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In the seventeeth century antiquarianism was a well-respected profession and antiquarian works were in demand, particularly amongst the gentry, we were especially interested in establishing lineage and the descent of land tenure. Although intended primarily as a source of information about who owned what and where, they often contained fascinating descriptions of the English landscape. Charles Lancaster has examined the town and county surveys of this period and selected the most interesting examples to illustrate the variety and richness of these descriptions. Organised by region, he has provided detailed introductions to each excerpt. Including such writers as John Stow, William Dugdale, Elias Ashmole, Daniel Defoe, Gilbert White and Celie Fiennes, this is a book that will appeal to anyone with an interest in both national and local history and to lovers of English scenery.
Haunted by the memories of her powerfully destructive mother, Jamaica Kincaid is a writer out of necessity. Born Elaine Potter Richardson, Kincaid grew up in the West Indies in the shadow of her deeply contemptuous and abusive mother, Annie Drew. Drawing heavily on Kincaid's many remarks on the autobiographical sources of her writings, J. Brooks Bouson investigates the ongoing construction of Kincaid's autobiographical and political identities. She focuses attention on what many critics find so enigmatic and what lies at the heart of Kincaid's fiction and nonfiction work: the "mother mystery." Bouson demonstrates, through careful readings, how Kincaid uses her writing to transform her feelings of shame into pride as she wins the praise of an admiring critical establishment and an ever-growing reading public.
England offers so many royal palaces, massive cathedrals, glorious gardens, world-class museums, and historical sites that you could be overwhelmed, but this guide helps you zero in on the things you want to see and do and plan the perfect trip for you! It gives you up-to-date info on: shopping and antiquing; side trips to attractions; where to pay homage to literary giants; important castles and palaces; central England, the picturesque Cotswolds region, and northern England.
Considers how real island spaces have been used in literary texts and the popular imagination to shore up the fiction of the nation in order to offer a new theory of postcolonial nationalism.
This book is about women's exploration of the relations between their private and public selves--it examines the voices with which women speak to their students, their colleagues, and themselves. The major audience is women interested in women's identity and identity construction as well as writing.
Arguing that American colonists who declared their independence in 1776 remained tied to England by both habit and inclination, Jennifer Clark traces the new Americans' struggle to come to terms with their loss of identity as British, and particularly English, citizens. Americans' attempts to negotiate the new Anglo-American relationship are revealed in letters, newspaper accounts, travel reports, essays, song lyrics, short stories and novels, which Clark suggests show them repositioning themselves in a transatlantic context newly defined by political revolution. Chapters examine political writing as a means for Americans to explore the Anglo-American relationship, the appropriation of John Bull by American writers, the challenge the War of 1812 posed to the reconstructed Anglo-American relationship, the Paper War between American and English authors that began around the time of the War of 1812, accounts by Americans lured to England as a place of poetry, story and history, and the work of American writers who dissected the Anglo-American relationship in their fiction. Carefully contextualised historically, Clark's persuasive study shows that any attempt to examine what it meant to be American in the New Nation, and immediately beyond, must be situated within the context of the Anglo-American relationship.
Over the last hundred years, in Africa and the United States, through a variety of religious encounters, some black African societies adopted – or perhaps rediscovered – a Judaic religious identity. African Zion grows out of a joined interest in these diversified encounters with Judaism, their common substrata and divergences, their exogenous or endogenous characteristics, the entry or re-entry of these people into the contemporary world as Jews and the necessity of reshaping the standard accounts of their collective experience. In various loci the bonds with Judaism of black Jews were often forged in the harshest circumstances and grew out of experiences of slavery, exile, colonial subjugation, political ethnic conflicts and apartheid. For the African peoples who identify as Jews and with other Jews, identification with biblical Israel assumes symbolical significance. This book presents the way in which the religious identification of African American Jews and African black Jews – “real”, ideal or imaginary – has been represented, conceptualized and reconfigured over the last century or so. These essays grow out of a concern to understand Black encounters with Judaism, Jews and putative Hebrew/Israelite origins and are intended to illuminate their developments in the medley of race, ethnicity, and religion of the African and African American religious experience. They reflect the geographical and historic mosaic of black Judaism, permeated as it is with different “meanings”, both contemporary and historical.
Concert of Voices combines poetry, fiction, drama, and essays in an anthology of world literature in English. This second edition preserves the first edition’s breadth and its balance of established and less widely known authors, while including a large selection of exciting new material. Biographical information and explanatory notes have been updated and expanded, and new pieces by Cyril Dabydeen, Vikram Seth, Wole Soyinka, Pauline Johnson, Rudy Wiebe, and many other authors have been added.