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The poet Charles Baudelaire (1821–1867) has been labeled the very icon of modernity, the scribe of the modern city, and an observer of an emerging capitalist culture. Seeing Double reconsiders this iconic literary figure and his fraught relationship with the nineteenth-century world by examining the way in which he viewed the increasing dominance of modern life. In doing so, it revises some of our most common assumptions about the unresolved tensions that emerged in Baudelaire’s writing during a time of political and social upheaval. Françoise Meltzer argues that Baudelaire did not simply describe the contradictions of modernity; instead, his work embodied and recorded them, leaving them unresolved and often less than comprehensible. Baudelaire’s penchant for looking simultaneously backward to an idealized past and forward to an anxious future, while suspending the tension between them, is part of what Meltzer calls his “double vision”—a way of seeing that produces encounters that are doomed to fail, poems that can’t advance, and communications that always seem to falter. In looking again at the poet and his work, Seeing Double helps to us to understand the prodigious transformations at stake in the writing of modern life.
An exploration of the relationship between quantum theory and concepts of individuality and identity from ancient Greece to the present.
When, in the third century B.C.E., the Ptolemies became rulers in Egypt, they found themselves not only kings of a Greek population but also pharaohs for the Egyptian people. Offering a new and expanded understanding of Alexandrian poetry, Susan Stephens argues that poets such as Callimachus, Theocritus, and Apollonius proved instrumental in bridging the distance between the two distinct and at times diametrically opposed cultures under Ptolemaic rule. Her work successfully positions Alexandrian poetry as part of the dynamic in which Greek and Egyptian worlds were bound to interact socially, politically, and imaginatively. The Alexandrian poets were image-makers for the Ptolemaic court, Seeing Double suggests; their poems were political in the broadest sense, serving neither to support nor to subvert the status quo, but to open up a space in which social and political values could be imaginatively re-created, examined, and critiqued. Seeing Double depicts Alexandrian poetry in its proper context—within the writing of foundation stories and within the imaginative redefinition of Egypt as "Two Lands"—no longer the lands of Upper and Lower Egypt, but of a shared Greek and Egyptian culture.
Blackness and Value investigates the principles by which "value" operates, and asks if it is useful to imagine that the concepts of racial blackness and whiteness in the United States operate in terms of these principles. Testing these concepts by exploring various theoretical approaches and their shortcomings, Lindon Barrett finds that the gulf between "the street" (where race is acknowledged as a powerful enigma) and the literary academy (where until recently it has not been) can be understood as a symptom of racial violence. While commonly approaches to race and value are examined historically or sociologically, this intriguing study provides a new critical approach that speaks to theorists of race as well as gender and queer studies.
This book contains a collection of more than 175 mind-bending illustrations that trick the eye into seeing two different images, and never both at the same time.
In the second book of the action-packed Double Vision series, ordinary twelve-year-old Linc Baker must go undercover in Washington, DC, to stop a CIA mole from assassinating the president. With an unforgettably funny voice, high-stakes espionage, and real American spy history dating back to the Revolutionary War, this is the latest adventure in the Double Vision series that ALA Booklist says "fans of Alex Rider and 39 Clues will love." After the government receives a threat on the president's life from someone named Dagger, supersecret spy agency Pandora wants Linc to go to Washington, DC, to protect the first daughter, Amy, and find the dangerous double of George Washington's legendary coat, rumored to make its wearer invincible. Unfortunately for Linc, his by-the-book agent nemesis, Ben Green, is already on the case and making him look bad. With Amy's help, Linc will have to dig deep into the history of America's first spies—the Culper Ring—to beat Ben at his own game and stop Dagger before it's too late.
An accessible yet rigorous and generously illustrated exploration of the computational approach to the study of biological vision. Seeing has puzzled scientists and philosophers for centuries and it continues to do so. This new edition of a classic text offers an accessible but rigorous introduction to the computational approach to understanding biological visual systems. The authors of Seeing, taking as their premise David Marr's statement that “to understand vision by studying only neurons is like trying to understand bird flight by studying only feathers,” make use of Marr's three different levels of analysis in the study of vision: the computational level, the algorithmic level, and the hardware implementation level. Each chapter applies this approach to a different topic in vision by examining the problems the visual system encounters in interpreting retinal images and the constraints available to solve these problems; the algorithms that can realize the solution; and the implementation of these algorithms in neurons. Seeing has been thoroughly updated for this edition and expanded to more than three times its original length. It is designed to lead the reader through the problems of vision, from the common (but mistaken) idea that seeing consists just of making pictures in the brain to the minutiae of how neurons collectively encode the visual features that underpin seeing. Although it assumes no prior knowledge of the field, some chapters present advanced material. This makes it the only textbook suitable for both undergraduate and graduate students that takes a consistently computational perspective, offering a firm conceptual basis for tackling the vast literature on vision. It covers a wide range of topics, including aftereffects, the retina, receptive fields, object recognition, brain maps, Bayesian perception, motion, color, and stereopsis. MatLab code is available on the book's website, which includes a simple demonstration of image convolution.
Almost two decades ago a car accident thrust Rina Morrell’s life into darkness.
Wonderland finally seems as if it’s getting back to normal. Queen Alyss is back on the throne, and reunited with her childhood sweetheart, Dodge. But the fight for Wonderland is far from over. King Arch, in nearby Boarderland, is conniving to overthrow everything for which Alyss and her friends have fought so hard. Even worse, King Arch has found an ally in the recently returned Redd, who has been biding her time and gathering new and evil assassins in the Catacombs of Paris. With enemies circling and danger looming, someone close to Alyss lets her down—and threatens the future of Wonderland forever.
Does one ever escape from the family? How much do we understand about our own past? How do we come to be who we are? Walter Abish, the internationally acclaimed author of "How German Is It, examines these questions through the prism of his own experience, and confronts and encapsulates the historic upheavals of the mid-twentieth century in this brilliant, deceptively simple, and quietly wrenching account of his two journeys. The first begins in Vienna, where Abish was born in the 1930s in the Jewish, but not-too-Jewish, household of a prosperous perfumer. Then it ricochets around the world as his parents flee first to France (his mother had to sneak alone across the Italian border), then to war-torn Shanghai under Japanese occupation, just ahead of Mao's army, then to Israel. Incapable of understanding his family's desperate situation, Abish as a boy creates his own private world, filtering out precarious and terrifying realities. Abish describes fantastic events in the coolest tones. In precise, haunting detail, he records the perceptions of a child who registers and remembers what he will only later understand. He writes of the day in the park when a stranger suddenly screams "Jews out!" and he and his frail grandmother run for the exit in a panic as the other children and grandmothers stand and watch; the day his father is released by the Gestapo because a man in the room owes him money that he has never tried to collect and says, "Let Abish go--he's okay"; of the time his father speaks to him about inheriting his perfume business, as they stand on the deck of a ship bound for China. The first journey recounts the flight; the second journey chronicles the return: Abish writes about how, in the 1980s, he went on a tour to Germany to launch the translation of his award-winning novel "How German Is It--a book he wrote without ever having set foot there, deliberately, because he wished to elicit the idea of Germanness in what was "a fantasy of Germany." This tour of what to him is an unfamiliar society includes a side trip to Vienna, where he glimpses the life he might have experienced and has the horrifying feeling that he never left. "Double Vision is a book that cuts to the quick. With unflinching candor, humor, and affection, Abish re-creates the way it feels to be a child and to look at your parents and wonder who they are. To be an adult and catch them in every corner of your personality. To look back on the world of your youth and realize both what you noticed and what you missed. It is a stunning achievement.