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Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State, 2010), and Nesting Dolls (Pudding House, 2005). Her poem “Good Bones” has gone viral—tweeted and translated across the world, featured on the TV drama Madam Secretary, and called the “Official Poem of 2016” by the BBC/Public Radio International, earning news coverage in the New York Times, Washington Post, Slate, the Guardian, and beyond. Maggie Smith was named the 2016 Ohio Poet of the Year. “Smith's voice is clear and unmistakable as she unravels the universe, pulls at a loose thread and lets the whole thing tumble around us, sometimes beautiful, sometimes achingly hard. Truthful, tender, and unafraid of the dark....”—Ada Limón “As if lost in the soft, bewitching world of fairy tale, Maggie Smith conceives and brings forth this metaphysical Baedeker, a guidebook for mother and child to lead each other into a hopeful present. Smith's poems affirm the virtues of humanity: compassion, empathy, and the ability to comfort one another when darkness falls. 'There is a light,' she tells us, 'and the light is good.'”—D. A. Powell “Good Bones is an extraordinary book. Maggie Smith demonstrates what happens when an abundance of heart and intelligence meets the hands of a master craftsperson, reminding us again that the world, for a true poet, is blessedly inexhaustible.”—Erin Belieu
The NATIONAL BESTSELLER from the author of YOU COULD MAKE THIS PLACE BEAUTIFUL “A meditation on kindness and hope, and how to move forward through grief.” —NPR “A shining reminder to learn all we can from this moment, rebuilding ourselves in the darkness so that we may come out wiser, kinder, and stronger on the other side.” —The Boston Globe “Powerful essays on loss, endurance, and renewal.” —People For fans of Glennon Doyle, Cheryl Strayed, and Anne Lamott, a collection of quotes and essays on facing life’s challenges with creativity, courage, and resilience. When Maggie Smith, the award-winning author of the viral poem “Good Bones,” started writing inspirational daily Twitter posts in the wake of her divorce, they unexpectedly caught fire. In this deeply moving book of quotes and essays, Maggie writes about new beginnings as opportunities for transformation. Like kintsugi, the Japanese art of mending broken ceramics with gold, Keep Moving celebrates the beauty and strength on the other side of loss. This is a book for anyone who has gone through a difficult time and is wondering: What comes next?
I spent years wandering the haunted streets of NYC & Paris both bulging with ghosts & memory, rich in phenomenological detail, encounters & coincidence & the enticing scent of decay, where the old ignites the new. This sensory wealth tends to overpower the individual residents & in order to survive you eventually end up ignoring it all. One day you wake up & wonder why you're even living here; you must either put up or shut up; either reinvent your relation to your surroundings or get a divorce. & rather than do the easy thing-taking snapshots-I decided to record what my 5 senses registered by scribbling down a "snapshot" per day for a year while wandering, engaging in derives-the walking & writing producing countless notepads with barely legible scribbles. Thus the Unloaded Camera Snapshots series began as an exercise to document the "snapshots" of everyday life. These eidetic, epigrammatic, not-quite prose poems, not-quite journal entries, served as meta-factual attempts to re-pollinate existence with the fecund, oft-neglected details of the everyday, la vie quotidienne. Think of it this way: Brassai & Doisneau meet Cartier-Bresson in a Montmartre cafe &, over Pastis, decide to smash their cameras & triumphantly take up pens instead. Jean Luc Godard once said: "there is just a moment when things cease to be a mere spectacle, a moment when a man is lost and when he shows that he is lost." The companion book NY SIN PHONEY IN FACE FLAT MINOR documents New York using the same tactics, and is also available from Sensitive Skin Books (November, 2016). The Unloaded Camera Snapshots commenced as an exercise to document the "snapshots" of everyday life & was inspired at the time by photographer-friends Foto Sifichi, Bradlay Weiss & Wendy *****. These eidetic, epigrammatic, not-quite prose poems, not-quite journal entries, meta-factual attempts to re-pollinate existence with the fecund, oft-neglected details of the everyday, la vie quotidienne. See it as one's 3rd eye functioning as an ultra-sensitive macro lens. Think of it this way: Brassai & Doisneau meet Cartier-Bresson in a Montmartre cafe &, over Pastis, decide to smash their cameras & triumphantly take up pens instead."