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You can look at something every day and never really see it. Payton Gritas looks at the back of Sean Griswold's head in most of her classes and has for as long as she can remember. They've been linked since third grade (Griswold-Gritas; it's an alphabetical order thing), but aside form loaning Sean countless number-two pencils, she's never really noticed him. Then Payton's guidance counselor tells her she needs a focus object--something to concentrate her emotions on while she deals with her dad's multiple scleorsis. The object is supposed to be inanimate, but Payton chooses Sean Griswold's head. It's much cuter than the atom models or anything else she stares at! As Payton starts stalking--er, focusing on--Sean's big blond head, her research quickly grows into something a little less scientific and a lot more crush-like. And once she really gets inside his head, Payton also lets Sean into her guarded heart. But obsessing over Sean won't fix Payton's fear of her dad's illness. For that, she'll have to focus on herself.
Live like it's 1962 in this fun, contemporary YA read from the never-out-of-date Lindsey Leavitt.
When Desi Bascomb gets discovered by the elite Façade Agency--royalty surrogates extraordinaire--her life goes from glamour-starved to spectacular in a blink. As her new agent Meredith explains, Desi has a rare magical ability: when she applies the ancient formula Royal Rouge, she can temporarily transform into the exact lookalike of any princess who needs her subbing services.
Lindsey Leavitt's trademark humor, heart, and sweet romance meet Vegas!
After discovering that her father has multiple sclerosis, fifteen-year-old Payton begins counselling sessions at school, which lead her to become interested in a boy in her biology class, have a falling out with her best friend, develop an interest in bike riding, and eventually allow her to come to terms with life's uncertainties.
Told in letters, posters, blog posts, homework assignments, and more, The Pages Between Us is a totally fun, totally earnest snapshot of middle grade friendship—and what it truly means to be there for someone during the ups, downs, and everything in between. Piper and Olivia have been best friends since…well, forever. But they're distressed to find that their new middle school schedules aren't giving them enough together-time. Luckily, an idea sparks when Piper finds a cute, sparkly notebook to disguise as her "French Class" homework. It's genius—now the two BFFs can stick together all the time. And document their adventures—you know, for anthropology's sake. But as the two navigate the tricky new world of sixth grade, they realize that they may need to branch out more than they originally thought. Their notebook, once a life raft, begins to feel like a big responsibility. Can they grow up, without growing apart?
Wish You Were Here Stories and Essays Inspired by Fabulous Las Vegas Postcards The postcard is a brilliant piece of pop culture. These simple, lightweight rectangles of good cheer serve many functions at once: They are glimpses of a special place, vessels of memory, fragments of story -- and, for those that survive, little capsules of history. That's especially true of postcards from Las Vegas, one of the most visually dynamic, changing, meaning-packed locales in the world. Inspired by iconic Sin City postcards, eight of the city's best writers delve deep into their imaginations to conceive short stories and essays that cast a fresh eye on a place you only think you know. The writers are Quentin R. Bufogle, Maile Chapman, Maxwell Alexander Drake, Lindsey Leavitt, Corey Levitan, Greg Blake Miller, Kristen Peterson and Lissa Townsend Rodgers. Editor: Scott Dickensheets.
I Am the Beggar of the World presents an eye-opening collection of clandestine poems by Afghan women. Because my love's American, blisters blossom on my heart. Afghans revere poetry, particularly the high literary forms that derive from Persian or Arabic. But the poem above is a folk couplet—a landay, an ancient oral and anonymous form created by and for mostly illiterate people: the more than 20 million Pashtun women who span the border between Afghanistan and Pakistan. War, separation, homeland, love—these are the subjects of landays, which are brutal and spare, can be remixed like rap, and are powerful in that they make no attempts to be literary. From Facebook to drone strikes to the songs of the ancient caravans that first brought these poems to Afghanistan thousands of years ago, landays reflect contemporary Pashtun life and the impact of three decades of war. With the U.S. withdrawal in 2014 looming, these are the voices of protest most at risk of being lost when the Americans leave. After learning the story of a teenage girl who was forbidden to write poems and set herself on fire in protest, the poet Eliza Griswold and the photographer Seamus Murphy journeyed to Afghanistan to learn about these women and to collect their landays. The poems gathered in I Am the Beggar of the World express a collective rage, a lament, a filthy joke, a love of homeland, an aching longing, a call to arms, all of which belie any facile image of a Pashtun woman as nothing but a mute ghost beneath a blue burqa.
With frizzy orange hair, a plus-sized body, sarcastic demeanor, and "unique learning profile," Danielle Levine doesn't fit in even at her alternative high school. While navigating her doomed social life, she writes scathing, self-aware, and sometimes downright raunchy essays for English class. As a result of her unfiltered writing style, she is forced to see the school psychologist and enroll in a "social skills" class. But when she meets Daniel, another social misfit who is obsessed with the cult classic film The Big Lebowski, Danielle's resolve to keep everyone at arm's length starts to crumble.