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Break out of spiritual performance into a liberating relationship with Christ. Experience the reality of Jesus through the imaginative power of prayer.
Is your worldview enlightened enough to accommodate both science and God at the same time? Dr. Michael Guillen, a best-selling author, Emmy award–winning journalist and former physics instructor at Harvard, used to be an Atheist—until science changed his mind. Once of the opinion that people of faith are weak, small-minded folks who just don’t understand science, Dr. Guillen ultimately concluded that not only does science itself depend on faith, but faith is actually the mightiest power in the universe. In Believing Is Seeing, Dr. Guillen recounts the fascinating story of his journey from Atheism to Christianity, citing the latest discoveries in neuroscience, physics, astronomy, and mathematics to pull back the curtain on the mystery of faith as no one ever has. Is it true that “seeing is believing?” Or is it possible that reality can be perceived most clearly with the eyes of faith—and that truth is bigger than proof? Let Dr. Guillen be your guide as he brilliantly argues for a large and enlightened worldview consistent with both God and modern science.
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Academy Award–winning director Errol Morris turns his eye to the nature of truth in photography In his inimitable style, Errol Morris untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs. Each essay in this book is part detective story, part philosophical meditation, presenting readers with a conundrum, and investigates the relationship between photographs and the real world they supposedly record. Believing Is Seeing is a highly original exploration of photography and perception, from one of America’s most provocative observers.
Readers who love the "strange but true" realm-which includes bestsellers from the Guinness Book of World Records to Ripley's Believe It or Not-will love this book from LIFE. The LIFE book falls at the high end of the genre, in that our readers trust LIFE's veracity, and treasure LIFE's always vivid, always truthful photography. The allure of the incredible is mighty, and in this book one incredible story after another is set before the reader in riveting narratives and pictures that are as beguiling-and often as beautiful-as they are persuasive. Myths are explored (some are exploded!) and legends probed. LIFE's editors travel from the highlands of Scotland to the low country of the American Southeast, investigating occurrences and objects that locals swear are real. The world's tallest man and its largest animal are visited. Microscopic animals are revealed, as are beasts dating back to the dinosaurs. Could these chimps be our closest cousins? Witness their behavior and decide for yourself (with the help, of course, of information provided in the incisive text). This is a captivating volume for young and mature readers alike.
This is a ‘Whole Earth Catalog’ for the 21st century: an impressive and wide-ranging analysis of what’s wrong with our societies, organizations, ideologies, worldviews and cultures – and how to put them right. The book covers the finance system, agriculture, design, ecology, economy, sustainability, organizations and society at large.
This is a personal and analytical account investigating the politics of visual communication. Several thousand times a day we assimilate visual imagery at speed, a process accelerated in the digital world. The book explores the complex and reciprocal dynamic between world and image in this most visually mediated society. Everyone 'knows' images can be false or deceptive, but we all live and work in constant denial of this idea and its implications. In a world saturated with media we act as though we are immune to their effects.
Selected from sermons delivered by C. S. Lewis during World War II, these nine addresses offer guidance and inspiration in a time of great doubt.These are ardent and lucid sermons that provide a compassionate vision of Christianity.
Seeing is Believing is a provocative, shrewd and witty look at the Hollywood fifties movies we all love - or love to hate - and the thousand subtle ways they reflect the political tensions of the decade. Peter Biskind concentrates on the films everybody saw but nobody really looked at, classics such as Giant, Rebel Without a Cause, and Invasion of the Body Snatchers, and shows us how movies that appear politically innocent in fact bear an ideological burden. As we see organization men and rugged individualists, housewives, and career women, cops and docs, teen angels and teenage werewolves fight it out across the screen, from suburbia to the farthest reaches of the cosmos, we understand that we have been watching one long dispute about how to be a man, a woman, an American - the conflicts of the time in action.