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DJ Screw, a.k.a. Robert Earl Davis Jr., changed rap and hip-hop forever. In the 1990s, in a spare room of his Houston home, he developed a revolutionary mixing technique known as chopped and screwed. Spinning two copies of a record, Screw would “chop” in new rhythms, bring in local rappers to freestyle over the tracks, and slow the recording down on tape. Soon Houstonians were lining up to buy his cassettes—he could sell thousands in a single day. Fans drove around town blasting his music, a sound that came to define the city’s burgeoning and innovative rap culture. June 27 has become an unofficial city holiday, inspired by a legendary mix Screw made on that date. Lance Scott Walker has interviewed nearly everyone who knew Screw, from childhood friends to collaborators to aficionados who evangelized Screw’s tapes—millions of which made their way around the globe—as well as the New York rap moguls who honored him. Walker brings these voices together with captivating details of Screw’s craft and his world. More than the story of one man, DJ Screw is a history of the Houston scene as it came of age, full of vibrant moments and characters. But none can top Screw himself, a pioneer whose mystique has only grown in the two decades since his death.
The neighborhoods of Fifth Ward, Fourth Ward, Third Ward, and the Southside of Houston, Texas, gave birth to Houston rap, a vibrant music scene that has produced globally recognized artists such as Geto Boys, DJ Screw, Pimp C and Bun B of UGK, Fat Pat, Big Moe, Z-Ro, Lil’ Troy, and Paul Wall. Lance Scott Walker and photographer Peter Beste spent a decade documenting Houston’s scene, interviewing and photographing the people—rappers, DJs, producers, promoters, record label owners—and places that give rap music from the Bayou City its distinctive character. Their collaboration produced the books Houston Rap and Houston Rap Tapes. This second edition of Houston Rap Tapes amplifies the city’s hip-hop history through new interviews with Scarface, Slim Thug, Lez Moné, B L A C K I E, Lil’ Keke, and Sire Jukebox of the original Ghetto Boys. Walker groups the interviews into sections that track the different eras and movements in Houston rap, with new photographs and album art that reveal the evolution of the scene from the 1970s to today’s hip-hop generation. The interviews range from the specifics of making music to the passions, regrets, memories, and hopes that give it life. While offering a view from some of Houston’s most marginalized areas, these intimate conversations lay out universal struggles and feelings. As Willie D of Geto Boys writes in the foreword, “Houston Rap Tapes flows more like a bunch of fellows who haven’t seen each other for ages, hanging out on the block reminiscing, rather than a calculated literary guide to Houston’s history.”
i’ve got peter gabriel’s “I Don’t Remember” going thru my head this morning . . . and most of yesturday, and the day before. it seems important to some part of my soul which sits with signs and applause everytime it goes thru my head. they like the drive of the artist’s expression of frustration and anxiety which comes thru in a manic crazyness. the song is an example of something that flashes us spiritually . . . maybe unlike a man in a trenchcoat . . . wearing shorts with a tee-shirt . . . flashing us briefly (ow!) as we walk by. the words “believe in god” embelished on his shirt echo on the canvas of the imagination. it doesn’t matter if we turn around, run after him and chide him in his actions. it doesn’t matter if by doing this it puts him in the same alagory as a pervert . . . and by action, god as well. ultimately tho, the tired, worn out god, quietly sitting in a courner, desperatly trying to believe in himself . . . probably wondering how valid this whole soap opera is, and whether or not spiritual flashers help or hurt his cause. now i got one of the songs from “the last temptation of christ” going thru my head . . . soundtrack ala peter gabriel as well. another spiritual flasher . . . who, jesus or peter gabriel? both an arrow pointing at a path to be walked . . . or a voice to listen to . . . or a feeling to behold. the hardest part is opening your heart up to the option. the option to be open. ( . . . maybe it’s god that’s trying to get into a working relationship with us and it’s us that flinch and put it back up on a pedistal.) . . . why pursue it then? the path. you might accidently get superpowers or something . . . start levitating, healing the sick, curing the blind. become an issue . . . to be delt with by turkeys that can’t fly. walk around, wonder when thanksgiving is. wonder if you look like a turkey. if you are a turkey walking around with turkeys talking turkey talk about how great it is to be a turkey . . . waiting for other turkeys to come over and watch turkey friends on turkey tv. and each turkey has the same turkey right to talk turkey to any turkey it wants in a frantic pace with a frantic face . . . then it’s a good turkey day to be a turkey. gobble it up the daily rut. question your life avoid the knife. be not a turkey entwined behind the line of commonality to turkey HQ. after awhile, you fall into the style. you are accepted, people talk to you. and you find flaws in the turkey tune.
Two years after being released from Camp Green Lake, Armpit is home in Austin, Texas, trying to turn his life around. But it’s hard when you have a record, and everyone expects the worst from you. The only person who believes in him is Ginny, his 10-year old disabled neighbour. Together, they are learning to take small steps. And he seems to be on the right path, until X-Ray, a buddy from Camp Green Lake, comes up with a get-rich-quick scheme. This leads to a chance encounter with teen pop sensation, Kaira DeLeon, and suddenly his life spins out of control, with only one thing for certain. He’ll never be the same again. In his first major novel since Holes, critically acclaimed novelist Louis Sachar uses his signature wit combined with a unique blend of adventure and deeply felt characters to explore issues of race, the nature of celebrity, the invisible connections that determine a person’s life, and what it takes to stay on course. Doing the right thing is never a wrong choice – but a small step in the right direction.
When it comes to love, there’s no such thing as smooth sailing. Rafael Castro is so far out of his element he can’t even see it anymore. Carlisle College in Massachusetts is a long way from his Chicago home, even farther from his Dominican Republic roots. The only thing keeping him attached to his last nerve is the prospect of seeing Denny Winslow again. The first time they met, Denny taught Rafi to fly across the water, rowing hard in a knife-like boat. Now, two years later, on the wings of a rowing scholarship, Rafi is attending Denny’s elite college. Even before the excitement wears off, Rafi is struggling with classes and fending off rumors that Denny’s family, not Rafi’s talent, won him his spot. To quash the gossip, Rafi tries to steer clear of the man he wants. A plan that evaporates in the fire of renewed attraction. But Carlisle’s academic pressure cooker has Rafi barely treading water. And when a family crisis hits, both Rafi and Denny must pull hard to keep their relationship from capsizing in rough waters. Warning: Contains a surly Dominican-American guy determined to show no weakness, a golden boy who knows his soft spots, some seriously dirty bachata dancing, and an excellent excuse for voyeurism in the locker room. THIS EDITION IS A RE-RELEASE OF A PREVIOUSLY PUBLISHED VERSION. MINOR CHANGES ONLY HAVE BEEN MADE.
Award-winning documentary photographer Eli Reed's "long walk" has been a journey that has taken him from a low-income housing project in Perth Amboy, New Jersey, to Harvard University and to membership in the elite international photojournalists' collective, Magnum Photos. Reed's quest to understand "what it means to be a human being" has given him an extraordinary empathy with the people he photographs, whether they are Lost Boys in Sudan, the poor in America, or actors in Hollywood. In a photographic career spanning five decades, Reed has been the recipient of a World Understanding Award from POYi (Pictures of the Year International), Lucie Award for Achievement in Documentary, World Press Award, Leica Medal of Excellence, Overseas Press Club Award, and a Nieman Fellowship at Harvard, as well as a runner-up for a Pulitzer Prize. Eli Reed: A Long Walk Home presents the first career retrospective of Reed's work. Consisting of over 250 images that span the full range of his subjects and his evolution as a photographer, the photographs are a visual summation of the human condition. They include examples of Reed's early work; a broad selection of images of people from New York to California that constitutes a brilliant collective portrait of the social, cultural, and economic experiences of Americans in our time; images of life and conflict in Africa, the Middle East, Haiti, Central America, England, Spain, South America, and China; portraits of women and Hollywood actors; and self-portraits. Reed's artist statement and an introduction by Paul Theroux, whom Reed met while working in Africa, complete the volume.
Seamus O’Donnell has waited forever for Mine, the reaper who has saved his life on more than one occasion. At least that’s what his coven tells him. On a crisp Samhain morning when his coven sends him back in time to get this man he loves so much, Seamus soon finds himself in the middle of witch trials in the Massachusetts Bay Colony, and bloody wars in a time before civilization. As he battles eons of pain and lifetimes of loss, Seamus must ask himself will if love find a way to break the curse that has kept him and Mine apart for too many lifetimes, or will he lose Mine forever?