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This volume presents essays written in honour of Robert Maltby, Emeritus Professor of Latin at the University of Leeds. It offers a rich collection of modern scholarship covering a wide range of literary genres in Latin literature, spanning from Augustan times up to the Italian Renaissance. The value of this volume lies in its inclusion of new interpretations of well-discussed texts from the past, shedding light on texts that have recently garnered scholarly attention and sparked lively discussions. Fifteen essays reflect the main areas of scholarship and interests of the honoree in a variety of Roman literary genres, with special focus on the Corpus Tibullianum, but also on etymologising and textual criticism. The collection is not exclusively intended for classicists, historical linguists, and textual critics. By providing insightful discussions and fresh interpretations of themes and issues in Latin literature from a contemporary perspective, it also appeals to anyone interested in Mediterranean studies, the socio-cultural aspects of literature, and comparative literature.
The canon of classical Greek and Latin poetry is built around big names, with Homer and Virgil at the center, but many ancient poems survive without a firm ascription to a known author. This negative category, anonymity, ties together texts as different as, for instance, the orally derived Homeric Hymns and the learned interpolation that is the Helen episode in Aeneid 2, but they all have in common that they have been maltreated in various ways, consciously or through neglect, by generations of readers and scholars, ancient as well as modern. These accumulated layers of obliteration, which can manifest, for instance, in textual distortions or aesthetic condemnation, make it all but impossible to access anonymous poems in their pristine shape and context. The essays collected in this volume attempt, each in its own way, to disentangle the bundles of historically accreted uncertainties and misconceptions that affect individual anonymous texts, including pseudepigrapha ascribed to Homer, Manetho, Virgil, and Tibullus, literary and inscribed epigrams, and unattributed fragments. Poems without Poets will be of interest to students and scholars working on any anonymous ancient texts, but also to readers seeking an introduction to classical poetry beyond the limits of the established canon.
A close friend of Horace, the late Republic poet Tibullus composed some of the most refined and celebrated elegies of Latin literature. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Latin and Greek texts. This comprehensive eBook presents Tibullus’ complete extant works, with beautiful illustrations, rare texts and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Tibullus’ life and works * Features the complete extant works of Tibullus, in both English translation and the original Latin * Concise introduction to the poetry * Provides both verse (Theodore C. Williams) and prose (J. P. Postgate) translations of the elegies * Includes Postgate’s celebrated translation from the Loeb Classical Library edition * Excellent formatting of the poetry * Easily locate the poems or works you want to read with individual contents tables * Includes Tibullus’ spurious elegies, first time in digital print * Provides a special dual English and Latin text, allowing readers to compare the elegies section by section – ideal for students * Features two bonus biographical works – discover Tibullus’ ancient world * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to explore our range of Ancient Classics titles CONTENTS: The Translations PROSE TRANSLATION VERSE TRANSLATION The Latin Text CONTENTS OF THE LATIN TEXT The Dual Text DUAL LATIN AND ENGLISH TEXT The Biographies THE ELEGIAC POETS by Charles Thomas Cruttwell PROPERTIUS AND THE ELEGISTS by J. W. Mackail Please visit www.delphiclassics.com to browse through our range of exciting titles
This book presents the first commentary on the whole of [Tibullus] 3 in English. It consists of a text, translation, introduction and commentary. The text rests on the author’s autopsy of the most important manuscripts of [Tibullus]. The prose translation is as literal as possible, in order to bring out clearly the meaning of the Latin. The detailed line-by-line commentary serves to clarify the language and literary associations of the poems and to back up the theory that the whole work was composed by a single unitary author. It argues that what were previously thought of as separate sections of the book, composed by different authors at different times, were in fact the product of a single anonymous poet impersonating, or adopting the mask of, different characters in each section: Lygdamus (poems 1-6), a young Tibullus (7), a commentator on Sulpicia’s affair with Cerinthus (8-12), Sulpicia (13-18) and Tibullus (19-20). The close connections and associations between these different sections and their use of the same Augustan intertexts are shown to favour a unitary interpretation of the work. The main literary inspiration for the work, this volume argues, comes from the elegists of the Augustan period, but its date of composition could have been late in the first century AD, linking it with the other pseudepigraphical writings of this century such as the Virgilian and Ovidian Appendices.
Published between 1868 and 1920, this 35-volume set illuminates the development of specialised academic journals as well as classical philology.
Despite his enduring popularity, Martial has recently suffered from serious critical neglect. The present work is the first edition of selections from Martial to be published for decades, and includes a fully representative selection of the oeuvre of the poet, who has often been criticised, unfairly, the authors argue, for obscenity and flattery of the Emperor Domitian. The epigrams included in the selection are organised under various heads, e.g. Martial and poetry, sexual mores, satirical pieces. A very full introduction deals with such topics as the prejudices and predilections of his audience which conditioned Martial's choice of subject matter, Martial's language, the structure and style of the epigrams, the epigrammatic tradition and Martial's creative engagement with it. The detailed commentary is suitable for use with undergraduates and is distinguished by its focus on social history as well as literary interpretation.
Bryn Mawr Commentaries provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient Greek and Latin literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation. Hackett Publishing Company is the exclusive distributor of the Bryn Mawr Commentaries in North America, the United Kingdom, and Europe.
Tibullus's two books of elegies belong to the early part of the reign of Augustus (31-19 B.C.). His themes were love, the countryside and Rome, its gods and traditions. His patron was the great general and orator M. Valerius Messalla Corvinus. One of the four canonical Latin elegiac poets (Gallus, of whom almost nothing survives, Propertius and Ovid being the others), Tibullus has a distinctive voice and an individual approach to the conventional subject matter, bland on the surface but turbulent and passionate on deeper examination. His easy stylistic mastery cloaks vivid intellectual activity and turbulent emotion. This edition, revised in collaboration with Robert Maltby, includes for the first time the third book of the Corpus Tibullianum, a collection of poems by others within Messalla's circle, including the female elegist Sulpicia. Guy Lee's acclaimed verse translation, rhythmically subtle and lively in verbal texture, can be read with delight on its own and enhances our enjoyment and appreciation of Tibullus's Latin. Robert Maltby has provided for the third edition an extensive new commentary, illuminating many aspects of Tibullus' art and literary background.