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Ireland, A.D. 671. An Anglo-Saxon delegation arrives in Cashel to debate the new religious rules that have been handed down from Rome. The Abbot of Imleach leads the Irish delegation, which is hostile to the new rules from outsiders. Among the Anglo-Saxon group is Brother Eadulf's own younger brother, Egric, whom Eadulf hasn't seen for many years. When the debate quickly becomes acrimonious, a local abbess has to step in as a mediator between the two sides. But not even a day later her body is discovered, bludgeoned to death. The Chief Brehon Aillín accuses young Egric of murder, and suspicions and tempers run high. With the war of words threatening to spill over into bloodshed, Fidelma is sure there is something more sinister behind the murder than religious differences, and she is resolved to find out what really happened-and why.
It is the year 4022; all of the ancient country of Usa has been buried under many feet of detritus from a catastrophe that occurred back in 1985. Imagine, then, the excitement that Howard Carson, an amateur archeologist at best, experienced when in crossing the perimeter of an abandoned excavation site he felt the ground give way beneath him and found himself at the bottom of a shaft, which, judging from the DO NOT DISTURB sign hanging from an archaic doorknob, was clearly the entrance to a still-sealed burial chamber. Carson's incredible discoveries, including the remains of two bodies, one of then on a ceremonial bed facing an altar that appeared to be a means of communicating with the Gods and the other lying in a porcelain sarcophagus in the Inner Chamber, permitted him to piece together the whole fabric of that extraordinary civilization.
The play’s the thing . . . To the outside world, Tom Pryne is an orphan traveling Elizabethan England with his uncle’s theater troupe. In actuality, “Tom” is Viola, in disguise because her parents’ Catholic sympathies have put them at odds with the Crown and forced them into hiding. When the troupe arrives in the sleepy little town of Stratford-on-Avon, Viola’s uncle is arrested for murder, and she joins forces with an irksome local boy, named Will Shakespeare, with an active imagination, a penchant for trouble, and a smart turn of phrase, to uncover the real culprit. A perfect blend of humor, drama, and adventure and a rich evocation of 16th-century England inform this fresh and original historical mystery that introduces an appealing pair of amateur sleuths.
Remaining supernatural fiction by writer many consider greatest ghost story writer of all time. Mystery stories are equally memorable.
Scholars largely agree that the NT term “mysterion” is a terminus technicus, originating from Daniel. This project traces the word in the Dead Sea Scrolls and other sectors of Judaism. Like Daniel, the term consistently retains eschatological connotations. The monograph then examines how mystery functions within 1 Corinthians and seeks to explain why the term is often employed. The apocalyptic term concerns the Messiah reigning in the midst of defeat, eschatological revelations and tongues, charismatic exegesis, and the transformation of believers into the image of the last Adam.
New York Times–bestselling author This exciting new installment in the County Cork Mystery series has “plenty for cozy lovers to enjoy” and drips with the charm—and menace—of its atmospheric Irish setting (New York Journal of Books) Some secrets are too big to stay buried... A few months ago, Boston expat Maura Donovan was rekindled with her mother after more than twenty years of absence. Since then, Maura has been getting accustomed to Irish living, complete with an inherited house and a pub named Sullivan’s. But now, her mother has returned—and she’s brought Maura’s half-sister in tow. To make matters more confusing, a handful of Cork University students are knocking on Maura’s door asking about a mystical fairy fort that happens to be located on Maura’s piece of land. The lore indicates that messing with the fort can cause bad luck, and most everyone is telling Maura not to get too involved for fear of its powers, but Maura is curious about her own land, and she definitely doesn't buy into the superstition. Then one of the students disappears after a day of scoping out the fort on Maura’s property. Maura treads carefully, asking the folks around town who might have an idea, but no one wants anything to do with these forts. She has to take matters into her own hand—it’s her land, after all. But when she uncovers a decades-old corpse buried in the center of the fort, nothing is for certain.