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Secret Carnival Workers is the first volume to bring together Paul Haines' poems, short fiction and music journalism - influenced by jazz, Dada and the Surrealists - in all its complex and creative breadth. Including uncollected fictions, epigrammatic poems and lyrics and writings on music composed between 1955 and 2002, this book finally places a major talent under the spotlight.
This is the first comprehensive treatment of the remarkable music and influence of Carla Bley, a highly innovative American jazz composer, pianist, organist, band leader, and activist. With fastidious attention to Bley's diverse compositions over the last fifty years spanning critical moments in jazz and experimental music history, Amy C. Beal tenders a long-overdue representation of a major figure in American music. Best known for her jazz opera "Escalator over the Hill," her role in the Free Jazz movement of the 1960s, and her collaborations with artists such as Jack Bruce, Don Cherry, Robert Wyatt, and Pink Floyd drummer Nick Mason, Bley has successfully maneuvered the field of jazz from highly accessible, tradition-based contexts to commercially unviable, avant-garde works. Beal details the staggering variety in Bley's work as well as her use of parody, quotations, and contradictions, examining the vocabulary Bley has developed throughout her career and highlighting the compositional and cultural significance of her experimentalism. Beal also points to Bley's professional and managerial work as a pioneer in the development of artist-owned record labels, the cofounder and manager of WATT Records, and the cofounder of New Music Distribution Service. Showing her to be not just an artist but an activist who has maintained musical independence and professional control amid the profit-driven, corporation-dominated world of commercial jazz, Beal's straightforward discussion of Bley's life and career will stimulate deeper examinations of her work.
Where can you view a rare handwritten letter by Mozart in the same building where a notorious gangster was once chained to a radiator? Whose remains are stored inside a suitcase on the upper shelf of a local German bar? Where is there a park hidden 120 feet below street level, and why is it the subject of an opera? What’s the story behind the world’s largest Lite-Brite and the city bus stop with giant steel flowers sprouting from it? The answers to these and many more questions about Minneapolis and Saint Paul are found within the pages of Secret Twin Cities. The Twin Cities metropolitan area invites visitors and locals to revel in nature, art, science, history, innovation, and—with this book as your guide—a bit of the unexpected. You’ll play a musical sidewalk railing, stand exactly halfway between the Equator and the North Pole, and explore the spot many Dakota people consider as the center of the earth. Weaved into delightful narratives by local writer Julie Jo Severson, Secret Twin Cities is a treasure chest of offbeat, extraordinary gems and legacies. Whether you’re a local or here for a visit, you’ll broaden your Twin Cities itineraries, bucket lists, and trivia vaults.
I don't know how you got here but this page isn't for you. This is an extremely dangerous book with a very deadly secret. It is an alarming account of two extraordinary adventurers, a missing magician's diary, a symphony of smells and a deadly secret... If you're both curious and brave, visit www.thenameofthisbookissecret.co.uk - but remember - I warned you. "Many different types of readers will thoroughly enjoy this tale including fans of Anthony Horowitz and Lemony Snicket. The book is an interesting read where many types of emotions overwhelm you such as horror, grief, mystery, anxiety the lot. Mixed with a hint of sweet satisfaction that you have finally read the story. I honestly do not know how I lived without reading the book - it baffles me." - Guardian Children's Books Shortlisted Bedforshire Children's Book of the Year Award 2009, selected for the Premier League Reading Stars programme
Despite its status as one of the oldest and most enduringly popular sports in history, wrestling has been pushed to the background of the current American sports scene. Most people today would have a hard time even considering wrestling (with some of its modern theatrics) in the same terms as track and field or boxing. But until the 1920s, wrestling stood as a legitimate professional sport in this country, and a widely practiced amateur one as well. Its past respectability may not have endured, but the advent of cable television in the 1980s offered the sport a renewed opportunity to play a determining role in American popular culture. This opportunity was not wasted, and wrestlers now assume places in politics and film at the highest levels. Ringside, the first work to fully examine the history of professional wrestling in this country, provides an illuminating and colorful account of all of the various athletes, entertainers, businessmen, and national outlooks that have determined wrestling's erratic route through American history. This chronological work begins with a brief account of wrestling's global history, and then proceeds to investigate the sport's growth as a specifically American institution. Wrestling has continued to survive in the face of technological developments, scandals, public ridicule, and a lack of centralized control, and today this supremely adaptable entertainment form represents, in sum, an international industry capable of attracting enormous television and pay-per-view audiences, along with massive amounts of advertising and merchandizing revenue. Ringside focuses on the business of wrestling as well as on the performers and their in-ring antics, and offers readers a fully nuanced examination of the development of professional wrestling in America.
Where new music collides with contemporary pop (as opposed to jazz or classical), Plunderphonics explains the implications of the new wave of sonic appropriation.
So you're holding this book in your hand, wondering: Just what does this WWE Superstar know about the world of finance? Have you ever been down to your last twenty-seven dollars, out of a job, and wondering what you were going to do? If anyone needed to learn about finance, it was that person -- and he was me. I've had to learn through my own mistakes, and now you can learn from me. I break it all down for you in easy-to-understand language: Give Yourself a Pay Cut Set Your Goals Before You Start Living Within Your Means You Can't Crash-Diet -- Or Crash-Budget Good Debt vs. Bad Debt How Much Can You Spare? Keep It Simple Buy-and-Hold Doesn't Mean Buy-and-Ignore I might not work on Wall Street nor have a finance degree, but I've learned how to save, how to invest. And you too can Have More Money Now.
A former widower whose life was saved by writing about music spends a year waiting for his new wife to fly over from Toronto and join him in London. While he waits he observes that the world is subtly changing and that music has played a key part in these changes. A galaxy of characters, ranging from Marty Wilde to Jay-Z via Glenn Gould, Dorothy Squires, Britney Spears, Karlheinz Stockhausen, Patrick Cargill, Orson Welles and many forgotten others, conspire to alter his perspective, leading to a climax where he is finally united with his wife and the world chooses a new and better leader. The Blue in the Air is a gesture of defiance from a tiny but meaningful tugboat of resistance. At a time when we are repeatedly encouraged for reasons of demographic convenience to believe that music can change nothing and mean nothing, this writer demonstrates comprehensively that for those who stay awake, alert and alive, music still retains the power to change the fabric of the air we choose to breathe.
Music critic Gene Santoro discusses a diverse group of musicians, highlighting their distinctive features and the connections among them.
The year was 2000. The alternative music scene had all but died, and pre-packaged pop stars had filled the vacuum. But in a basement apartment in the heart of downtown Toronto, two musicians were forming a creative partnership that would revive the mass appeal of indie music and forever change how we think of a band. In this biography of the ever-evolving indie-rock collective, Broken Social Scene, music columnist Stuart Berman tracks the group's inception by Kevin Drew and Brendan Canning; groundbreaking performances at Ted's Wrecking Yard that raised the band's local status to mythical proportions; Broken Social Scene's meteoric rise upon the release of breakout album You Forgot It In People; the creation of Arts & Crafts records with music-biz maverick Jeffrey Remedios; and life on the road with revolving bandmates, including members of Stars, Metric, The Dears, and international pop sensation Feist. Stuart Berman has drawn from hours of interviews with members and affiliates of Broken Social Scene, and exclusive, never-before-seen photographs, gig posters, and artwork to create a spectacular oral and visual history of this ever-evolving indie-rock collective.