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Spiritual warfare is real, and your faith is at stake. Based on Biblical principles, Seeing the Unseen helps you fight back against the enemy. In today’s world, Satan seems to be everywhere, and he seems to have the advantage. But the enemy is not of this world, and the war is in the spiritual world. Satan is trying to attack you and destroy your faith, and the only way to defeat him is to fight back. In this newly revised and updated bestseller, Joe Beam reveal Satan's powerful weaponry—his lies, deceptions, and manipulations—and unmasks his strategy to destroy your life and those you care for. This book will show you his plans and tactics, and teach you where he is likely to strike next and how to fight him. Based on a dedicated study of God’s word, this book is filled with stories of tragedy and triumph and will give you the tools you need to defeat the enemy.
How does secret knowledge shape how West African arts are created by different makers for disparate audiences? Recognizing that there is a tension between what is seen on the outside and what cannot be seen on the inside, Seeing the Unseen delves into the meaning of objects, assemblages, and performances among the Senufo-Mande people. The awareness of exceptional power and the profound knowledge of the artistic creators is constantly oscillating between what can be seen and what is known by their audiences. This constant negotiation of the mutual recognition of the others' potential agency provides a foundation for a new, compelling model for thinking about how the seen and unseen must operate in arts. The result is an engaging exploration of power associations and the social and political tensions they create through objects and performances.
What would it feel like to know you are going blind? Thirteen-year-old Finn loves bike riding -- the more dangerous the trail, the better. But he had a spectacular crash a few months ago, and he's just received a diagnosis that will change his life. He is slowly going blind. In a few years his vision will be gone. Desperate to salvage something of his "last" summer, Finn invites a friend to the cottage and is drawn to a strange island that seems to glimmer -- but no one else can see it. When he gets close, he's sucked into something he could never have anticipated. Can Finn's friend Cheese help him come to terms with "lights out" . . . or will it take something much more extraordinary?
A bishop and gun safety activist offers a way forward from opposing viewpoints. Instead of dismissing those whose views and experiences are different from our own, the author argues that we must look directly at them and see the goodness that is inherent in all things. From the language we use to the imperative to understand and include, we have a duty to work through opposition and build community. Bishop Beckwith describes it this way: "We are trained to think, yet the cultural emphasis on thinking has not be applied to our ability to see . . . We are not as well trained in seeing the world’s fullness—pain and joy, compassion and cruelty. We regularly receive glimpses of pain and joy, but they are often presented in such a way as to reinforce our thinking."
Disc includes: selected text and photos from the exhibition.
Sight Unseen reveals the cultural and biological realities of race, gender, and sexual orientation from the perspective of the blind. Through ten case studies and dozens of interviews, Ellyn Kaschak taps directly into the phenomenology of race, gender, and sexual orientation among blind individuals, along with the everyday epistemology of vision. Kaschak's work reveals not only how the blind create systems of meaning out of cultural norms but also how cultural norms inform our conscious and unconscious interactions with others regardless of our physical ability to see.
Vision, more than any other sense, dominates our mental life. Our visual experience is just so rich, so detailed, that we can hardly distinguish that experience from the world itself. Even when we just think about the world and don't look at it directly, we can't help but 'imagine' what it looks like. We think of 'seeing' as being a conscious activity--we direct our eyes, we choose what we look at, we register what we are seeing. The series of events described in this book radically altered this attitude towards vision. This book describes one of the most extraordinary neurological cases of recent years--one that profoundly changed scientific views on consciousness. It is the story of Dee Fletcher--a woman recently blinded--who became the subject of a series of scientific studies. As events unfolded, Milner and Goodale found that Dee wasn't in fact blind--she just didn't know that she could see. Taking us on a journey into the unconscious brain, the two scientists who made this incredible discovery tell the amazing story of their work, and the surprising conclusion they were forced to reach. Written to be accessible to students and popular science readers, this book is a fascinating illustration of the power of the 'unconscious' mind.
A comprehensive & illuminating history of this little-understood, but surprisingly significant scientific activity. Quite rigorous & systematic in its methodology, the book explores the development of the radar astronomy specialty in the larger community of scientists. More than just discussing the development of this field, however, the author uses planetary radar astronomy as a vehicle for understanding larger issues relative to the planning & execution of "big science" by the Fed. government. Sources, interviews, technical essay, abbreviations, & index.
"This book is not a history of art, or a history of science, or even a history of their interaction. Rather, Martin Kemp, the distinguished art historian, traces certain recurring themes in the imagery of art and science that reflect shared 'structural intuitions' about the seen and unseen worlds of nature."--BOOK JACKET.
Edgerton invented the electronic flash, capturing what the human eye cannot see Harold Edgerton (1903-90) was an engineer, educator, explorer and entrepreneur, as well as a revolutionary photographer--in the words of his former student and Life photographer Gjon Mili, "an American original." Edgerton's photos combine exceptional engineering talent with aesthetic sensibility, and this book presents more than 100 of his most exemplary works. Seeing the Unseen contains iconic photos from the beloved milk drops and bullets slicing through fruit and cards, to less well known but equally compelling images of sea creatures and sports figures in action. Paired with excerpts from Edgerton's laboratory notebooks, the book reveals the full range of his technical virtuosity and his enthusiasm for the natural and human-built worlds. Essays by Edgerton students and collaborators J. Kim Vandiver and Gus Kayafas explore his approach to photography, engineering and education, while MIT Museum curators Gary Van Zante and Deborah Douglas examine his significance to the history of photography, technology and modern culture.