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Following on from events in The Calvanni, the city of Raynor is now in turmoil. False-Scion Osterac has declared himself heir to the fallen Empire and his supporters riot on the streets. Legions of non-human Eathal advance across the continent, destroying all in their path. The future of Yos lies in the balance and only the Scion can unite the shattered fragments of the fallen Empire. Pursued by the renegade Sorcerer Raziin, Cedrin and Ellen struggle to stay alive on a lawless continent torn by war. They are drawn toward a lethal contest for the awesome power of the Spear of Carris, where the identity of the true Scion will be revealed.
Described by its maker as a 'poem of horror', Vampyr (1932) is one of the founding works of psychological horror cinema, adapted from a collection of gothic stories by Sheridan Le Fanu and directed by the revered Danish director Carl Theodor Dreyer. Despite the fact that there is no definitive print and many English versions are marred by poor quality subtitles, the film remains a vivid, extraordinary artwork in which the inner human state is made hauntingly visible. In a reading as passionate as it is analytic, David Rudkin reveals how this film systematically binds the spectator – spatially and morally – into its mysterious world of the undead. This second edition features a new foreword, discussion of the Martin Koerber and Cineteca di Bologna restoration of the film in 2008, and original cover artwork by Midge Naylor.
In The Calvanni, first of the epic Jakirian Cycle, the cavern-dwelling Eathal have emerged to wreak their vengeance on mankind. The fate of innocent thousands rests on finding the Scion – lost heir to the fallen Empire. The Temple has outlawed the ancient practice of Sorcery. Its Druids dominate religious and secular power, but are ill-equipped to resist an unknown evil once contained by the Emperors.
The second novel in the internationally bestselling Sister Bells trilogy, an epic, moving, and gloriously told historical novel following The Bell in the Lake, an Indie Next pick The second novel in Lars Mytting’s powerful and compelling Sister Bells trilogy, The Reindeer Hunters is both a sequel to The Bell in the Lake and a stand-alone novel. Set again in fictional Butangen, Norway, where the story of the conjoined twin sisters Halfrid and Gunhild Hekne provides the mythical and mystical undergirding, The Reindeer Hunters unfolds around the extraordinary tapestry that portrays the sisters’ vision of Doomsday. After their death in 1613, the tapestry was given to the village church and lost at some point over the centuries. The year is 1903. Twenty-two years after the events of The Bell in The Lake, Astrid Hekne’s son, Jehans, is now a young man. Driven out by his family, he lives on a homestead in the mountains near the village of Butangen, where he relishes the freedom of his life apart, fishing and hunting for his livelihood. One August morning, Jehans kills a massive reindeer and at the same moment encounters an enigmatic hunter . . . At the new church in Butangen, Pastor Kai Schweigaard is living with the consequences of his past betrayal––arranging the dismantling and sale of the stave church––including deaths and the loss of the church’s mystical sister bells. Kai becomes obsessed with finding the ancient tapestry woven by the conjoined sisters in whose memory the bells were cast, with the hope that the tapestry will bring him redemption. Despite the unraveling legends from the past that continue to haunt these people, they must figure out how to look to the future. A magnificent story about love, sorrow, and courage, as well as taming waterfalls and the first flash of electric light in the village night, The Reindeer Hunters is a grand and thrilling novel about what it takes to live in and embrace a new era.