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Viewing Hollywood glamour through debates about fashion, identity, and social status, she discusses such films as What Price Hollywood?, The Bride Wore Red, and The Bitter Tea of General yen; big-budget, style-driven vehicles as Fashions of 1934 and Vogues of 1938; musicals; costume dramas; and Technicolor extravaganzas."--BOOK JACKET.
Screen Style celebrates the beautiful, stylish and often covetable outfits and costumes featured in 50 iconic and diverse series of the small screen: from Mad Men to Call My Agent, Bridgerton to Empire. By organising the series into genres - Comedy, Coming of Age, Crime, Historical, Retro, Contemporary - the author shows how designers take different approaches when manipulating the latent power of dress to create convincing characters and enhance the experience of the viewer. She reveals how the characters themselves can become role models for what to wear, transforming actors into fashion influencers. The book is beautifully illustrated with over 250 screen stills, each accompanied by an extended caption, further demonstrating how TV series have helped to set the standard for fashion on and off screen.
Viewing Hollywood glamour through debates about fashion, identity, and social status, she discusses such films as What Price Hollywood?, The Bride Wore Red, and The Bitter Tea of General yen; big-budget, style-driven vehicles as Fashions of 1934 and Vogues of 1938; musicals; costume dramas; and Technicolor extravaganzas."--BOOK JACKET.
* Provides a "real world" view and best practices around using SharePoint 2003 technologies to meet business needs. * Seth Bates was the technical reviewer for both of Scot Hillier’s books. * Lists the most common deployment scenarios of SharePoint technologies and the ways to best leverage SharePoint features for these scenarios.
This lively survey of 150 years of fashion covers everything from Haute Couture to the High Street, and developing fabric technology from silk to fleece. From Coco Chanel to Armani and Alexander McQueen, Breward explores fashion as a cultural phenomenon. Breward examines the glamorous world of Vogue and advertising, the relationship between fashion and film, and fashion as a business, and goes beyond the surface to consider our interaction with fashion. How have our ideas about hygiene and comfort influenced the direction of style? How does our dress create our identity and status? Details of dandies, flappers, and punks are contained within a clear overview of the period which will make you look at your clothes in a different light.
The focus of this book is on three of Harold Lloyd's features, Grandma's Boy (1922), Safety Last (1923), and The Freshman (1925), and it presents a thorough investigation of the structure, characters, and comic techniques employed in these films.