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Since the dawn of film in the 1890s, religious themes and biblical subjects have been a staple of cinema. One of the earliest focuses of screen presentations was the Bible, especially the New Testament and the Gospels. In Screen Jesus: Portrayals of Christ in Television and Film, Peter Malone takes a close look at films in which Jesus is depicted. From silent renditions of The Passion Play to 21st-century blockbusters like The Passion of the Christ, Malone examines how the history of Jesus films reflects the changes in artistic styles and experiments in cinematic forms for more than a century. In addition to providing a historical overview of the Jesus films, this book also reveals the changes in piety and in theological understandings of the humanity and divinity of Jesus over the decades. While most of the Jesus films come from the United States and the west, an increasing number of Jesus films come from other cultures, which are also included in this study. Fans and scholars interested in the history of religious cinema will find this an interesting read, as will students and teachers in cinema and religious studies, church pastors, parish groups, and youth ministry.
When world-class biblical scholar Bart Ehrman first began to study the texts of the Bible in their original languages he was startled to discover the multitude of mistakes and intentional alterations that had been made by earlier translators. In Misquoting Jesus, Ehrman tells the story behind the mistakes and changes that ancient scribes made to the New Testament and shows the great impact they had upon the Bible we use today. He frames his account with personal reflections on how his study of the Greek manuscripts made him abandon his once ultraconservative views of the Bible. Since the advent of the printing press and the accurate reproduction of texts, most people have assumed that when they read the New Testament they are reading an exact copy of Jesus's words or Saint Paul's writings. And yet, for almost fifteen hundred years these manuscripts were hand copied by scribes who were deeply influenced by the cultural, theological, and political disputes of their day. Both mistakes and intentional changes abound in the surviving manuscripts, making the original words difficult to reconstruct. For the first time, Ehrman reveals where and why these changes were made and how scholars go about reconstructing the original words of the New Testament as closely as possible. Ehrman makes the provocative case that many of our cherished biblical stories and widely held beliefs concerning the divinity of Jesus, the Trinity, and the divine origins of the Bible itself stem from both intentional and accidental alterations by scribes -- alterations that dramatically affected all subsequent versions of the Bible.
What did Jesus look like? Pop some popcorn and invite friends as America’s beloved faith-and-film writer Edward McNulty leads us through a dozen big-screen stories inspired by Jesus’s life. McNulty provides everything you need to spark spirited discussion from the best film clips to show your group—to dozens of questions you could ask. You’ll explore hits like The Passion of the Christ and Jesus Christ Superstar. And some surprises, too! Can you find Gospel themes in Cool Hand Luke and Broadway Danny Rose?
Since the advent of the cinema, Jesus has frequently appeared in our movie houses and on our television screens. Indeed, it may well be that more people worldwide know about Jesus and his life story from the movies than from any other medium. Indeed, Jesus' story has been adapted dozens of times throughout the history of commercial cinema, from the 1912 silent From the Manger to the Cross to Mel Gibson's 2004 The Passion of the Christ. No doubt there are more to come. Drawing on a broad range of movies, biblical scholar Adele Reinhartz traces the way in which Jesus of Nazareth has become Jesus of Hollywood. She argues that Jesus films both reflect and influence cultural perceptions of Jesus and the other figures in his story. She focuses on the cinematic interpretation of Jesus' relationships with the key people in his life: his family, his friends, and his foes. She examines how these films address theological issues, such as Jesus' identity as both human and divine, political issues, such as the role of the individual in society and the possibility of freedom under political oppression, social issues, such as gender roles and hierarchies, and personal issues, such as the nature of friendship and human sexuality. Reinhartz's study of Jesus' celluloid incarnations shows how Jesus movies reshape the past in the image of the present. Despite society's profound interest in Jesus as a religious and historical figure, Jesus movies are fascinating not as history but as mirrors of the concerns, anxieties, and values of our own era. As the story of Jesus continues to capture the imagination of filmmakers and moviegoers, he remains as significant a cultural figure today as he was 2000 years ago.
Jesus is as American as baseball and apple pie. But how this came to be is a complex story - one that Stephen Nichols tells with care and ease. Beginning with the Puritans, he leads readers through the various cultural epochs of American history, showing at each stage how American notions of Jesus were shaped by the cultural sensibilities of the...
"This book summarizes, analyzes, and critiques current influential portraits of Jesus. It concludes that any portrait of the historical Jesus must come to terms with Jesus as both an apocalyptic prophet and a prophet of social and economic justice for an oppressed people."--BOOK JACKET.
Pastor and author Matt Rawle is on a mission. He sees Christ all around him—in books, movies, TV shows, rock music—and he wants to share what he sees. As Matt says, "God offers the raw ingredients, and 'culture' is whatever we cook up." Hollywood Jesus is pastor and author Matt Rawle's study of Jesus and Christ figures in films including Cool Hand Luke, The Lion King, The Truman Show, and One Flew Over the Cuckoo’s Nest. Explore what happens when script meets Scripture, when pop culture encounters the King of kings and Lord of lords. Hollywood Jesus is part of The Pop in Culture Series of Bible studies in which Matt Rawle stirs up a tasty gumbo of insight, humor, and inspiration based on some of your favorite pop culture classics. A DVD featuring four sessions with the author, a full Leader Guide, and a Worship Resources Flash Drive also are available for group study.
In this first book to focus on the myth that the Jews were responsible, directly and indirectly, for the death of Jesus Christ, Cohen explores the fascinating career of this myth, as he tracks the image of the Jew as the murderer of the messiah and God from its origins to its most recent expressions. 30 halftones.
◆ Marty Mann and Nellie Dixon are back for another irreverent, liberal, twisty, time-travel comedy! This time they have Jesus Christ, the actual guy, on their side. The timeline correction Marty Mann and Nellie Dixon accomplished in their first episode was successful. . . . Or was it? When the two humans and their Krichard friends, Chrissie and Tina, return to year 2020 Earth to verify the change, they find an advanced, peaceful planet. The four friends move into Marty’s new timeline home and the next morning head out for a flying car tour of Oodlelakeolis. The city, which was Minneapolis in the previous timeline, is beautiful from the air, but when they swoop down to land, the Colorless Ones, a cult of religious extremists from the planet Krichardia, reverse the timeline change and abduct Chrissie and Tina. Instantly, President Handley is back to dropping nuclear bombs, and once again, Marty and Nellie must find a way to stop him. After our heroes gain possession of the Krichards’ time-traveling Chromosphere Cruiser, they return to AD 31 with plans to restore the advanced timeline by wowing the locals with the Holy Smokin’ Hot Nellie act. Unfortunately, an unexpected event forces them to return to the year 2020, but they have a stowaway—Jesus Christ! Can Marty Mann and Nellie Dixon save the world and rescue Tina and Chrissie with snark being their only superpower? Can a dark-skinned Jesus with a fondness for profanity and a disdain for religious hypocrisy thrive in the twenty-first century? And who are the Soldiers of the White Jesus, and what will they have to do with any of this? These questions and more will be answered in this unforgettable episode. Time Is Irreverent 2: Jesus Christ, Not Again! is a hilarious, thought-provoking satire with unpredictable twists, colorful and colorless aliens, the outrageous Holy Smokin’ Hot Nellie, and a juicy role for Jesus Christ, the actual guy! Reviews: “Time Is Irreverent 2 is a madcap blasphemous comedy of the most delightful sort. Recommended for those whose tastes incline that way; if you loved Time Is Irreverent, run, don’t walk, to consume this perfect sequel.”—Tom Flynn, editor, Free Inquiry magazine “An excellent follow-up to the original, and this from someone who typically hates sequels! All the same great characters and more, plus Jesus—although not your mama’s Jesus. The funny is funnier, the crazy crazier, and the politics even more in your face (in the good way!). If you loved the first, you’ve got to read the second. Well done, Marty!”—Jeff Abugov, writer, producer, director “For those aficionados of entertaining, optimistic sci-fi, who have been avidly waiting for another Time Is Irreverent adventure—your wait is over. Marty Essen has produced a fine follow-up to his first time traveling escapade and I hope that the likeable characters he has created will get many future outings. A great addition to a currently gloomy, pessimistic genre. I do not hesitate to recommend it.”—Charles Remington, Readers’ Favorite Book Reviews Publisher's Warning: This book is intended for a liberal audience and features satirical content that may not be appropriate for Donald Trump supporters or those who are offended by views that challenge traditional religious beliefs. Common side effects include wide smiles, sudden laughter, and occasional snorts. Reader discretion is advised. This is the second book in the Time Is Irreverent series. Each novel is a stand-alone adventure, and a humorous prologue quickly gets readers up-to-date.