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After his 1728 Virginia-North Carolina boundary expedition, Virginia planter and politician William Byrd II composed two very different accounts of his adventures. The Secret History of the Line was written for private circulation, offering tales of scandalous behavior and political misconduct, peppered with rakish humor and personal satire. The History of the Dividing Line, continually revised by Byrd for decades after the expedition, was intended for the London literary market, though not published in his lifetime. Collating all extant manuscripts, Kevin Joel Berland's landmark scholarly edition of these two histories provides wide-ranging historical and cultural contexts for both, helping to recreate the social and intellectual ethos of Byrd and his time. Byrd enriched his narratives with material appropriated from earlier authors, many of whose works were in his library--the most extensive in the American colonies. Berland identifies for the first time many of Byrd's sources and raises the question: how reliable are histories that build silently upon antecedent texts and present borrowed material as firsthand testimony? In his analysis, Berland demonstrates the need for a new category to assess early modern history writing: the hybrid, accretional narrative.
"Byrd often mused about what would happen to the land in the future. While some of the dividing line still feels like wilderness, it is crisscrossed today by bridges and roads, its forests felled and paved over for parking lots and subdivisions, its waters diverted or drained. Ausband's story, therefore, is a natural history of a changed region."--BOOK JACKET.
A transcription from the original shorthand of the first part of Byrd's diary now in the Henry E. Huntington Library. Parts covering the period from December 13, 1717, to May 19, 1721, and from August 10, 1739, to August 31, 1741, are located in the Virginia Historical Society and the University of North Carolina Library respectively. cf. Introd.
Matt and Rose are now full-fledged members of the guard, yet their futures have never been bleaker. Despite Titan's resurrection spell, Antai is comatose with no signs of waking. The healers have tried everything, and Rose is beginning to lose hope. She needs someone to trust, but the king is more suspicious than ever. Matt is also growing desperate. His mom is on the brink of death, and he hasn't even begun to learn how to heal her. He must find a teacher fast or risk losing the only family he has left. Meanwhile, the Holy One is closer than ever. The laborers speak of his arrival, and they have the evidence to prove it. A string of murders erupts throughout the city, even permeating the palace walls. Nowhere is safe, and it's only a matter of time before the Holy One unleashes his full power. Soon, it will be a battle for survival.
In Frame Structures, Susan Howe brings together those of her earliest poems she wishes to remain in print, and in the forms in which she cares to have them last. Gathered here are versions of Hinge Picture (1974), Chanting at the Crystal Sea (1975), Cabbage Gardens (1979), and Secret History of the Dividing Line (1978) that differ in some respects from their original small-press editions. In a long preface, "Frame Structures", written especially for this volume, Howe suggests the autobiographical, familial, literary, and historical motifs that suffuse these early works. Taken together, the preface and poems reflect her rediscovered sense of her own beginnings as a poet, her movement from the visual arts into the iconography of the written word.
"An important and timely book that should be required reading for anyone interested in understanding how the United States and Iran went from close allies to enduring enemies." -The Washington Post "Deserves a spot on the short list of must-read books on United States-Iran relations." -The New York Times The dramatic secret history of the undeclared, ongoing war between the U.S. and Iran. The United States and Iran have been engaged in an unacknowledged secret war since the 1970s. This conflict has frustrated multiple American presidents, divided administrations, and repeatedly threatened to bring the two nations to the brink of open warfare. Drawing upon unparalleled access to senior officials and key documents of several U.S. administrations, David Crist, a senior historian in the federal government, breaks new ground on virtually every page of The Twilight War. From the Iranian Revolution to secret negotiations between Iran and the United States after 9/11, from Iran’s nuclear program to the secretive and deadly role of Qasem Soleimani, Crist brings vital new depth to our understanding of “the Iran problem”—and what the future of this tense relationship may bring.
Dividing Line Histories of William Byrd II of Westover
In this absorbing narrative Charles Royster traces the rise and fall of the eighteenth-century transatlantic culture that was built on the insatiable demand in Europe for Virginia tobacco and the equally insatiable American demand for European manufactured goods. Moving from the plantations of Virginia and Antigua to the warehouses of London and Glasgow, from the Gold Coast of Africa to the valleys of the Allegheny Mountains, from the iron furnaces of southern Wales to the subscribers' room of Lloyd's of London, Professor Royster gives us the story of the Dismal Swamp Company, a fantastically delusional enterprise that proposed draining and developing a vast morass along the Virginia-North Carolina border. Examining the interconnected lives of the company's partners, Royster reveals a colonial order built on a system of cronyism, conspicuous consumption, and debt that seems hauntingly familiar. He writes about the many schemers and dreamers (including George Washington, Robert "King" Carter, two William Byrds, Patrick Henry, Thomas Jefferson, and Robert Morris) who failed to amass their desired fortunes, and a few realists (Samuel Gist, Dr. Thomas Walker, and Anthony Bacon) who succeeded, but at the dire expense of others. And we see the breakdown of this culture and the transition to a more democratic, though similar, system after the Revolution. Throughout Royster's narrative we seepossessors possessed by their possessions, slaveholders possessed by slavery, and heirs possessed by litigation. Connecting all their stories are their unceasing efforts to make something substantial out of the insubstantial--chief among them the almost unbelievable delusion that fortunes could bemade from the Dismal Swamp.