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Reprint of the original, first published in 1883.
Death in Medieval Europe: Death Scripted and Death Choreographed explores new cultural research into death and funeral practices in medieval Europe and demonstrates the important relationship between death and the world of the living in the middle ages. This volume explores overarching topics such as burials, commemorations, revenants, mourning practices and funerals, capital punishment, suspiscious death and death registrations using case studies from across Europe including England, Iceland and Spain. Drawing together and building upon the latest scholarship, this book is essential reading for all students and academics of death in the medieval period.
“A masterful . . . intellectual and religious history of late medieval and Reformation Europe.”—Christianity Today"A learned, humane, and expressive book."—Gerald Strauss, Renaissance QuarterlyThe seeds of the swift and sweeping religious movement that reshaped European thought in the 1500s were sown in the late Middle Ages. In this book, Steven Ozment traces the growth and dissemination of dissenting intellectual trends through three centuries to their explosive burgeoning in the Reformations—both Protestant and Catholic—of the sixteenth century. He elucidates with great clarity the complex philosophical and theological issues that inspired antagonistic schools, traditions, and movements from Aquinas to Calvin. This masterly synthesis of the intellectual and religious history of the period illuminates the impact of late medieval ideas on early modern society.
A "lively and engaging" history of the Middle Ages (Dallas Morning News) from the acclaimed historian William Manchester, author of The Last Lion. From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth: the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains. "Manchester provides easy access to a fascinating age when our modern mentality was just being born." --Chicago Tribune
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
Learn about how medicine was practiced long ago.
Roman and barbarian precedents The growth of self-centered agriculture The take-off of the commerical revolution The uneven diffusion of commercialization Between crafts and industry The response of the agricultural society.
The Song of Roland is a book of poems by an anonymous author. It depicts a gory French tale of war, where General Charlemagne was ambushed in a remote Pyrenean pass, showcasing a symbolic struggle between Christianity and Islam.
The Noble Savage, earthly paradise, the original condition of human beings, cynicism, Christianity . . . "All of us men were born in the first man without vice, and all of us lost the innocence of our nature by the sin of the same man. Thence our inherited mortality, thence the manifold corruptions of body and mind, thence ignorance, distress, useless cares, illicit lusts, sacrilegious errors, empty fear, harmful love, unwarranted joys, punishable counsels, and a number of miseries no smaller than that of our crimes."—St. Prosper of Aquitania, quoted in Primitivism and Related Ideas in the Middle Ages This volume of essays, written by George Boas in collaboration with Arthur O. Lovejoy, was originally intended to be the second in a series of four documenting the history of primitivism and related ideas about goodness in the world. Covering the Middle Ages, these essays underscore the continuity between pagan and Christian cultures with respect to concepts of primitivism and examine the latter period's modifications of a group of favorite classical themes. They demonstrate the growth of primitivism and anti-primitivism from the first through the thirteenth centuries and include a discussion of such subjects as the Noble Savage, earthly paradise, the original condition of human beings, and cynicism and Christianity. They also, as Boas suggests in his preface, "drive the piles for a bridge between the Renaissance and Classical Antiquity, although the superstructure itself remains to be constructed."