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This collection of stories gathered from 100 different creative writing workshops, covers such subjects as mid-life career changes, extraterrestrials and marital fidelity.
"The scientist has the habit of science; the artist, the habit of art." -- Flannery O'Connor This collection of stories contains some of the best new short fiction from America. The stories display a wide range of styles, settings, and themes. In addition to being among the country's most talented, prize-winning writers, the authors gathered in The Habit of Art also share a common bond as former members of the fiction workshop at Indiana University, which celebrates its first 25 years with the publication of this book.
Though the best American writers live everywhere now, a popular fiction persists: our strongest literary voices are strictly bi-coastal ones. Barnstorm sets out to disprove that cliché and to undermine another one as well: the sense of regional fiction as something quaint, slightly regressive, and full of local color. The stories in this collection capture our global reality with a ruthless, unaffected voice. Lorrie Moore's "The Jewish Hunter" is a dark romance that's by turns cynical and guileless. Mack Friedman catches the smoking feel of first love in his "Setting the Lawn on Fire," and Jesse Lee Kercheval's "Brazil" is a raucous, ultimately mournful road trip. For Jane Hamilton, Wisconsin is a gorgeous but bittersweet homecoming, and for Kelly Cherry, in her achingly elegiac "As It Is in Heaven," it's the hopeful new world, juxtaposed with a bleak, tweedy England. Dwight Allen's "The Green Suit" evokes the young man edging toward adulthood, in a New York that's as flamboyant as an opera, and Tenaya Darlington, in her "A Patch of Skin," constructs a pure horror story, because the horror of loneliness is something we all know. Together Barnstorm's eclectic voices suggest that every coast now, even the Great Lakes' shores, are at the very center of our best, and truest, national literature. Not for sale in the United Kingdom.
From the bestselling, award-winning author of The Buddha in the Attic and The Swimmers, this commanding debut novel paints a portrait of the Japanese American incarceration camps that is both a haunting evocation of a family in wartime and a resonant lesson for our times. On a sunny day in Berkeley, California, in 1942, a woman sees a sign in a post office window, returns to her home, and matter-of-factly begins to pack her family's possessions. Like thousands of other Japanese Americans they have been reclassified, virtually overnight, as enemy aliens and are about to be uprooted from their home and sent to a dusty incarceration camp in the Utah desert. In this lean and devastatingly evocative first novel, Julie Otsuka tells their story from five flawlessly realized points of view and conveys the exact emotional texture of their experience: the thin-walled barracks and barbed-wire fences, the omnipresent fear and loneliness, the unheralded feats of heroism. When the Emperor Was Divine is a work of enormous power that makes a shameful episode of our history as immediate as today's headlines.
This is the harrowing memoir of Little's two-year binge as a compulsive gambler - a fall from grace that made front-page headlines, destroyed his life, and brought him to the very gates of prison, insanity and death. A cautionary tale of obsession and escape, told with brutal honesty and biting irony, LOSING MARIPOSA chronicles everything from the allure of the roulette wheel to the despair of the parking lot. This is a rare first-hand account the devastation wrought by the addiction to gambling, a social problem now growing to epidemic proportions. Illustrated with 20 b/w photos.
Winner of the Katherine Anne Porter Prize in Short Fiction, 2007. This extraordinary first collection of short stories covers the landscape of dysfunctional childhood, urban angst, and human disconnection with a wit and insight that keep you riveted to the page. The characters here have rich and imaginative interior lives, but grave difficulty relating to the outside world. The beginning story, "Ducklings," introduces the over-weight and over-enthusiastic Marjorie, the last twelve-year-old you would want babysitting your toddler. In "Wanted" we meet Eleanor, a single girl living in Chicago who may or may not be dating a serial killer. "Another Cancer Story" is an unsentimental account of two sisters whose beloved mother just won't seem to die, and "The Last Dead Boyfriend" gives us a recovering addict who keeps encountering her recently deceased boyfriend, an unpleasant man she wished she'd broken up with before he died. Always funny, often dark, and wholly satisfying, these stories explore the longing for connection among characters who are frequently stricken with anxiety. Each story is rendered in a way that is surreal, vivid, and entirely convincing.
Stories by writers with Southern backgrounds deal with the modern problems of life in the South