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Mugi and Hanabi are the perfect high school couple...but their relationship is built on a single shared secret: They're each in love with someone else.
Hanabi has decided to confess. Mugi is confronted with Moka's feelings. Ebato still pines after Hanabi. They want to go forward, they want to stop, they want it all to end...or do they? It's not uncommon to be a coward when it comes to love.
Mugi and Hanabi are in a relationship in spite of (and because) they're in love with other people. As this deception continues, are they going to hurt the ones they care for most?
Mugi and Hanabi's faux relationship continues, with the players secure in the knowledge that their true feelings lie elsewhere. When the objects of their affections begin crafting a new story, though, what will be the fallout?
After Hanabi is heartbroken, she goes to Karuizawa with Ebato. This journey is guiding the two towards an end to their relationship. Elsewhere, even after Mugi conveyed all of his feelings to Akane, the free spirited girl didn't reply in kind. Who is the one that holds the keys to her heart?
Can one person change another...? When someone says it's impossible, is that only because they failed...? But people never stay the same, no matter how much you may love them the way they are. As new lives open up for those around them, Hanabi and Mugi must pick up the pieces of their shattered hopes. When they finally find a way to walk forward, will it be hand in hand or...?
After seeing Akane's true self, Hanabi makes a decision. For want of the one she loves, a convenient substitute presents a warmth she cannot resist. Love and desire intertwine, and the red string of fate is lost in the tangle...
Twisted love causes problems. Hanabi and Mugi are supposed to be dating, but Ebato's love confession has confused Hanabi. Moka's love for Mugi is still unrequited, a painful thorn hiding beneath the blossoms of love. As all around them people are changing their shape, will their feelings change also...?
Classic radical feminist statement from the woman who shot Andy Warhol “Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and destroy the male sex.” Outrageous and violent, SCUM Manifesto was widely lambasted when it first appeared in 1968. Valerie Solanas, the woman who shot Andy Warhol, self-published the book just before she became a notorious household name and was confined to a mental institution. But for all its vitriol, it is impossible to dismiss as the mere rantings of a lesbian lunatic. In fact, the work has proved prescient, not only as a radical feminist analysis light years ahead of its time—predicting artificial insemination, ATMs, a feminist uprising against underrepresentation in the arts—but also as a stunning testament to the rage of an abused and destitute woman. In this edition, philosopher Avital Ronell’s introduction reconsiders the evocative exuberance of this infamous text.
Zen is having a hard time living up to his parents’ expectations. And in Japan, when you are not admitted into a top school, then your chances at a stable future are tenuous at best. It's as if he is metaphorically tied to something he wishes to avoid.