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A powerful novel about race, class, sex, and a lie that refused to die. Alabama, 1931. A posse stops a freight train and arrests nine black youths. Their crime: fighting with white boys. Then two white girls emerge from another freight car, and fast as anyone can say Jim Crow, the cry of rape goes up. One of the girls sticks to her story. The other changes her tune, again and again. A young journalist, whose only connection to the incident is her overheated social conscience, fights to save the nine youths from the electric chair, redeem the girl who repents her lie, and make amends for her own past. Intertwining historical actors and fictional characters, stirring racism, sexism, and anti-Semitism into an explosive brew, Scottsboro is a novel of a shocking injustice that convulsed the nation and reverberated around the world, destroyed lives, forged careers, and brought out the worst and the best in the men and women who fought for the cause.
Voted America's Best-Loved Novel in PBS's The Great American Read Harper Lee's Pulitzer Prize-winning masterwork of honor and injustice in the deep South—and the heroism of one man in the face of blind and violent hatred One of the most cherished stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than forty million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father—a crusading local lawyer—risks everything to defend a black man unjustly accused of a terrible crime.
This chilling and harrowing account tells the story of the Scottsboro Boys, nine African-American teenagers who, when riding the rails during the Great Depression, found their lives destroyed after two white women falsely accused them of rape. Award-winning author Larry Dane Brimner explains how it took more than eighty years for their wrongful convictions to be overturned. In 1931, nine teenagers were arrested as they traveled on a train through Scottsboro, Alabama. The youngest was thirteen, and all had been hoping to find something better at the end of their journey. But they never arrived. Instead, two white women falsely accused them of rape. The effects were catastrophic for the young men, who came to be known as the Scottsboro Boys. Being accused of raping a white woman in the Jim Crow south almost certainly meant death, either by a lynch mob or the electric chair. The Scottsboro boys found themselves facing one prejudiced trial after another, in one of the worst miscarriages of justice in U.S. history. They also faced a racist legal system, all-white juries, and the death penalty. Noted Sibert Medalist Larry Dane Brimner uncovers how the Scottsboro Boys spent years in Alabama's prison system, enduring inhumane conditions and torture. The extensive back matter includes an author's note, bibliography, index, and further resources and source notes.
Scottsboro tells the riveting story of one of this country's most famous and controversial court cases and a tragic and revealing chapter in the history of the American South. In 1931, two white girls claimed they were savagely raped by nine young black men aboard a freight train moving across northeastern Alabama. The young men-ranging in age from twelve to nineteen-were quickly tried, and eight were sentenced to death. The age of the defendants, the stunning rapidity of their trials, and the harsh sentences they received sparked waves of protest and attracted national attention during the 1930s. Originally published in 1970,Scottsboro triggered a new interest in the case, sparking two film documentaries, several Hollywood docudramas, two autobiographies, and numerous popular and scholarly articles on the case. In his new introduction, Dan T. Carter looks back more than thirty-five years after he first wrote about the case, asking what we have learned that is new about it and what relevance the story of Scottsboro still has in the twenty-first century.
How one of the greatest miscarriages of justice in the United States continues to haunt the nation’s racial psyche In 1931, nine black youths were charged with raping two white women in Scottsboro, Alabama. Despite meager and contradictory evidence, all nine were found guilty and eight of the defendants were sentenced to death—making Scottsboro one of the worst travesties of justice to take place in the post-Reconstruction South. Remembering Scottsboro explores how this case has embedded itself into the fabric of American memory and become a lens for perceptions of race, class, sexual politics, and justice. James Miller draws upon the archives of the Communist International and NAACP, contemporary journalistic accounts, as well as poetry, drama, fiction, and film, to document the impact of Scottsboro on American culture. The book reveals how the Communist Party, NAACP, and media shaped early images of Scottsboro; looks at how the case influenced authors including Langston Hughes, Richard Wright, and Harper Lee; shows how politicians and Hollywood filmmakers invoked the case in the ensuing decades; and examines the defiant, sensitive, and savvy correspondence of Haywood Patterson—one of the accused, who fled the Alabama justice system. Miller considers how Scottsboro persists as a point of reference in contemporary American life and suggests that the Civil Rights movement begins much earlier than the Montgomery Bus Boycott of 1955. Remembering Scottsboro demonstrates how one compelling, provocative, and tragic case still haunts the American racial imagination.
What is the picture of inequality? Is it race, gender, ethnicity, age, or place? Time and time again, our American history gives us the answer to that age-old question. In 1933, attorney Samuel Leibowitz argued that it was disparity in the jury pool and the innocence of nine. Sadly, the horrible malignancy of racism continues to exist and is the primary root of many prejudices and inequalities in our country today. This powerful historical narrative paints an amazing picture of the color line and the incredible bravery of people who took a stand for justice. The author resurrects the voices and the infamous case of the Scottsboro Nine. Their unmasked stories unfold against the backdrop of an economically depressed town, energized with an inferno of bigotry and violence. This groundbreaking research presents the courage of fearless men who rattled Americas conscience by challenging decades of discrimination and injustices within Alabamas legal system. On the other hand, the book reveals the sentiment of those who embraced the Old Souths ideology of inequality and exclusiveness, which put at risk the lives of nine innocent victims, young men who changed Americas judicial system. Fiat justitia rual coelomthis is Latin for Let justice be done though the heavens may fall. These are words that my grandfather, Judge James E. Horton, learned at his mothers knee. It seems he followed those wise words as he set aside the verdict and death sentence and ordered a new trial for Haywood Patterson. Though his decision cost him the next election, there were never any regrets. John Temple Graves, a Birmingham columnist, wrote of him, He does the right thing as he sees it, with no particular sense of the scene about him, but with an enormous sense of right-doing, ancestors gone and example-bound descendants to come. His social conscience is vertical rather than horizontal. We are the beneficiaries of his vertical conscience and I hope we will all strive to live by his example (Kathy Horton Garrett, Judge Hortons granddaughter).
Genre: Musical Characters: 7 males, 8 females, and chorus of 8 males and 5 females In the honky tonk world of marathon dancing in Atlantic City in 1933, a captivating assortment of depression era souls eager to dance their way into fame and prizes gather on the Steel Pier. The spectacle is presided over by an oily tongued emcee who is secretly married to Rita Racine, the champion dancer. Her usual partner doesn't show up, so she is paired with a handsome pilot on leave. As the hours o
Where do you get SOUL? From watching your parents sell the house you grew up in? From discovering the family secret about your crazy cousin? Or from the childhood records found in your parents’ basement? From Stevie, Aretha, Marvin, Chaka, Barry, Gladys...and Colman. Propelled by the beat of classic soul, smooth R&B and disco, this is the soundtrack of a boy’s coming of age in 70s and 80s Philadelphia. A Boy and His Soul was the recipient of the Lucille Lortel Award Best Solo Show, GLAAD Media Award Best Play On or Off Broadway and the ITBA Best Solo Show awards.
"Liberty Theater by Rosalind Fox Solomon brings together her photographs made in the Southern United States from the 1970s to 1990s, never before published together as a group. Solomon's images depict a complex terrain of social and emotional issues inherited over generations: a world of class and gender divisions, implied and overt racism, competing notions of liberty, and lurking violence. Journeying through Alabama, Georgia, Florida, Louisiana, Mississippi, Tennessee, and South California, Solomon draws attention to cultural idiosyncrasies, paradoxes and theatrical displays: a Daughter of the Confederacy sits in costume with a china doll from her collection; a dead tree stump, fenced and suspended with wires is elevated to the status of a Civil War monument; African American boys examine a vitrine of guns as two white police manikins loom behind them. Poised between act and re-enactment, the animate and the inanimate, Solomon's images reveal how history becomes a vernacular performance and identity a form of theatre.--