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Life is sometimes hard as a widowed, single mother with three young children, a business to run, bills to meet, and debts to pay. Despite it all, Rosalyn McCreary tries to count her blessings. She cherishes her shop, Second Hand Rose, her family and friends. A practical woman by necessity, she seldom indulges in impulse and fancy-except for that crazy spring day she danced with a total stranger she'd never met. Whatever was she thinking? And to learn later that her mystery stranger, Kendrick Lanier, planned to move to Wear's Valley. Great. Just one more problem she doesn't need. Kendrick soon pursues her, despite Rosalyn's efforts to crowd him out, finding ways into her life, and into the lives of her children, and creating complications Rosalyn simply doesn't want to deal with. Especially since the more she learns of the man's life and secrets, the more she realizes how ill-suited they are. With Rosalyn and Kendrick's troubled pasts, and Rosalyn's temper, you'll find it a toss-up to decide if these two stubborn, determined individuals should, or shouldn't, ever get together.
Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. Longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, d cor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues. This vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone.
When your fairy godmother threatens to enslave you with a curse - when a malevolent piper solves your rat problem but steals your children - when you seek revenge on the prince who turned you into a frog - who can you turn to in your hour of need? The band of scoundrels known far and wide as the Bastard Champions - the swashbuckling trio who travel a world of legend, seeking adventure and righting wrongs - as long as there's enough gold to be earned. They are Jack, the seemingly unkillable leader whose ever-present grin belies a dark past; Marie, who fights with fury but battles more fiercely to control the beast within; and Frank, the master of logistics, whose cloak hides horrific scars that are far more than skin-deep. As they slash and scheme through kingdom and village alike, the Bastard Champions uncover tantalizing clues to their ultimate quarry: the powerful Blue Fairy, who has made each of their lives a living hell.Second Hand Curses adds a dash of sly wit and a heaping portion of action to the fairy tales you thought you knew.
This volume comprises three books by Graham Stuart Thomas that have transformed our gardens, establishing him as one of the most influential gardeners of the 20th century. The Old Shrub Roses(1955) brought to public attention the favourite roses of the early 19th century: the intensely scented Damasks, the rich and sombre Gallicas and the Albas with their unique combination of elegance and thriftiness. Shrub Roses of Today (1962) identified the species and hybrids from Japan and North America, from English and Scottish hedgerows and from the mountains of China, full of virtues then unrecognized. Climbing Roses Old and New (1965) considered ramblers and climbers such as 'Adelaide d'Orleans' and 'Desprez a fleur jaune', now more than 150 years old but still incomparable. The Graham Stuart Thomas Rose Book brings the trilogy together, substantially revised and updated. New material has been added, practical advice is included on planting, general cultivation, pruning and display, and new photographs complement favourite illustrations from such masters as Redouté and Graham Stuart Thomas himself.
Recipes and food photography from the 1940s, '50s, and '60s assembled with humorous commentary.
Opal has been planning to go to Chicago and join the Midwest's superhero team, the Sentinels, since she was a little kid. That dream took on a more urgent tone when her superpowered dad was unjustly arrested for protecting a neighbor from an abusive situation. Now, she wants to be a superhero not only to protect people, but to get a platform to tell the world about the injustices of the Altered Persons Bureau, the government agency for everything relating to superpowers. But just after Opal's high school graduation, a supervillain with a jet and unclear motives attacks the downtown home of the Sentinels, and when Opal arrives, she finds a family on the brink of breaking apart. She meets a boy who's been developing secret (and illegal) brain-altering nanites right under the Sentinel's noses, another teenage superhero-hopeful who looks suspiciously like a long-dead supervillain, and the completely un-superpowered daughter of the Sentinels' leader. Can four teens on the fringes of the superhero world handle the corruption, danger, and family secrets they've unearthed?
"ESSENTIAL READING FOR FANS OF JANE JACOBS, JOSEPH MITCHELL, PATTI SMITH, LUC SANTE AND CHEAP PIEROGI."--VANITY FAIR An unflinching chronicle of gentrification in the twenty-first century and a love letter to lost New York by the creator of the popular and incendiary blog Vanishing New York. For generations, New York City has been a mecca for artists, writers, and other hopefuls longing to be part of its rich cultural exchange and unique social fabric. But today, modern gentrification is transforming the city from an exceptional, iconoclastic metropolis into a suburbanized luxury zone with a price tag only the one percent can afford. A Jane Jacobs for the digital age, blogger and cultural commentator Jeremiah Moss has emerged as one of the most outspoken and celebrated critics of this dramatic shift. In Vanishing New York, he reports on the city’s development in the twenty-first century, a period of "hyper-gentrification" that has resulted in the shocking transformation of beloved neighborhoods and the loss of treasured unofficial landmarks. In prose that the Village Voice has called a "mixture of snark, sorrow, poeticism, and lyric wit," Moss leads us on a colorful guided tour of the most changed parts of town—from the Lower East Side and Chelsea to Harlem and Williamsburg—lovingly eulogizing iconic institutions as they’re replaced with soulless upscale boutiques, luxury condo towers, and suburban chains. Propelled by Moss’ hard-hitting, cantankerous style, Vanishing New York is a staggering examination of contemporary "urban renewal" and its repercussions—not only for New Yorkers, but for all of America and the world.
The Jazz Age of the 1920s is an era remembered for illegal liquor, innovative music and dance styles, and burgeoning ideas of social equality. It was also the period during which second-generation Jews began to emerge as a significant demographic in New York City. In TheirOwn Image examines thegrowing cultural visibility of Jewish life amid this vibrant scene. From the vaudeville routines of Fanny Brice, Eddie Cantor, George Jessel, and Sophie Tucker, to the slew of Broadway comedies about Jewish life and the silent films that showed immigrant families struggling to leave the ghetto, images and representations of Jews became staples of interwar popular culture. Through the performing arts, Jews expressed highly ambivalent feelings about their identification with Jewish and American cultures. Ted Merwin shows how they became American by producing and consuming not images of another group, but images of themselves. As a result, they humanized Jewish stereotypes, softened anti-Semitic attitudes, and laid the groundwork for today's Jewish comedians. An entertaining look at the role popular culture plays in promoting the acculturation of an ethnic group, In Their Own Image enhances our understanding of American Jewish history and provides a model for the study of other groups and their integration into mainstream society.
“Second hand low” and “third hand high” are adages we learned in Bridge 101 along with others like “cover an honor with an honor” and “always return your partner’s suit.” These so-called rules will get you by, but they won’t see you very far. Second hand must become familiar with certain basic positions to try to foil declarer’s plans, often by playing second hand high. Likewise, many contracts are decided by the play of third hand at trick one. While your play may at first seem so obvious, a little thought may help you find the right card. Being a slave to either “second hand low” or “third hand high” can only lead you down the road to many disasters. Take time to review what you know from the bidding. Think about the hand type. Does it call for passive or aggressive defense? Hopefully after reading the examples in this book you will become more attuned to the variety of options available. The hands are placed in chapters by themes, but of course there is some overlap. We’re sure you will recognize situations from your own experiences at the table. We’re sure after reading this book you will be more attuned to becoming a thinking bridge player, and less a player just following old nursery rhymes.