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For the first time, this publication comprehensively documents and analyzes the Greek and Roman statuary discovered to date in the greater area of Syria. The text portion describes nearly all monuments in detail and classifies them in the context of the history of ancient sculpture. The associated volume of plates documents every item in detail, typically with four photographic views.
In the first centuries of the Common Era, an eclectic collection of plain and embellished underground and aboveground tombs filled the cemeteries of the Roman province of Syria. Its inhabitants used rituals of commemoration to express messages about their local identity, family, and social position, while simultaneously ensuring that the deceased was given proper burial rites. In this book, Lidewijde de Jong investigates these customs and the belief systems that governed the choices made in the commemoration of Syrian men, women and children. Presenting the first all-inclusive overview of the archaeology of death in Roman Syria, this book combines spatial analysis of cemeteries with the study of funerary architecture, decoration, and grave goods, as well as information about the deceased provided by sculptural, epigraphic, and osteological sources. It sheds a new light on life and death in Syria and offers a novel way of understanding provincial culture in the Roman Empire.
Exhibition held at Walters Art Gallery, Baltimore, Md. and others, Sept. 1985-Sept. 1987.
The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. Famous works like the Laocoön, the Arch of Titus, and the colossal portrait of Constantine are familiar to millions. Again and again, scholars have returned to sculpture to answer questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological catalogue of representative examples from various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of Art History, Classical Archaeology, and Roman Studies. This comprehensive volume fills the gap between introductory textbooks and highly focused professional literature. The Oxford Handbook of Roman Sculpture conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume while simultaneously complementing textbooks and other publications that present well-known works in the corpus. The contributors to this volume address metropolitan and provincial material from the early republican period through late antiquity in an engaging and fresh style. Authoritative, innovative, and up-to-date, The Oxford Handbook of Roman Sculpture will remain an invaluable resource for years to come.
Syria's Monuments: their Survival and Destruction analyses travellers’ accounts of the Roman, Christian and Islamic monuments of Syria (including Lebanon, Jordan, Palestine/Israel). An epilogue assesses the impact of the recent civil war on the state of the monuments, and their likely future.