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Winner of the Griffin Poetry Trust's International Poetry Prize (2014) Runner-up for the Northern California Book Reviewers Northern California Book Award (2014) Fire— its physical, symbolic, political, and spiritual forms—is the fourth and final subject in Brenda Hillman's masterful series on the elements. Her previous volumes—Cascadia, Pieces of Air in the Epic, Practical Water—have addressed earth, air, and water. Here, Hillman evokes fire as metaphor and as event to chart subtle changes of seasons during financial breakdown, environmental crisis, and street movements for social justice; she gathers factual data, earthly rhythms, chants to the dead, journal entries, and lyric fragments in the service of a radical animism. In the polyphony of Seasonal Works with Letters on Fire, the poet fuses the visionary, the political, and the personal to summon music and fire at once, calling the reader to be alive to the senses and to re-imagine a common life. This is major work by one of our most important writers. Check for the online reader's companion at brendahillman.site.wesleyan.edu.
Karl Marx remarked that the only way to write about the origins of capitalism is in the letters of blood and fire used to drive workers from the common lands, forests, and waters in the sixteenth century. In this collection of essays, George Caffentzis argues that the same is true for the annals of twenty-first-century capitalism. Information technology, immaterial production, financialization, and globalization have been trumpeted as inaugurating a new phase of capitalism that puts it beyond its violent origins. Instead of being a period of major social and economic novelty, however, the course of recent decades has been a return to the fire and blood of struggles at the advent of capitalism. Emphasizing class struggles that have proliferated across the social body of global capitalism, Caffentzis shows how a wide range of conflicts and antagonisms in the labor-capital relation express themselves within and against the work process. These struggles are so central to the dynamic of the system that even the most sophisticated machines cannot liberate capitalism from class struggle and the need for labor. Themes of war and crisis permeate the text and are given singular emphasis, documenting the peculiar way in which capital perpetuates violence and proliferates misery on a world scale. This collection draws upon a careful rereading of Marx’s thought in order to elucidate political concerns of the day. Originally written to contribute to the debates of the anticapitalist movement over the last thirty years, this book makes Caffentzis’s writings readily available as tools for the struggle in this period of transition to a common future.
Considered by many to be the spiritual mother of American poetry, Emily Dickinson (1830–1886) was one of the most prolific and innovative poets of her era. Well-known for her reclusive personal life in Amherst, Massachusetts , her distinctively short lines, and eccentric approach to punctuation and capitalization, she completed over seventeen hundred poems in her short life. Though fewer than a dozen of her poems were actually published during her lifetime, she is still one of the most widely read poets in the English language. Over one hundred of her best poems are collected here.
What if society looked at addiction without judgement? Unstitched shares the powerful story of one librarian’s quest to understand the impact of addiction fed by stigma and inevitable secrecy. The opioid epidemic has hit people in communities large and small and across all socio-economic classes. What should each of us know about it, and do about it? Unstitched moves readers from feelings of helplessness and blame into empathy, ultimately helping friends, family, and community members separate the disease of addiction from the person underneath. A stranger, rumored to be a heroin addict, repeatedly breaks into the small-town library Brett Ann Stanciu runs. After she tries to get law enforcement to take meaningful action against him—elementary school children and young parents with babies frequent the place after all—he dies by suicide. When she realizes how little she knows about opioid misuse, she sets out on a mission, seeking insight from others, such as people in recovery, treatment providers, the town police chief, and Vermont's US attorney. Stanciu’s journey leads to compassionate generosity, renewed faith, and ultimately a measure of personal redemption as she realizes she has a role to play in helping the people of her community stitch themselves back together.
Ana Cristina Cesar (1952-1983) has posthumously become one of Brazil’s best known avant-garde poets. After her suicide in 1983, her innovative, mythic, and dreamlike poetry has greatly influenced subsequent generations of writers. At Your Feet was originally published as a poetic sequence and later became part of a longer hybrid work— sometimes prose, sometimes verse—documenting the life and mind of a forcefully active literary woman. Cesar, who also worked internationally as a journalist and translator, often found inspiration in the writings of other poets, among them Emily Dickinson, Armando Freitas Filho, and Gertrude Stein. Her innovative writing has been featured in Sun and Moon’s classic anthology Nothing the Sun Could Not Explain—20 Contemporary Brazilian Poets (2000). Poet Brenda Hillman and her mother Helen Hillman (a native speaker of Portuguese) worked with Brazilian poet Sebastião Edson Macedo and translator/editor Katrina Dodson to render as faithfully as possible the intricately layered poems of this legendary writer. At Your Feet includes both the English translation and original Portuguese.
These poems use the geography of California as metaphor for exploring fundamental pressures and issues of everyday life. Named for the ancient landform that preceded present-day California, Brenda Hillman's Cascadia creates from geological turbulence a fluid poetics of place. The book is Hillman's sixth collection and her most wide-ranging. The problem the book poses is nothing less than a phenomenology of transformation. In her previous work, Hillman's investigations of alchemy and of contemporary life have created their own distinct mythologies, and here she turns to the first of the four basic elements, earth, to demonstrate a visionary science with a combination of lightness, wit and force. Embodied in syntax as unpredictable as the earth's movements, these poetic forms speak to and query the landforms as the line between faith and science blurs. Short lyrics inspired by the California missions, each with a retablo of punctuation, reflect on the solitude and history of the sign as it moves through the quotidian. Set among these lyrics, each of the three long poems in the book presents an aspect of Hillman's topography. By the end of this powerful work, a new state is visible: a Modernist poetics, subjected to immense internal pressures, above and beneath unsettled ground, has emerged in original shapes
From the creator of the popular website Ask a Manager and New York’s work-advice columnist comes a witty, practical guide to 200 difficult professional conversations—featuring all-new advice! There’s a reason Alison Green has been called “the Dear Abby of the work world.” Ten years as a workplace-advice columnist have taught her that people avoid awkward conversations in the office because they simply don’t know what to say. Thankfully, Green does—and in this incredibly helpful book, she tackles the tough discussions you may need to have during your career. You’ll learn what to say when • coworkers push their work on you—then take credit for it • you accidentally trash-talk someone in an email then hit “reply all” • you’re being micromanaged—or not being managed at all • you catch a colleague in a lie • your boss seems unhappy with your work • your cubemate’s loud speakerphone is making you homicidal • you got drunk at the holiday party Praise for Ask a Manager “A must-read for anyone who works . . . [Alison Green’s] advice boils down to the idea that you should be professional (even when others are not) and that communicating in a straightforward manner with candor and kindness will get you far, no matter where you work.”—Booklist (starred review) “The author’s friendly, warm, no-nonsense writing is a pleasure to read, and her advice can be widely applied to relationships in all areas of readers’ lives. Ideal for anyone new to the job market or new to management, or anyone hoping to improve their work experience.”—Library Journal (starred review) “I am a huge fan of Alison Green’s Ask a Manager column. This book is even better. It teaches us how to deal with many of the most vexing big and little problems in our workplaces—and to do so with grace, confidence, and a sense of humor.”—Robert Sutton, Stanford professor and author of The No Asshole Rule and The Asshole Survival Guide “Ask a Manager is the ultimate playbook for navigating the traditional workforce in a diplomatic but firm way.”—Erin Lowry, author of Broke Millennial: Stop Scraping By and Get Your Financial Life Together
Ecocriticism and the Poiesis of Form: Holding on to Proteus demonstrates how a fractal imagination helps one hold the form of a poem within the reaches of Deep Time, and it explores the kinship between the hazy, liminal moment when Sound becomes Syllable and the hazy, liminal moment when the sage energy of the Atom made a leap toward the gaze of the first cell, to echo Merwin. Moe distills his methodology as follows: "My work?—I point," asserted the aphorism. "That’s what I do." To point, the project integrates a wide range of interdisciplinary ideas—including biosemiotics, fractals, phi, trauma theory, the Mandelbrot Set, hyperobjects, meditative chants, Goethe’s morphology, Ramanujan’s summation, a spiderweb’s sonic properties, and Thoreau’s sense of the plant-like burgeoning force of an Atom—in order to open up multiple trajectories. In this context, the volume foregrounds the insights of poets/storytellers including Hillman, Snyder, Anzaldúa, EEC, okpik, Whitman, Dickinson, Gladding, Melville, Morrison, and Toomer, for they are most attentive to that liminal moment when the vibratory hum in language, and in the cosmos, turns kinetic. As this volume draws on a wide range of writers from many backgrounds, it allows the myriad voices to engage with one another across differences in race, gender, and ethnicity. These writers show us how, to echo Dickinson, the "Freight / Of a delivered Syllable - " can split and how the energy unleashed came from, and points us back toward, the energy (un)making the forms of Gaia. The starting point for discussing the energy of a poem can no longer begin with the human; rather, Holding on explores how the poem’s energy is but a sliver of a hyperobject "massively distributed" throughout the cosmos—a sage energy that brings forth form.
Rediscover Christmas on Blossom Street in this classic holiday romance from #1 New York Times bestselling author Debbie Macomber. Katherine O’Connor adores her five-year-old twin nieces—and objects to her sister’s plans to dispense with Christmas. While Katherine spends her days at a cozy café, writing Christmas letters for other people, her sister is following the theories of child psychologist and author Wynn Jeffries, who is also, as it happens, Katherine’s neighbor. She is particularly horrified by his edict to “bury Santa under the sleigh,” and she’s out to prove that Wynn and his ideas are full of…snow. He’s not going to ruin her nieces’ Christmas! Too bad the guy’s so darned attractive… As the days—and nights—move closer to Christmas, Katherine and Wynn both discover that love means accepting your differences. And Christmas is about the things you share… Originally published in 2006 Plus, enjoy this FREE fan-favorite bonus story from bestselling author Sheila Roberts about three friends, three wishes and one special Christmas! When three friends visit a shopping-mall Santa on a lark, he’s full of mysterious predictions about the thing they’re all wishing for: the perfect man. Riley Erickson’s fiancé turned out to be a dud, but Santa says that she’s soon going to meet her ideal man in a memorable way. And he predicts that a new man is about to come into Jo’s life. What on earth does that mean? She’s pregnant and already has her hands full with the perfectly stubborn husband she’s got. Meanwhile Noel has given up completely on ever finding her perfect match. But apparently, she’s going to get a good man to go with that house she’s trying desperately to buy. These friends are about to discover that Christmas wishes can come true, because in spite of romantic setbacks and derailed dreams, this truly is the most wonderful time of the year! Originally published in 2016
An evocative, gorgeous four-season look at cooking in Maine, with 100 recipes No one can bring small-town America to life better than a native. Erin French grew up in Freedom, Maine (population 719), helping her father at the griddle in his diner. An entirely self-taught cook who used cookbooks to form her culinary education, she now helms her restaurant, The Lost Kitchen, in a historic mill in the same town, creating meals that draw locals and visitors from around the world to a dining room that feels like an extension of her home kitchen. The food has been called “brilliant in its simplicity and honesty” by Food & Wine, and it is exactly this pure approach that makes Erin’s cooking so appealing—and so easy to embrace at home. This stunning giftable package features a vellum jacket over a printed cover.