition of The Essence of Photography, best-selling author and world-renowned photographer and teacher Bruce Barnbaum explores these seldom-discussed issues by drawing upon his personal experiences and observations from 50 years of photographing and teaching. In addition to photographs, Bruce also uses painting, music, and writing, as well as the sciences and even business, to provide pertinent examples of creative thinking. These examples serve as stepping stones that will lead you to your own heightened ability to see and be creative.

Creativity is a topic that is almost wholly ignored in formal education because most instructors think that it cannot be taught or learned. To the contrary, Bruce has proven that photographic seeing and creativity can be taught, learned, and improved. This book expands on the ideas that are central to Bruce’s method of teaching photography, which he has used in workshops for the past 50 years.

Included in the book are in-depth discussions on the following topics:

    • Defining your own unique rhythm and approach as a photographer
    • How to translate the scene in front of you to the final photograph
    • The differences and similarities between how an amateur and a professional approach photography
    • The differences between realism and abstraction, and the possibilities and limitations of each
    • Learning to expand your own seeing and creativity through classes, workshops, and associating with other photographers
    • Why the rules of composition should be ignored
    • How to follow your passion
    • When to listen to the critics and when to ignore them

The book is richly illustrated with well over 100 photographs taken by Bruce as well as other photographers.

Seeing and creativity are difficult to teach, but not impossible. This very different, perhaps groundbreaking book is sure to inspire photographers of all skill levels—from beginners to seasoned professionals—to think deeply about the issues involved in creating successful photographs.