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A portrait of the pioneering entrepreneur who designed and built Luna Park - which in 1903 transformed Coney Island into a respectable venue for middle-class recreation - and created the Hippodrome, the world's largest theater when it opened in 1905, filling it with lavish spectacles at affordable ticket prices. The author also explores the development of the idea of adult amusements in America during Thompson's day, and ours.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
This directory provides detailed information on the residents, businesses, and organizations of St. Paul, Minnesota, in the early twentieth century. A valuable resource for genealogists, historians, and local residents, the St. Paul City Directory is a fascinating snapshot of urban life in the Midwest during a time of rapid social and economic change. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Annual series exploring perspectives on the history of anthropology.
This substantially expanded new edition of the Guide to the Historical Records of British Banking contains details of over 700 archive collections held in local record offices, university and local libraries and of course, banks. Wider coverage is given to the records of major domestic banks, British-owned overseas banks, merchant banks and discount houses. There are also additional listings of records of long defunct banks. Arranged alphabetically by name, the entries for each bank contain in most cases: · A brief history of the bank to explain numerous name changes. · Information as to where the bank's records are held. · Details of what the records consist of. The entries are set in context by introductory chapters covering the historical structure and function of British banking and the purpose, format and research value of the chief series of historical records commonly found in bank archives. Bank records concern not just banks but the varied activities that they financed. In addition to its contribution to the study of banking history, this monumental reference work facilitates a wider knowledge and understanding of the history of British finance.
As a result of both his political reputation--destroyed by false charges of Nazism after World War II--and his rejection of avant-garde techniques, the recordings and compositions of Ernst von Dohnányi went largely ignored for most of the 20th century. In recent years, however, musicians have begun to revise their interpretations of 20th century music to include compositional and performance styles that, like Dohnányi's, adhered more closely to 19th century aesthetics. Although performers and audiences worldwide have started to rediscover his musical legacy, scholarship has not kept pace with their growing interest. This bio-bibliography corrects that. As the first scholarly examination in English of Dohnányi's life and work, it serves as the perfect introduction to an unfairly neglected 20th century artist. A brief but insightful biography is followed by a list of works that reflects the most current research of Dohnányi's creative output. It includes nearly 200 entries, each of which collects such information as the date of composition, the instrumentation of the work, the publisher of its first edition, the location of the manuscript, and the date and location of its premiere. The discography lists 400 sound recordings of the composer's work, and the annotated bibliography includes 500 entries, emphasizing performance reviews that offer substantial information about Dohnányi's works and style.