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NATIONAL BESTSELLER • A NEW YORK TIMES NOTABLE BOOK “This scrupulously elegant account of the creation of what four centuries of history has confirmed is the finest English-language work of all time, is entirely true to its subject: Adam Nicolson’s lapidary prose is masterly, his measured account both as readable as the curious demand and as dignified as the story deserves.” — Simon Winchester, author of Krakatoa In God's Secretaries, Adam Nicolson gives a fascinating and dramatic account of the era of the King James Bible and its translation, immersing us in an age whose greatest monument is not a painting or a building but a book. A network of complex currents flowed across Jacobean England. This was the England of Shakespeare, Jonson, and Bacon; the era of the Gunpowder Plot and the worst outbreak of the plague. Jacobean England was both more godly and less godly than the country had ever been, and the entire culture was drawn taut between these polarities. This was the world that created the King James Bible. It is the greatest work of English prose ever written, and it is no coincidence that the translation was made at the moment "Englishness," specifically the English language itself, had come into its first passionate maturity. The English of Jacobean England has a more encompassing idea of its own scope than any form of the language before or since. It drips with potency and sensitivity. The age, with all its conflicts, explains the book. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
A net of complex currents flowed across Jacobean England. This was the England of Shakespeare, Jonson and Bacon; of the Gunpowder Plot; the worst outbreak of the plague England had ever seen; Arcadian landscapes; murderous, toxic slums; and, above all, of sometimes overwhelming religious passion. Jacobean England was both more godly and less godly than it had ever been, and the entire culture was drawn taut between the polarities. This was the world that created the King James Bible. It is the greatest work of English prose ever written, and it is no coincidence that the translation was made at the moment “Englishness” and the English language had come into its first passionate maturity. Boisterous, elegant, subtle, majestic, finely nuanced, sonorous and musical, the English of Jacobean England has a more encompassing idea of its own reach and scope than any before or since. It is a form of the language that drips with potency and sensitivity. The age, with all its conflicts, explains the book. The sponsor and guide of the whole Bible project was the King himself, the brilliant, ugly and profoundly peace-loving James the Sixth of Scotland and First of England. Trained almost from birth to manage the rivalries of political factions at home, James saw in England the chance for a sort of irenic Eden over which the new translation of the Bible was to preside. It was to be a Bible for everyone, and as God's lieutenant on earth, he would use it to unify his kingdom. The dream of Jacobean peace, guaranteed by an elision of royal power and divine glory, lies behind a Bible of extraordinary grace and everlasting literary power. About fifty scholars from Cambridge, Oxford and London did the work, drawing on many previous versions, and created a text which, for all its failings, has never been equaled. That is the central question of this book: How did this group of near-anonymous divines, muddled, drunk, self-serving, ambitious, ruthless, obsequious, pedantic and flawed as they were, manage to bring off this astonishing translation? How did such ordinary men make such extraordinary prose? In God's Secretaries, Adam Nicolson gives a fascinating and dramatic account of the accession and ambition of the first Stuart king; of the scholars who labored for seven years to create his Bible; of the influences that shaped their work and of the beliefs that colored their world, immersing us in an age whose greatest monument is not a painting or a building, but a book.
"The English women prophets and visionaries whose voices are recovered here all lived between the twelfth and the seventeenth centuries and claimed, through the medium of trances and eucharistic piety, to speak for God. [...] Through prophecy they were often able to intervene in the religious and political discourse of their times: the role of God's secretary gave them the opportunity to act and speak autonomously and publicly"--Back cover.
A fascinating, lively account of the making of the King James Bible. James VI of Scotland -- now James I of England -- came into his new kingdom in 1603. Trained almost from birth to manage rival political factions, he was determined not only to hold his throne, but to avoid the strife caused by religious groups that was bedevilling most European countries. He would hold his God-appointed position and unify his kingdom. Out of these circumstances, and involving the very people who were engaged in the bitterest controversies, a book of extraordinary grace and lasting literary appeal was created: the King James Bible. 47 scholars from Cambridge, Oxford and London translated the Bible, drawing from many previous versions, and created what many believe to be the greatest prose work ever written in English -- the product of a culture in a peculiarly conflicted era. This was the England of Shakespeare, Marlowe, Jonson and Bacon; but also of extremist Puritans, the Gunpowder plot, the Plague, of slum dwellings and crushing religious confines. Quite how this astonishing translation emerges is the central question of this book. Far more than Shakespeare, this Bible helped to create and shape the language. It is the origin of many of our most familiar phrases, and the foundations of the English-speaking world. It was a generous and deliberate decision to make the Bible available to the common man: not an immediate commercial success, but which later became a bestseller, and has remained one ever since. Adam Nicolson gives a fascinating and dramatic account of the early years of the first Stewart ruler, and the scholars who laboured for seven years to create the world's greatest book; immersing us in a world of ingratiating bishops, a fascinating monarch and London at a time unlike any other.
“One of the best collections I’ve ever read. Every single story is a standout.”—Roxane Gay WINNER OF THE CHAUTAUQUA PRIZE • LONGLISTED FOR THE STORY PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Refinery29 • BookRiot “Fuses science, myth, and imagination into a dark and gorgeous series of questions about our current predicaments.”­—Anthony Doerr, author of All the Light We Cannot See A dystopian tale about genetically modified septuplets who are struck by a mysterious illness; a love story about a man bewitched by a mermaid; a stirring imagining of the lives of Nigerian schoolgirls in the aftermath of a Boko Haram kidnapping. The stories in All the Names They Used for God break down genre barriers—from science fiction to American Gothic to magical realism to horror—and are united by each character’s brutal struggle with fate. Like many of us, the characters in this collection are in pursuit of the sublime. Along the way, they must navigate the borderland between salvation and destruction. NAMED A MUST-READ BOOK BY Harper’s Bazaar • Entertainment Weekly • AM New York • Reading Women AND A TOP READ BY Elle • Fast Company • The Christian Science Monitor • Bustle • Shondaland • Popsugar • Refinery29 • Bookish • Newsday • The Millions • Asian American Writers’ Workshop • HelloGiggles “Strange and wonderful . . . delightfully unexpected.”—The New York Times Book Review “Completing one [story] is like having lived an entire life, and then being born, breathless, into another.”—Carmen Maria Machado “Captivating.”—NPR “Gripping.”—Los Angeles Review of Books “[A] remarkable debut . . . Sachdeva is seemingly fearless and her talent limitless.”—AM New York “This phenomenal debut short-story collection is filled with stories that bring the otherworldly to life and examine the strangeness of humanity.”—Bustle “So rich they read like dreams . . . They are enormous stories, not in length but in ambition, each an entirely new, unsparing world. Beautiful, draining—and entirely unforgettable.”—Kirkus Reviews (starred review)
A network of complex currents flowed across Jacobean England. This was the England of Shakespeare, Jonson, and Bacon; the era of the Gunpowder Plot and the worst outbreak of the plague. Jacobean England was both more godly and less godly than the country had ever been, and the entire culture was drawn taut between these polarities. This was the world that created the King James Bible. It is the greatest work of English prose ever written, and it is no coincidence that the translation was made at the moment "Englishness," specifically the English language itself, had come into its first passionate maturity. The English of Jacobean England has a more encompassing idea of its own scope than any form of the language before or since. It drips with potency and sensitivity. The age, with all its conflicts, explains the book. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
Nobel Laureate Desmond Tutu has long been admired throughout the world for the heroism and grace he exhibited while encouraging countless South Africans in their struggle for human rights. In God Has a Dream, his most soul-searching book, he shares the spiritual message that guided him through those troubled times. Drawing on personal and historical examples, Archbishop Tutu reaches out to readers of all religious backgrounds, showing how individual and global suffering can be transformed into joy and redemption. With his characteristic humor, Tutu offers an extremely personal and liberating message. He helps us to “see with the eyes of the heart” and to cultivate the qualities of love, forgiveness, humility, generosity, and courage that we need to change ourselves and our world. Echoing the words of Martin Luther King, Jr., he writes, “God says to you, ‘I have a dream. Please help me to realize it. It is a dream of a world whose ugliness and squalor and poverty, its war and hostility, its greed and harsh competitiveness, its alienation and disharmony are changed into their glorious counterparts. When there will be more laughter, joy, and peace, where there will be justice and goodness and compassion and love and caring and sharing. I have a dream that my children will know that they are members of one family, the human family, God’s family, my family.’” Addressing the timeless and universal concerns all people share, God Has a Dream envisions a world transformed through hope and compassion, humility and kindness, understanding and forgiveness.
Calculating God is the new near-future SF thriller from the popular and award-winning Robert J. Sawyer. An alien shuttle craft lands outside the Royal Ontario Museum in Toronto. A six-legged, two-armed alien emerges, who says, in perfect English, "Take me to a paleontologist." It seems that Earth, and the alien's home planet, and the home planet of another alien species traveling on the alien mother ship, all experienced the same five cataclysmic events at about the same time (one example of these "cataclysmic events" would be the meteor that wiped out the dinosaurs). Both alien races believe this proves the existence of God: i.e. he's obviously been playing with the evolution of life on each of these planets. From this provocative launch point, Sawyer tells a fast-paced, and morally and intellectually challenging, SF story that just grows larger and larger in scope. The evidence of God's universal existence is not universally well received on Earth, nor even immediately believed. And it reveals nothing of God's nature. In fact. it poses more questions than it answers. When a supernova explodes out in the galaxy but close enough to wipe out life on all three home-worlds, the big question is, Will God intervene or is this the sixth cataclysm:? Calculating God is SF on the grand scale. Calculating God is a 2001 Hugo Award Nominee for Best Novel. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A myth-busting insider’s account of the Iranian Revolution of 1979 that destroyed US influence in the country and transformed the politics of the Middle East and the world. The 1979 Islamic revolution in Iran was one of the seminal events of our time. It inaugurated more than thirty years of war in the Middle East and fostered an Islamic radicalism that shapes foreign policy in the United States and Europe to this day. Drawing on his lifetime of engagement with Iran, James Buchan explains the history that gave rise to the Revolution, in which Ayatollah Khomeini and his supporters displaced the Shah with little diffi­culty. Mystifyingly to outsiders, the people of Iran turned their backs on a successful Westernized government for an amateurish religious regime. Buchan dispels myths about the Iranian Revolution and instead assesses the historical forces to which it responded. He puts the extremism of the Islamic regime in perspective: a truly radical revolution, it can be compared to the French or Russian Revolu­tions. Using recently declassified diplomatic papers and Persian-language news reports, diaries, memoirs, interviews, and theological tracts, Buchan illumi­nates both Khomeini and the Shah. His writing is always clear, dispassionate, and informative. The Iranian Revolution was a turning point in modern history, and James Buchan’s Days of God is, as London’s Independent put it, “a compelling, beautifully written history” of that event.
When John Foster Dulles died in 1959, he was given the largest American state funeral since Franklin Delano Roosevelt’s in 1945. President Eisenhower called Dulles—his longtime secretary of state—“one of the truly great men of our time,” and a few years later the new commercial airport outside Washington, DC, was christened the Dulles International Airport in his honor. His star has fallen significantly since that time, but his influence remains indelible—most especially regarding his role in bringing the worldview of American exceptionalism to the forefront of US foreign policy during the Cold War era, a worldview that has long outlived him. God’s Cold Warrior recounts how Dulles’s faith commitments from his Presbyterian upbringing found fertile soil in the anti-communist crusades of the mid-twentieth century. After attending the Oxford Ecumenical Church Conference in 1937, he wrote about his realization that “the spirit of Christianity, of which I learned as a boy, was really that of which the world now stood in very great need, not merely to save souls, but to solve the practical problems of international affairs.” Dulles believed that America was chosen by God to defend the freedom of all those vulnerable to the godless tyranny of communism, and he carried out this religious vision in every aspect of his diplomatic and political work. He was conspicuous among those US officials in the twentieth century that prominently combined their religious convictions and public service, making his life and faith key to understanding the interconnectedness of God and country in US foreign affairs.