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El Libro "Secretos y Confidencias", trata sobre la vida de la autora, de lo que fue y es en la actualidad. Aquí está narrada su experiencia de vida a partir de una breve reseña sobre sus ancestros. El Libro contiene relatos de sus años de niñez, adolescencia y adultez. Basado en sus experiencias personales, pretende entretener y al mismo tiempo servir de guía a otras mujeres que hayan tenido problemáticas similares. Si bien este libro no ha sido escrito como ejemplo para nadie, la sinceridad y puntos de vista que comparte con sus lectores, al menos servirá para dar a conocer sus profundos anhelos y sueños de felicidad, al mismo tiempo que sus muchastristezas y duelos. En la tercera parte de este libro, la autora comparte episodios de casos paranormales, de sus propias investigaciones como psíquica. El Libro "Secretos y Confidencias", está dedicado a un lector de criterio formado.
El libro "Cómo escapar de la Matrix y no morir en el intento, es la continuación de una serie de publicaciones de la escritora Wendalla Wicca, en donde se narran variados episodios de su vida y experiencias personales relacionadas con sus facultades psíquicas.En esta oportunidad nos habla del regreso a la esencia primera del Ser Humano y de todas sus reales capacidades físicas y mentales, lejos de la superstición y de cómo todas ellas te pueden hacer un mejor ser humano, libre de las ataduras con que el sistema actual de vida, te ha atrapado.
This is a scholarly edition of three stories by Carmen de Burgos (1867-1932), including the unabridged texts, vocabulary, notes, chronology, bibliography, 'temas de debate y discusión', and a critical introduction. De Burgos, also known by her pen-name of 'Colombine', was an influential journalist, socio-political activist, and a key literary figure in the cultural ferment of pre-war Madrid. She is currently being rediscovered, having languished in a long and regrettable oblivion during the Franco years. Confidencias (1920) is the fictional diary of a young married woman, describing her first adulterous relationship and exploiting the narratological possibilities of the diary form. La mujer fría (1922) is a vampire story featuring perhaps the very first pitiable vampire, or at least one of the earliest examples of this type, whilst ingeniously maintaining undecidability as to whether the protagonist is supernatural. Puñal de claveles (1931) narrates a wedding-day elopement and was inspired by a news item, the so-called 'Crimen de Níjar' of 1928. Federico García Lorca drew on de Burgos's story and the real-life crime for his Bodas de sangre, but while his play is tragic, Puñal is bathed in a golden glow of nostalgia for the author's native Andalusia and ends optimistically. As well as making accessible three individually interesting and entertaining stories, this book offers a varied selection, with some of the issues closest to Colombine's heart tackled from different perspectives, but adding up to a coherent critique of marriage conventions, women's poor education, and prevailing ideals of femininity.
El «Libro de Margery Kempe» constitueix la primera autobiografia escrita en llengua anglesa i, així mateix, es conta entre els exemples més notables de la literatura mística anglosaxona medieval. Concebut amb una finalitat eminentment didàctica, és l'única font per a reconstruir la controvertida vida d'una figura insòlita, d'una dama burgesa, muller, mare, dona de negocis, pelegrina i visionària. Aquestes memòries, dictades per ella mateixa al final de la seua vida, tracen un extraordinari retrat d'una dona de caràcter indoblegable, immersa en una experiència mística que la va portar a enfrontar-se a la religiositat dominant i a les jerarquies eclesiàstiques, sempre en el tall de l'acusació d?heretgia. El llibre constitueix un ampli i bigarrat retaule de la societat i la vida quotidiana en una època de grans transformacions com van ser els segles XIV i XV.
Consists of English translations of articles in the Spanish American press.
A powerfully redemptive novel about one woman's search for herself--from Guadeloupe to France to the United States Ranelise is a cook in the small village of La Pointe in Guadeloupe where she rescues a teenage girl from suicide by drowning. The girl, Reynalda Titane, lives at the local jeweler's grand house where her mother, Nina, is a maid. Reynalda is pregnant and in a state of despair. Ranelise cares for her and the child, christened Marie-Noelle, but Reynalda soon flees to France, intent upon getting the education to allow her to rise above her mother's fate. Desirada is the story of Marie-Noelle and her quest to understand the mother who abandoned her, and discover the identity of her father, despite the opposing stories from her mother and her grandmother. It is also the story of generations of island women and the pursuit of a meaningful life despite a tainted personal history. Desirada was awarded the prestigious Prix Carbet de la Caraibe in 1998 given for the best book by a Caribbean author. It is Ms. Conde's twelfth novel.
Given the remarkable similarities between Burgos's critical analysis and recent feminist legal theory, her writings are still disturbingly relevant today. This study also explores the relationship between melodrama as a genre of manichean worldviews and law as a system of binary oppositions and discusses Burgos's subversion of the former as a means to criticise the latter."--Jacket.
In this subtly haunting novel, a married woman confesses her encounter with a mysterious man, which threatens the stilted calm of life in a Paris suburb. Echoing the acclaimed and unsettling film Sundays and Cybèle from 1962, A Sunday in Ville-d’Avray is suffused with the same feeling of disquiet: Two sisters meet as the light is fading in a detached house in Ville-d’Avray, each filled with the memory of their childhood hopes and fears, their insatiable desire for the romantic, for wild landscapes worthy of Jane Eyre, and for a mad love, all concealed beneath the appearance of a sensible life. Claire Marie, considered by most to be a dreamy, passive sort of person, suddenly breaks from the everyday by confiding in her sister about an unlikely meeting in this seemingly peaceful provincial town. To her listener’s amazement, she tells of her wanderings around the Fausses-Reposes forest, the Corot Ponds, and the suburban train stations, and the lurking dangers she encountered there. In this arresting novel reminiscent of Simenon, Dominique Barbéris explores the great depths of the human soul, troubled like the waters of the ponds.
This new book catalogues some 215 prominent film directors from both countries, giving accurate bio-filmographies and providing an in-depth reference source. Full attention is given to the propaganda cinema under dictators Franco and Salazar, to film-makers who left to work abroad--especially in Latin America--and to those filming in the regional languages (mainly Basque and Catalan). There is coverage not only of internationally well-known figures Almodovar, Bunuel, Oliveira, and Saura, but also across the complete range of feature, documentary, and animation film-making: early pioneers Segundo de Chomon, Catalans Jose Maria Codina, Fructuoso Gelabert, and Magi Muria, and Portuguese Aurelio da Paz dos Reis; experimentalists and avant-garde figures such as Lorenzo Llobet-Gracia, Jose Val del Omar, and Nemesio Sobrevila and documentarist Antonio Campos; animators Cruz Delgado, Francisco Macian, and Arturo Moreno (who worked on the first full-length animated film in Europe, Garbancito de la Mancha, in 1945). Each entry gives information on the film-maker's career (date and place of birth, educational qualifications, work experience, positions held), together with a list of films made, with dates of production. There are three indexes: Country Index, Film Title Index, and General Index. The index of film titles lists over 3,000 entries, including the original languages and their English language and aka equivalents.
A daring masterwork by Javier Marias: "Spain's most subtle and gifted writer." (The Boston Globe)