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Weigh anchor, set sail and explore the world of ships. Lift the flaps to see inside all kinds of vessels, from creaking galleons to clanking steamships and gigantic aircraft carriers.
Lift the flaps in this exciting book to discover what happens aboard a lively pirate ship.
Revealing the workings and dangers of freight shipping, the author sails from Rotterdam to Suez to Singapore to present an eye-opening glimpse into an overlooked world filled with suspect practices, dubious operators, and pirates.
What has happened to George Adamski since he wrote the famous incidents in Flying Saucers Have Landed? Since the memorable November 20, 1952, when he first made personal contact with a man from another world? Since December 13, 1952 when he was able to make photographs within 100 feet of the same saucer that had brought his original visitor? Inside The Space Ships is Adamski’s own story of what has happened to him since then. It begins with his first meeting, a few months later, with a second man from another world—his first meeting with one who speaks to him. This second visitor brings him to a Venusian Scout (flying saucer) and this, in turn, brings him to a mother ship. Later lie is conveyed in both a Saturnian Scout and a Saturnian mother ship. Adamski tells us what transpires in these space craft and what the men and women from other worlds have told him. Adamski’s photographs of flying saucers, originally published in Flying Saucers Have Landed, have since become world-famous as other witnesses in other parts of the world have succeeded in taking photographs identical with his. Now, however, in Inside The Space Ships, Adamski gives us 16 photographs and illustrations, no longer of Scouts (flying saucers) mostly, but of the great space ships from which they are launched. The main group of these photographs was taken in April, 1955, and neither the photographs nor a description of them has ever been published before.
Lift the flaps to explore all sorts of exciting things that go - bulldozers rumbling around building sites, passenger ships cruising over the ocean, or jumbo jets soaring into the sky.
199 clear, labelled illustrations of a variety of waterborne vessels. Find out about the amazing array of ships and boats that sail our oceans and waterways from rowing boats and kayaks to huge luxury liners. Themes include famous ships, sailing ships, all kinds of boats, battleships, submarines and lots more. Great for developing vocabulary and language skills.
I Went Looking for a Ship' is a navigation through the landscape of shipping, following the major renovation of the sea lock in IJmuiden, the most important access to the port of Amsterdam. 0Natascha Libbert documents the life inside the technical zone on and around the locks, the port of Amsterdam and the ships. She focused on themes such as destruction and construction, the increasing public invisibility of maritime transport, and the way in which the landscape is constantly changing as a result of shipping. She decided to look for a ship to be able to observe everything from another perspective and to get a grip on this landscape in transformation. Eventually, she took passage on a ship that picks up quarried stone from a mountain in Norway. 0In 'I Went Looking for a Ship', Libbert?s research and logs are the common thread, where the earthly images set the visual tone: sometimes technical, sometimes abstract and poetic. Through the use of archival footage, reference images and research, she not only highlights the history of the locks, but also tells about specific characteristics of the maritime space and the similarities between divers and astronauts.
Ships & shipping: general interest.
HISTORY. This is a brilliant new historical addition to the "See Inside" series, looking closely at the vehicles and major events that defined the Second World War as one of the most destructive wars in history. Lifting the flaps reveals the insides of some of the military vehicles used during campaigns including tanks, fighter planes and aircraft carriers, while others look in depth at life during the Blitz and the action on the beaches during the invasion of Normandy. Ages 6+.
The colony planet Fremont is joyous, riotous, and very wild. Its grasses can cut your arms and legs to ribbons, the rinds of its precious fruit can skewer your thumbs, and some of the predators are bigger than humans. Meteors fall from the sky and volcanoes erupt. Fremont is verdant, rich, beautiful, and dangerous. Fremont's single town, Artistos, perches on a cliff below rugged mountains. Below Artistos lie the Grass Plains, which lead down to the sea. And in the middle of the Grass Plains, a single silver spaceship lies quiet and motionless. The seasons do not dull it, nor do the winds scratch it---and the fearful citizens of Aristos won't go near it. Chelo Lee, her brother Joseph, and four other young children have been abandoned on the colony planet. Unfortunate events have left them orphaned in a human colony that abhors genetic engineering--and these six young people are genetically enhanced. With no one to turn to, Chelo and the others must now learn how to use their distinct skills to make this unwelcome planet home, or find a way off it. They have few tools--an old crazy woman who wonders the edges of town, spouting out cryptic messages; their appreciation and affection for each other; a good dose of curiosity; and that abandoned silver space ship that sits locked and alone in the middle of the vast grass plain ...