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The Secret in Medieval Literature explores the many secret agents, actions, creatures, and other beings influencing human existence. Medieval poets had a clear sense of the alternative dimension (the secret) and allowed it to enter quite frequently into their texts.
This long tradition would certainly not be a reason in itself to keep or restore the subject, had it not something to do with the subject itself. All of the associations between the past and literature, all of the signs that point towards an essential link between the notion of literature and a feeling for the past, are crystallized in medieval literature. The curiosity that medieval literature has aroused since it was rediscovered at the dawn of Romanticism presupposes such associations. The very forms of this literature bear indications of them. They encourage us to consider jointly the interest of modern times in the medieval past and the signs of the past with which the Middle Ages marked its own literature. Even more, they invite us to seek in the relationship with the past a defining criterion for literature, a most necessary task with reference to a time when words are not understood in their modern sense, and there is no guarantee that a corresponding notion exists. The best reason to continue with this hundred-and-fifty-year-old teaching is that its object may not even exist.
An examination of some enigmatic passages and episodes in the gospels.
In Secrets: Humanism, Mysticism, and Evangelism in Erasmus of Rotterdam, Bishop Guillaume Briçonnet, and Marguerite de Navarre, Jacob Vance argues that Erasmus and French Evangelical humanists made secrecy central to their literary thought. They revived Scriptural, medieval, and early Renaissance notions of secrecy in their spiritual and profane literature to advance the reforms in church and society that they advocated. Erasmus, Briçonnet, and Marguerite expanded on Origenian, Augustinian, and pseudo-Dionysian concepts of divine mystery, as being secret, throughout their works. By developing the idea that the divine remains both transcendent and immanent in the world of creation, these humanists explored, through literature, how the human spirit can either accede, or fail to accede, to the secrets of Christian wisdom.
Secrecy and Esoteric Writing in Kabbalistic Literature examines the strategies of esoteric writing that Kabbalists have used to conceal secrets in their writings, such that casual readers will only understand the surface meaning of their texts while those with greater insight will grasp the internal meaning. In addition to a broad description of esoteric writing throughout the long literary history of Kabbalah, this work analyzes kabbalistic secrecy in light of contemporary theories of secrecy. It also presents case studies of esoteric writing in the work of four of the first kabbalistic authors—Abraham ben David, Isaac the Blind, Ezra ben Solomon, and Asher ben David—and thereby helps recast our understanding of the earliest stages of kabbalistic literary history. The book will interest scholars in Jewish mysticism and Jewish philosophy, as well as those working in medieval Jewish history. Throughout, Jonathan V. Dauber has endeavored to write an accessible work that does not require extensive prior knowledge of kabbalistic thought. Accordingly, it finds points of contact between scholars of various religious traditions.
Sotheby’s, London, 1936. A paper by Sir Isaac Newton is sold at auction to a bookseller's agent and within minutes of leaving the auction house, he is killed and the paper stolen. For the Nazis are desperate to get their hands on a Newton formula that will unleash the Secret Fire – a weapon beyond all imagining that can wipe their enemies off the face of the earth. And this document is the key . . . unless the French Resistance and SOE operatives also on its trail can stop them. New York, 2007. Katherine Reckliss inherits her grandmother's SOE radio and starts to pick up disturbing messages from occupied France, warning that a V1 containing the Secret Fire is being launched by the Nazis. Its target? Present-day London. So begins the desperate race to halt the Secret Fire – both in 1940s Nazi-occupied France and modern-day London. The clock is ticking as history starts to re- write the future in a new and terrifying script . . .
A Richard and Judy book club pick, this is a gripping Gothic novel is perfect for fans of Daphne du Maurier. A chance encounter When Sarah meets dark, brooding Alex, she grasps his offer of a new life miles away from her own. They've both recently escaped broken relationships, and need to start again. Why not do it together? A perfect life But when Sarah gets to the tiny village of Burrington Stoke, something doesn't add up. Alex's beautiful wife Genevieve was charming, talented, and adored by all who knew her. And apparently, she and Alex had a successful marriage complete with a gorgeous son, Jamie. Why would Genevieve walk out on her perfect life? And why has no one heard from her since she did so? A web of lies Genevieve's family and all her friends think that Alex knows more about her disappearance than he's letting on. But Sarah's fallen in love with him and just knows he couldn't have anything to hide. Or could he? The captivating, page-turning novel from the bestselling author of The Secret by the Lake and The House by the Sea, winner of The Jackie Collins Romantic Thriller Award. --------------------- Readers love The Secrets Between Us: ⭐ ⭐ ⭐ ⭐ ⭐ 'Compelling and totally engrossing' ⭐ ⭐ ⭐ ⭐ ⭐ 'Lots of twists and turns. This was pretty much unputdownable' ⭐ ⭐ ⭐ ⭐ ⭐ 'A great mix of genres - just the type of book that I love'
A poet, head over heels in love with a charming lady, writes a book at her request on intimate matters concerning women. It is a delicate undertaking, not only because it is a relatively unknown subject for him, but also because he does not want her to be angry with him when she reads about these highly personal matters. This is howDer vrouwen heimelijcheit [The Secrets of Women] begins. An intriguing characteristic of this fifteenth-century text is the way in which the author has alternated scientific knowledge of the medieval artes corpus with a personal love complaint. He interrupts his gynaecological exposition in twenty-odd places to express his love in lyrical terms. To make the text available for an international readership, this publication provides a cultural historical introduction and presents the Middle Dutch Secrets of Women together with an English translation.
Enide’s tattered dress and Erec’s fabulous coronation robe; Yvain’s nudity in the forest, which prevents maidens who know him well clothed from identifying him; Lanval’s fairy-lady parading about in the Arthurian court, scantily dressed, for all to observe: just why is clothing so important in twelfth-century French romance? This interdisciplinary book explores how writers of this era used clothing as a signifier with multiple meanings for many narrative purposes. Clothing figured prominently in twelfth-century France, where exotic fabrics and furs came to define a social elite. Monica Wright shows that representations of clothing are not mere embellishments to the text; they help form the textual weave of the romances in which they appear. This book is about how these descriptions are constructed, what they mean, and how clothing becomes an active part of romance composition—the ways in which writers use it to develop and elaborate character, to advance or stall the plot, and to structure the narrative generally.