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Understanding the culture of living with hymnbooks offers new insight into the histories of poetry, literacy, and religious devotion. It stands barely three inches high, a small brick of a book. The pages are skewed a bit, and evidence of a small handprint remains on the worn, cheap leather covers that don’t quite close. The book bears the marks of considerable use. But why—and for whom—was it made? Christopher N. Phillips’s The Hymnal is the first study to reconstruct the practices of reading and using hymnals, which were virtually everywhere in the eighteenth and nineteenth centuries. Isaac Watts invented a small, words-only hymnal at the dawn of the eighteenth century. For the next two hundred years, such hymnals were their owners’ constant companions at home, school, church, and in between. They were children's first books, slaves’ treasured heirlooms, and sources of devotional reading for much of the English-speaking world. Hymnals helped many people learn to memorize poetry and to read; they provided space to record family memories, pass notes in church, and carry everything from railroad tickets to holy cards to business letters. In communities as diverse as African Methodists, Reform Jews, Presbyterians, Methodists, Roman Catholics, and Unitarians, hymnals were integral to religious and literate life. An extended historical treatment of the hymn as a read text and media form, rather than a source used solely for singing, this book traces the lives people lived with hymnals, from obscure schoolchildren to Emily Dickinson. Readers will discover a wealth of connections between reading, education, poetry, and religion in Phillips’s lively accounts of hymnals and their readers.
The complete four-volume set includes major essays and relevant discussions of the musical forms in The Hymnal 1982 which cover such topics as popular religious song, cultural diversity, the relationship between The Hymnal 1982 and the liturgies of The Book of Common Prayer, the development of service music in the Episcopal Church, hymn forms, and a brief history of Christian hymnody in the United States and Britain. In addition, complete information is given on all hymns and service music which includes the sources of text and music as well as biographical and technical facts. (2,949 pp)
This long-awaited companion serves as a vital reference on the creation, the language, and the hymns of The New Century Hymnal. It presents hymn profiles by Robert L. Anderson, who offers four different background notes with engaging information on each hymn. This unique format covers the hymn text and circumstances of its creation, biographical data on the hymn writer, origins of the hymn tune, and biography of the composer or arranger. Permission is included for the notes to be read aloud or reproduced for worship, enhancing the congregation's understanding and appreciation of the hymns.
This work is a study of Polynesian music illustrated by music examples and photographs.
Martin Luther's relationship to music has been largely downplayed, yet music played a vital role in Luther's life -- and he in turn had a deep and lasting effect on Christian hymnody. In Luther's Liturgical Music Robin Leaver comprehensively explores these connections. Replete with tables, figures, and musical examples, this volume is the most extensive study on Luther and music ever published. Leaver's work makes a formidable contribution to Reformation studies, but worship leaders, musicians, and others will also find it an invaluable, very readable resource.
‘This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular music culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume.' Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North Carolina at Chapel Hill The first comprehensive reference work on popular music of the world Contributors are the world's leading popular music scholars Includes extensive bibliographies, discographies, sheet music listings and filmographies. Popular music has been a major force in the world since the nineteenth century. With the advent of electronic and advanced technology it has become ubiquitous. This is the first volume in a series of encyclopedic works covering popular music of the world. Consisting of some 500 entries by 130 contributors from around the world. Entries range between 250 and 5000 words, and is arranged in two Parts: Part 1: Social and Cultural Dimensions, covering the social phenomena of relevance to the practice of popular music. Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided. For more information visit the website at: www.continuumpopmusic.com
In the third volume of his bestselling series, Pastor Robert Morgan expands his material to include the great history of worship, the first biblical hymns, biographical sketches of the most interesting composers, and almost 60 generations of hymn singing. In 2003, Robert Morgan released what would become a future classic for over a million readers: a unique book entitled Then Sings My Soul. This collection of the world’s greatest hymns and the stories behind them stirred an entire generation to better understand the heritage of our faith through song. Now, in the third volume of this series, Morgan expands his material to include: The fascinating history of worship from ancient times to contemporary praise Almost 60 generations of hymn singing Biographical sketches of the most interesting composers Hymn index for easy reference Then Sings My Soul: Book 3 also includes a collection of the greatest hymns you’ve never heard, with lead-sheets included. All of this is in addition to even more standard hymns and the stories of the composers behind them. Morgan’s conclusion guides the reader into enjoying all of God’s music, blending the old and the new into a symphony of praise that keeps the worship alive for a new generation.
From the nineteenth through the mid-twentieth centuries, millions of American men and women participated in fraternal associations--self-selecting brotherhoods and sisterhoods that provided aid to members, enacted group rituals, and engaged in community service. Even more than whites did, African Americans embraced this type of association; indeed, fraternal lodges rivaled churches as centers of black community life in cities, towns, and rural areas alike. Using an unprecedented variety of secondary and primary sources--including old documents, pictures, and ribbon-badges found in eBay auctions--this book tells the story of the most visible African American fraternal associations. The authors demonstrate how African American fraternal groups played key roles in the struggle for civil rights and racial integration. Between the 1890s and the 1930s, white legislatures passed laws to outlaw the use of important fraternal names and symbols by blacks. But blacks successfully fought back. Employing lawyers who in some cases went on to work for the NAACP, black fraternalists took their cases all the way to the Supreme Court, which eventually ruled in their favor. At the height of the modern Civil Rights movement in the 1950s and 1960s, they marched on Washington and supported the lawsuits through lobbying and demonstrations that finally led to legal equality. This unique book reveals a little-known chapter in the story of civic democracy and racial equality in America.