Download Free Seeing Double Book in PDF and EPUB Free Download. You can read online Seeing Double and write the review.

The poet Charles Baudelaire (1821–1867) has been labeled the very icon of modernity, the scribe of the modern city, and an observer of an emerging capitalist culture. Seeing Double reconsiders this iconic literary figure and his fraught relationship with the nineteenth-century world by examining the way in which he viewed the increasing dominance of modern life. In doing so, it revises some of our most common assumptions about the unresolved tensions that emerged in Baudelaire’s writing during a time of political and social upheaval. Françoise Meltzer argues that Baudelaire did not simply describe the contradictions of modernity; instead, his work embodied and recorded them, leaving them unresolved and often less than comprehensible. Baudelaire’s penchant for looking simultaneously backward to an idealized past and forward to an anxious future, while suspending the tension between them, is part of what Meltzer calls his “double vision”—a way of seeing that produces encounters that are doomed to fail, poems that can’t advance, and communications that always seem to falter. In looking again at the poet and his work, Seeing Double helps to us to understand the prodigious transformations at stake in the writing of modern life.
When, in the third century B.C.E., the Ptolemies became rulers in Egypt, they found themselves not only kings of a Greek population but also pharaohs for the Egyptian people. Offering a new and expanded understanding of Alexandrian poetry, Susan Stephens argues that poets such as Callimachus, Theocritus, and Apollonius proved instrumental in bridging the distance between the two distinct and at times diametrically opposed cultures under Ptolemaic rule. Her work successfully positions Alexandrian poetry as part of the dynamic in which Greek and Egyptian worlds were bound to interact socially, politically, and imaginatively. The Alexandrian poets were image-makers for the Ptolemaic court, Seeing Double suggests; their poems were political in the broadest sense, serving neither to support nor to subvert the status quo, but to open up a space in which social and political values could be imaginatively re-created, examined, and critiqued. Seeing Double depicts Alexandrian poetry in its proper context—within the writing of foundation stories and within the imaginative redefinition of Egypt as "Two Lands"—no longer the lands of Upper and Lower Egypt, but of a shared Greek and Egyptian culture.
Blackness and Value investigates the principles by which "value" operates, and asks if it is useful to imagine that the concepts of racial blackness and whiteness in the United States operate in terms of these principles. Testing these concepts by exploring various theoretical approaches and their shortcomings, Lindon Barrett finds that the gulf between "the street" (where race is acknowledged as a powerful enigma) and the literary academy (where until recently it has not been) can be understood as a symptom of racial violence. While commonly approaches to race and value are examined historically or sociologically, this intriguing study provides a new critical approach that speaks to theorists of race as well as gender and queer studies.
A psychologist and collector, Block has put his life's work, his enthusiasm, and his knowledge into this treasure trove of puzzles, illusions, and double diversions. Each page is guaranteed to surprise and delight, while celebrating the amazing flexibility and creativity of the human mind. and mind-bending illustrations that trick the eye into seeing two different images-and never both at the same time. Double illusions, upside-downs, ambiguous images and ambigrams are smartly organized by technique and illusory effect, with vivid descriptions of the psychological impact of each image as well as current scientific explanations for each stunning effect. Psychologist and collector J. Richard Block has put his life's work, his enthusiasm, and his knowledge into this wonderfully fun, informative treasure trove of classic and contemporary puzzles, illusions and double diversions.
Wonderland finally seems as if it’s getting back to normal. Queen Alyss is back on the throne, and reunited with her childhood sweetheart, Dodge. But the fight for Wonderland is far from over. King Arch, in nearby Boarderland, is conniving to overthrow everything for which Alyss and her friends have fought so hard. Even worse, King Arch has found an ally in the recently returned Redd, who has been biding her time and gathering new and evil assassins in the Catacombs of Paris. With enemies circling and danger looming, someone close to Alyss lets her down—and threatens the future of Wonderland forever.
This book contains a collection of more than 175 mind-bending illustrations that trick the eye into seeing two different images, and never both at the same time.
"One or Two describes as 'One-ism' and 'Two-ism,' the two ways of being spiritual. One-ism believes that everything that exists is of one substance and that the goal of theology, spirituality and even sexuality is to destroy all distinctions, and bring all things together. Two-ism believes that there is a God outside creation who made all that is not God and has structured creation for the good of humanity. Two-ism has implications in our theology, spirituality and sexuality. The book is based on the argumentation of the apostle Paul in Romans 1. Peter Jones analyzes the current cultural expressions of spirituality in light of these two approaches" -- Amazon.com.
The world is never going to make complete sense to us, yet we find that conclusion almost impossible to accept. Can we live, and feel at home, in a world composed at best of incompatible fragments of meaning? This is the theme that runs through this collection of essays by Raymond Geuss. Drawing on a characteristically wide range of insights from moral and political philosophy, history, and aesthetics, he addresses topics such as knowledge (of self, the world, and others), language, the visual and the auditory, authority, hope, and the success and failure of life projects. He argues that, to get by in our bewildering world, we must embrace the virtue of ‘double vision’: that is, immersing ourselves in and learning the ways of the culture surrounding us, even as we feel alienated from it. Together the essays explore some of the consequences of abandoning the idea of a unitary view of the world, while at the same time trying to avoid quietism. Seeing Double is a compelling collection of work by one of the world’s most versatile and creative philosophers.
The unknown history of surveillance in relation to changing systems of representation and visual arts practice. The separateness and connection of individuals is perhaps the central question of human life: What, exactly, is my individuality? To what degree is it unique? To what degree can it be shared, and how? To the many philosophical and literary speculations about these topics over time, modern science has added the curious twist of quantum theory, which requires that the elementary particles of which everything consists have no individuality at all. All aspects of chemistry depend on this lack of individuality, as do many branches of physics. From where, then, does our individuality come? In Seeing Double, Peter Pesic invites readers to explore this intriguing set of questions. He draws on literary and historical examples that open the mind (from Homer to Martin Guerre to Kafka), philosophical analyses that have helped to make our thinking and speech more precise, and scientific work that has enabled us to characterize the phenomena of nature. Though he does not try to be all-inclusive, Pesic presents a broad range of ideas, building toward a specific point of view: that the crux of modern quantum theory is its clash with our ordinary concept of individuality. This represents a departure from the usual understanding of quantum theory. Pesic argues that what is bizarre about quantum theory becomes more intelligible as we reconsider what we mean by individuality and identity in ordinary experience. In turn, quantum identity opens a new perspective on us.
The poet Charles Baudelaire (1821–1867) has been labeled the very icon of modernity, the scribe of the modern city, and an observer of an emerging capitalist culture. Seeing Double reconsiders this iconic literary figure and his fraught relationship with the nineteenth-century world by examining the way in which he viewed the increasing dominance of modern life. In doing so, it revises some of our most common assumptions about the unresolved tensions that emerged in Baudelaire’s writing during a time of political and social upheaval. Françoise Meltzer argues that Baudelaire did not simply describe the contradictions of modernity; instead, his work embodied and recorded them, leaving them unresolved and often less than comprehensible. Baudelaire’s penchant for looking simultaneously backward to an idealized past and forward to an anxious future, while suspending the tension between them, is part of what Meltzer calls his “double vision”—a way of seeing that produces encounters that are doomed to fail, poems that can’t advance, and communications that always seem to falter. In looking again at the poet and his work, Seeing Double helps to us to understand the prodigious transformations at stake in the writing of modern life.