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1. Shakespeare, William, 1564-1616-Shakespeare's Sonnets-Substitution code-1609 Quarto- 2. The Poet William Shakespeare-The Youth Henry Wriothesley-The Dark Lady Aemelia Bessano Lanyer- The Rival Poet Christopher Marlowe-Deciphering- Time and Timeline-Names and Identities.
Revolutionary new discoveries reveal the actual location where (according to coded information embedded in the poet's church) the great Bard himself has left physical evidence that promises to finally end the persistent controversy concerning his identity. What is hidden at Stratford could well be the greatest story Shakespeare ever wrote! Unlike anything you've ever read about him, 'Dee-Coding Shakespeare' is an exquisite cryptographic maze and includes over 20 gorgeous, full-page photographs of Holy Trinity Church, Stratford. The reader is taken on a breath-taking journey of discovery and invited to be part of history by solving the mystery themselves. Forty puzzles take just a couple of minutes each to work out and result in a stunning conclusion that will shake the halls of academia and bring new life to our appreciation of the most enduring literary genius the world has ever known. The Bard will never be the same ... to-morrow, and to-morrow, and to-morrow.
Shakespeare historian Brenda James reveals that the true author of the Bard's works is Sir Henry Neville. This work outlines her investigation that unravels the mysteries behind the sonnets and explains some of the most obscure references in the plays.
Shakespeare’s Verbal Art is a profoundly important study of the newly rediscovered anagrams that lie hidden below the surface of all Shakespearean texts. It explains the essential role played by these concealed figures in Classical and Renaissance poetry, demonstrating the revelatory function of anagram by reference to the close analysis of a wide range of examples. Special attention is given to Shakespeare’s use of these sub-textual devices to clarify meaning and intention. The focus is first on Shake-speares Sonnets of 1609, and secondly on Hamlet, Othello and Twelfth Night, all of which are found to be composed around the concealed anagrams that render these works self-interpreting. A new kind of language use is revealed, in terms of which pre-Enlightenment text is envisaged as existing in two distinct dimensions – the overt and the covert – both of which must be read if any particular poem or play is to be fully understood. In effect, a wholly new set of Shakespearean texts is made available to the reader, who will find Shakespeare’s Verbal Art an essential guide to the new discoveries. The book will also be indispensable in the fields of Classical and Renaissance literature, linguistics, poetics, rhetoric, and literary history, and in relation to the pre-Enlightenment text in general, and will interest both the specialist and the general reader.
As David Ovason reveals, many leading esoteric writers - alchemists, occultists and Rosicrucians -contributed to this 'Secret booke'. Among the more outstanding English literary figures who used the code were the mysterious adviser to Elizabeth I, John Dee, the turbulent author of The Alchemist, Ben Jonson, and the more classically-minded Edmund Spenser, whose poem 'The Faerie Queene' is the best-known esoteric work of the period. Shakespeare's Secret Booke reveals many other literary figures who together form a remarkable underground literary movement, including the most influential esotericist of the period, Jacob Boehme, and alchemists such as the English polymath Robert Fludd. Another was Shakespeare's contemporary, the youthful Johann Valentin Andreae, credited as author of The Chymical Wedding - a Rosicrucian work replete with sophisticated examples of encoding. --