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Discover How to Master Screenplay Format!Want to learn screenplay format? (Without spending years reading horrible zombie scripts?)Want to ensure your screenplays don't look amateurish and terribly out-of-date?Do phone calls, montages and flashbacks leave you pulling your hair out? Fear not, screenwriter! Because in "Screenplay Format Made Stupidly Easy," former screenplay reader and optioned screenwriter, Michael Rogan, shows you: ¿How to Master Location Headings (Like a Pro)¿How to Never Screw Up Secondary Shot Headings (Ever Again!)¿Dialogue Formatting Tricks Nobody Wants You to Know About¿The Ins and Outs of Screenplay Transitions¿The Secrets to Phone Calls, Montages and Flashbacks!¿and so much more!And each chapter includes easy-to-follow action steps to help you boost your screenwriting IQ - without taking a single $2,000 seminar. You CAN master screenplay format! (Even if you know nothing about screenplay format!)So, why not begin your quest to world-class screenwriting awesomeness...today!
ScriptBully editor, and former screenplay reader, Michael Rogan shares insider strategies of how to brainstorm, write, (rewrite) and eventually sell that screenplay that's burning inside you.
This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!
The most innovative and creative screenwriting book yet, from an author who knows first-hand what it takes to get a movie made. Based on an award-winning website hailed as "smart enough for professional screenwriters and accessible enough for aspiring screenwriters", Crafty Screenwriting is the first book not only to offer a successful screenwriter's tricks of the trade, but to explain what development executives really mean when they complain that the "dialogue is flat," or "the hero isn't likeable." Fresh, provocative, and funny, Alex Epstein diagnoses problem that other screenwriting books barely address, and answers questions they rarely ask, like "Why is it sometimes dangerous to know your characters too well before you start writing," or "Why does your script have to be so much better than the awful pictures that get made every day?" As a development executive who has accepted and rejected countless screenplays, and a produced screenwriter himself, Epstein can take you into the heart of the most important question of all: "Is this a movie?" A crucial book for anyone who has ever wondered what it takes to get their movie made.
All good screenplays are unique, but all bad screenplays are the same. Flinn's book will teach the reader how to avoid the pitfalls of bad screenwriting and arrive at one's own destination intact.
You want to be a screenwriter. You've read all the screenwriting books. But you're left wanting more. Here is a fresh book written by a screenwriter who has spent years in the trenches.T hat's Not The Way It Works is a no holds barred look at the craft and business of screenwriting, told in a "let's sit down and chat over a cup (or pot) of coffee" manner. So grab a cup of coffee and start reading. You'll get the inside scoop from a screenwriter who had more than a dozen proudced screenplays between movies and television.
"A hilarious and helpful insider's guide to launching a successful writing career in Hollywood. . . . The only compass readers will ever need to navigate the treacherous waters of filmmaking"--("Kirkus Reviews," starred review).
Intended to be kept at a screenwriter's fingertips, The Hollywood Standard provides what even the best script software can't: clear, concise instructions and hundreds of examples to take the guesswork out of a multitude of formatting questions that perplex even seasoned screenwriters.Contents include:* When a new scene heading is appropriate and when it isn't* How to format shot headings, dialogue, direction and transitions* How to control pace with formatting* How to make a script page visually inviting to the reader* What to capitalize and why* How to get into and out of a POV shot* How to handle text messages and Zoom meetings* How Hollywood's most innovative screenwriters are pushing the boundaries of format* How format for animation differs from live action formatsSimply put, Riley knows more about script format than anyone in Hollywood and shares it all in this indispensable guide.
To survive and thrive in the fantasyland that is show business, you need to know the realities of writing and selling. J. Michael Straczynski learned these realities the hard way. With his help, you'll learn them the easy way. Here the writer/producer of Murder, She Wrote and creator of Babylon 5 tells you how it really is - and how you can really succeed writing scripts. Straczynski shows you the importance of distinguishing yourself, through professionalism and discipline, from the wannabes. He helps you strengthen your writing technique while urging you to bring your own vision to your work, avoid formula, and create from passion. And he takes you in for a close look at every entertainment medium hungry for good scriptwriters.
Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.