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Finalist for the 2017 Washington State Book Award in General Nonfiction / History The plaque said this was the winter fishing hut of Thurídur Einarsdóttir, one of Iceland's greatest fishing captains, and that she lived from 1777 to 1863. "Wait," anthropologist and former seawoman Margaret Willson said. "She??" So began a quest. Were there more Icelandic seawomen? Most Icelanders said no, and, after all, in most parts of the world fishing is considered a male profession. What could she expect in Iceland? She found a surprise. This book is a glimpse into the lives of vibrant women who have braved the sea for centuries. Their accounts include the excitement, accidents, trials, and tribulations of fishing in Iceland from the historic times of small open rowboats to today's high-tech fisheries. Based on extensive historical and field research, Seawomen of Iceland allows the seawomen's voices to speak directly with strength, intelligence, and - above all - a knowledge of how to survive. This engaging ethnographic narrative will intrigue both general and academic readers interested in maritime culture, the anthropology of work, Nordic life, and gender studies.
This book is a glimpse into the lives of women who have braved the sea for centuries. Their accounts include the excitement, accidents, trials, and tribulations of fishing in Iceland from the historic times of small open rowboats to today's high-tech fisheries. Based on historical and field research, this book allows the seawomen's voices to speak directly with strength, intelligence, and a knowledge of how to survive.
The Seawomen of Iceland: Survival on the Edge is the first large-scale study of the important — and as yet largely invisible — group of women working at sea, their lives, contributions, and knowledge. It is based on extensive historical research and fieldwork, including formal and informal discussions with hundreds of Icelandic seawomen who fished from the 1950s to the present day. These women have held positions at all levels of the on-sea fishing industry, from skipper and engineer to deckhand and cook, in all sectors and tonnages of ships, and in all areas of the country. A rich historical record in Iceland has preserved accounts of helmswomen taking the tiller in the roughest weather, women consistently bringing in the best catches, female captains hiring all-female crews, and seawomen giving birth at sea or just upon reaching shore. The book’s narrative structure focuses on the women’s voices, letting the realities and complexities of their lives come through lived experience. It will appeal to general readers interested in Iceland as a unique country with a booming tourist trade, in fishing, in stories of the sea and the people who live on it, in adventure, and in what happens when women work in a realm generally considered male-dominated. The author collaborated with the Reykjavik Maritime Museum for a 2015 exhibition documenting the seawomen of Iceland.
Contemporary public discourses about the ocean are routinely characterized by scientific and environmentalist narratives that imagine and idealize marine spaces in which humans are absent. In contrast, this collection explores the variety of ways in which people have long made themselves at home at sea, and continue to live intimately with it. In doing so, it brings together both ethnographic and archaeological research – much of it with an explicit Ingoldian approach – on a wide range of geographical areas and historical periods.
Dagur Kari’s Noi the Albino (Noi albinoi, 2003) succeeded on the international festival circuit as a film that was both distinctively Icelandic and appealingly universal. Noi the Albino taps into perennial themes of escapism and existential angst, while its setting in the Westfjords of Iceland provided an almost surreal backdrop whose particularities of place are uniquely Icelandic. Bjorn Nordfjord’s examination of the film integrates the broad context and history of Icelandic cinema into a close reading of Noi the Albino’s themes, visual style, and key scenes. The book also includes an interview with director Dagur Kari. Noi the Albino’s successful negotiation of the tensions between the local and the global contribute to the film’s status as a contemporary classic. Its place within the history of Icelandic cinema highlights the specific problems this small nation faces as it pursues its filmmaking ambitions, allowing us to appreciate the remarkable success of Kari’s film in relation to the challenges of transnational filmmaking.
Almost fifty years after Britain and France left the Middle East, the toxic legacies of their rule continue to fester. To make sense of today's conflicts and crises, we need to grasp how Western imperialism shaped the region and its destiny in the half-century between 1917 and 1967. Roger Hardy unearths an imperial history stretching from North Africa to southern Arabia that sowed the seeds of future conflict and poisoned relations between the Middle East and the West. Drawing on a rich cast of eye-witnesses - ranging from nationalists and colonial administrators to soldiers, spies, and courtesans - The Poisoned Well brings to life the making of the modern Middle East, highlighting the great dramas of decolonisation such as the end of the Palestine mandate, the Suez crisis, the Algerian war of independence, and the retreat from Aden. Concise and beautifully written, The Poisoned Well offers a thought-provoking and insightful story of the colonial legacy in the Middle East.
When The Silence was released in 1963, Bergman's stature allowed the film's depiction of sexuality to challenge the boundaries of the censorship boards in Sweden and the U.S. Yet, Swedish film critic Maaret Koskinen - one of the first scholars given access to Bergman's private papers - found his notebooks revealed his tendency to self-censorship, as well as the difficulties he experienced in writing for the medium of moving images. She draws a picture of Berman that reveals his attempts to make his work relevant to a new generation of filmgoers.
This series offers interdisciplinary approaches to the study of the Nordic region of Scandinavia and the Baltic States and their cultural connections in North America. By redefining the boundaries of Scandinavian studies to include the Baltic States and Scandinavian America, the series presents books that focus on the study of the culture, history, literature, and politics of the North. --Book Jacket.
In every coastal town in Australia, there's a bait shop and a boat ramp, and, in garages around the country, fishing rods are strung up waiting for their next outing. Many of us have a special fishing spot, and families pass on tips from generation to generation and exchange fishy tales of amazing catches and near misses. Bringing her personal passion for throwing in a line, author Anna Clark celebrates the enduring pleasure of fishing in "The Catch: The Story of Fishing in Australia". This book charts the history of fishing, from the first known accounts of Indigenous fishing and early European encounters with Australia's waters to the latest fishing fads; from the introduction of trout and fly fishing to the challenges of balancing needs of commercial and recreational fishers. Fishing personality Rob Paxevanos, host of "Fishing Australia", says that "The Catch" is 'by far my best fishing read to date'.
Smaller nations have a special place in the international system, with a striking capacity to defy the expectations of most observers and many prominent theories of international relations. This volume of classic essays highlights the ability of small states to counter power with superior commitment, to rely on tightly knit domestic institutions with a shared "ideology of social partnership," and to set agendas as "norm entrepreneurs." The volume is organized around themes such as how and why small states defy expectations of realist approaches to the study of power; the agenda-setting capacity of smaller powers in international society and in regional governance structures such as the European Union; and how small states and representatives from these societies play the role of norm entrepreneurs in world politics -- from the promotion of sustainable solutions to innovative humanitarian programs and policies..