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This anthology traces the history of fantastic literature in Chile and Argentina. The stories include fairy tales, science fiction, and metaphorical political tales.
"This collection is painful, disturbing, and rewarding. Freeman and three other translators transform Storni's razor-sharp poetry into English versions that invite constant rereading. This is a poetry of fatal beauty that leads toward unavoidable death, but not before freeing the poet to leave everything she can behind."--Ray Gonzalez, Bloomsbury Review
In the year 2368, humanity struggles to recuperate from a technocaust that has left a generation of orphans in its wake. Strict government regulations convince people that technology is dangerous; confusion and fear rule the earth. Blay Raytee is a government work-camp orphan. Her future seems as bleak as that of the world around her. But when she is chosen for a special mission by a guardian of the environment named Marrella, Blay begins to discover that all may not be as it seems. The secrets she uncovers could hold the key both to the healing of the world and to her own past. What she learns may just empower her to join those who struggle to restore democracy -- and to discover at last who she really is. Master storyteller Janet McNaughton vividly imagines an all-too-believable future where one child's brave search for the truth could restore a broken world.
"Gabriela Mistral writes from an intense simplicity of expression, image, and emotion and Langston Hughes profoundly understands that. Her poems really shine through in these translations. He pays much attention to the music and energy of her lines. This is something like a selection curated on a theme: over half of them deal with pregnancy, motherhood, and children; many are lullabies" --from Goodreads.com.
Twenty-five short stories from the Hispanic Caribbean. In Pedro Peix's Requiem for a Wreathless Corpse, a family tries to capitalize on the death of a relative who was a famous guerrilla, while the story, Now That I'm Back, Ton, is on a man's disappointment following his return home.
He's run away home. That's what they say every time one of Charley Winslow's friends vanishes from The Old Cross School for Boys. It's just a tall tale. That's what they tell Charley when he sees the ragged grey figure stalking the abbey halls at night. When Charley follows his pet insects to a pool of blood behind a false wall, he could run and let those stones bury their secrets. He could assimilate, focus on his studies, and wait for his father to send for him. Or he could walk the dark tunnels of the school's heart, scour its abandoned passages, and pick at the scab of a family's legacy of madness and murder. With the help of Sam Forster, the school's gardener, and Matron Grace, the staff nurse, Charley unravels Old Cross' history and exposes a scandal stretching back to when the school was a home with a noble family and a dark secret--a secret that still haunts its halls with scraping steps, twisting its bones into a new generation of nightmares.
The only work of its kind in English or Spanish
This intriguing group of travel journals reveals the voices of women who travelled in Latin America during the nineteenth century. From French nuns who left their homelands to establish convents in Latin America to well-bred English women who accompanied their husbands on business travels, these women discovered a world beyond anything they had known or expected and recorded it in their diaries. Includes previously unpublished work, as editor Marjorie Agosin found some of these diaries tucked away and forgotten in a musty convent library in Santiago, Chile. All entries show us the private thoughts and indomitable spirits of women who dared to move beyond the safety of hearth and home and in doing so, discovered not only new lands, but also themselves.
The makers of obi, the elegant and costly sash worn over kimono in Japan, belong to an endangered species. These families of manufacturers, weavers, and other craftspeople centered in the Nishijin weaving district of Kyoto have practiced their demanding craft for generations. In recent decades, however, as a result of declining markets for kimono, they find their livelihood and pride harder to sustain. This book is a poignant exploration of a vanishing world. Tamara Hareven integrates historical research with intensive life history interviews to reveal the relationships among family, work, and community in this highly specialized occupation. Hareven uses her knowledge of textile workers' lives in the United States and Western Europe to show how striking similarities in weavers' experiences transcend cultural differences. These very rich personal testimonies, taken over a decade and a half, provide insight into how these men and women have juggled family and work roles and coped with insecurities. Readers can learn firsthand how weavers perceive their craft and how they interpret their lives and view the world around them. With rare immediacy, The Silk Weavers of Kyoto captures a way of life that is rapidly disappearing.