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This book explores terrorism as a strategic choice-- one made carefully and deliberately by rational actors. Through an analysis of the terrorist groups of Egypt, Saudi Arabia and Yemen, this book charts a series of different strategic 'scripts' at play in terrorist behavior, from survival, to efforts in mobilizing a supporter base, through to the grinding attrition of a long terrorist campaign. The theme that runs through all the organizations is the unbridgeable gap between their strategic vision, and what actually unfolds. Regardless of which script terrorists follow, they often fall short of achieving their political ambitions. And yet, despite its frequent failure, the terrorist strategy is returned to time and again-- people continue to join such groups, and to commit mindless acts of violence. Scripts of Terror explores the reasons behind this. It asks why, if terrorism is so rarely successful and so hard to pull off, its approach remains an appealing one. And it examines how terrorists formulate their strategies, and how they envisage achieving their ambitions through violence. Most importantly, it explores why they so often fail.
How do terrorists resolve the tension between their ambitions and their often limited resources?
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This book is appropriate as a text for postgraduate marriage and family counselor/therapist training, and also as a professional development resource for practicing marriage and family counselors. The first three chapters of this book introduce the notions of social construction assumptions and social scripting theory. The remaining chapters then apply the theory of "scripting" to common clinical family situations seen in therapy, such as death and grief in the family, premarital child-bearing, adolescence, couples therapy, and chemical dependence in the family.
Tales of horror have always been with us, from Biblical times to the Gothic novel to successful modern day authors and screenwriters. Though the genre is often maligned, it is huge in popularity and its resilience is undeniable. Marc Blake and Sara Bailey offer a detailed analysis of the horror genre, including its subgenres, tropes and the specific requirements of the horror screenplay. Tracing the development of the horror film from its beginnings in German Expressionism, the authors engage in a readable style that will appeal to anyone with a genuine interest in the form and the mechanics of the genre. This book examines the success of Universal Studio's franchises of the '30s to the Serial Killer, the Slasher film, Asian Horror, the Supernatural, Horror Vérité and current developments in the field, including 3D and remakes. It also includes step-by-step writing exercises, annotated extracts from horror screenplays and interviews with seasoned writers/directors/ producers discussing budget restrictions, screenplay form and formulas and how screenplays work during shooting.
Interviews with Ramsey Campbell, Dennis Etchison, Chalres L. Grant, Tanith Lee, Thomas Ligotti, Brian Lumley, William F. Nolan, F. Paul Wilson, and more.
In America’s very near future, a guerilla revolution is in progress. A group of youths who call themselves the Black Terrorists has taken up arms against its oppressors. But Keusi, a Vietnam veteran and the group’s most prized assassin, harbors counterrevolutionary thoughts. He doesn’t believe that all the killing is necessary—he finds it hard to hate, and thinks the Black Terrorists are bravely but poorly led. When the terrorists decide to assassinate a black politician who has pledged to destroy the insurgency, Keusi has grave doubts. Should black men kill black men? When and how will the slaughter end?
In this groundbreaking work, leading scholars and experts set out to explore the utility of the concept of affordance in the study and understanding of terrorism and political violence. Affordance is a concept used in a variety of fields, from psychology to artificial intelligence, which refers to how the quality of an environment or object allows an individual to perform a specific action. This concept can represent an important element in the process of choice involved in behavior, and is closely related to situational analyses of criminal behavior. In this book, the contributors set out to explore how this concept can be used to study terrorism and, as a result, develop management strategies. Essays discuss such topics as affordance in relation to counterterrorism, technology, cyber-jihad, ideology, and political ecologies. By importing the concept of affordance and a new set of research to the study of terrorism, the authors offer an innovative and original work that challenges and adds to various aspects of situational crime prevention and counterterrorism.
Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.