Download Free Sculptural Art Of Northern India C700 To 1200 Ad Book in PDF and EPUB Free Download. You can read online Sculptural Art Of Northern India C700 To 1200 Ad and write the review.

The author has traced the history of Indian sculpture chronologically (AD 700-1200) and region wise (Gujarat to Bihar) for understanding stylistic tradition in sequential manner. Early medieval sculpture of Gujarat, Rajasthan, Haryana, Uttaranchal, U.P., M.P. and Bihar has been discussed in historical sequence.
A comprehensive catalogue on temple sculptures from North India from the 8th to the 13th centuries, featuring rare stone sculptures from Indian and American museum and private collections. It studies the complexity of diverse forms in a medieval Indian temple as well as fluid functional relationship between different types of forms. It also examines the plethora of forms that grace temple walls and interiors, and studies them as individual, aesthetic objects in a narrowly defined art-historical sense and to place them in a more comprehensive architectural, religious and cultural context.
This Book Would Be Of Great Interest To The Students Of Archaeology, Philosophy And Art, Besides Those Who Have Interest In Religion And History.
This volume provides the first comprehensive analysis and chronology of the earliest known stone sculptures from the north Indian city of Mathura, dating prior to the famous Kushan period. It includes numerous new attributions of objects based primarily on epigraphic and visual analysis. The sculptures attributable to these pre-Kushan periods reveal new evidence for the reasons behind the emergence of the anthropomorphic image of the Buddha at Mathura, the predominance of a heterodox sect of Jainism, and the proliferation of cults of nature divinities. This book provides a wealth of reference material useful for historians of early Indian art, religion, and epigraphy. The book is illustrated with over three hundred photographs, and it includes epigraphic appendices with complete transcriptions and updated translations.
This Monograph, First Of Its Kind, Surveys The Female Sculptures Created By Indian Artists Through Centuries, From An Ancient Era Of Indus Valley Civilization To Medieval Times. Archaeological Data Is Interpretd In The Light Of Literary And Cultural Traditions Of India. Various Images The Sculptors Conceived Of Her As Mother Doddess, Yakshi, Devangana And Surasundari, Lover Par Excellemce, One As Fond Of Wine , Dance And Musaic, Shrinagara Nayika, Paragon Of Beauty And Inerllect And Also Embodiment Of Forces Of Death And Destruction, And Made Into Sculptures, Are Described Here In Very Lucid Language, To Give The Readers An Insight Into Indian Art.
This Work Attempts To Show That The Coastlands Were Cultural Melting Pots, Mediating, Absorbing And Often Transcending The Art Of The Interiors, I.E. The Classical Schools Of Indian Sculptural Art At Mathura, Gandhara And Sarnath. The Discussions In The Nine Chapters Cover A Broad Range Of Sculptural Art Created In The Indian Littoral Regions Between 300 Bce And Ce 500.
The sheer wealth and dizzying diversity of Indian sculpture are celebrated in this second volume of the catalogue raisonne of the Los Angeles County Museum's collection. Nearly two hundred sculptures produced during eleven centuries are described. Of these, one-quarter of the pieces are part of the Nasli and Alice Heeramaneck Collection, while the remaining three-quarters have been acquired since 1970. This splendid collection, while not representing all the major styles of sculpture that flourished on the Indian subcontinent from 700-1900, is certainly one of the most comprehensive among American and European museums. Included are stone, metal, ivory, and wood sculptures from fourteen states and territories of India and from Pakistan and Afghanistan. Organized by regions--Central and Western, Eastern, and Southern India, and the Northwest--the catalogue contains detailed descriptions and illustrations of the 188 sculptures, many with details or multiple views, for a total of 259 illustrations--251 in duotone and halftone and 8 in color.
This richly illustrated text reproduces some of the finest examples of Indian sculpture, with an extensive commentary on the importance of the art of carving, modeling, and casting in the Indian civilization for over 4,000 years.