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The most wide-ranging anthology of twentieth-century poetry in English and Scots available.
New essays on Burns' special place in Scottish, English and Irish literary cultureIn this volume, 17 leading Burns scholars, poetry critics and practising poets reflect on the enduring significance of one of the most important poets of the 18th century. They show that Burns was a highly innovative and technically accomplished poet, as capable of transforming earlier traditions as of launching new literary trends.Looks at Burns' place amongst his literary predecessors, contemporaries and heirs, including:* Scottish poets such as Ramsay, Fergusson, Byron, Hogg, MacDiarmid, Paterson, Dunn & Mackay Brown* English poets such as Milton, Addison, Gray & Wordsworth* Classical writers such as Virgil* Irish poets such as Merriman, Goldsmith, Dermody & HeaneyBy looking at Burns in the context of other poets, each chapter sheds new lighton his own practices and the practice of poetry in general. They investigate the political, national, philosophical and ethical aspects of his poetry, showing how you can deepen
Part travelogue, part diary, part poetry, history and genealogy With an Introduction by Ted Cowan, Scottish historian, University of Glasgow SUMMARY An American poet who, according to family tradition, is related to the iconic poet Robert Burns, embarks upon a life-changing adventure through Scotland to find the lost connections to his immigrant forebears. From Bannockburn to Culloden, Edinburgh to Stirling to Inverness and Skye, Glencoe and Loch Lomond, Glasgow and Dumfries, each page reveals another thread of the lore and the mystery, offering a fresh perspective on the times, the places and the people that are woven into the beautiful tapestry that is Scotland. As an historical snapshot in time, this book will have significant social and cultural relevance for Scotland and the UK in times to come. PRAISE FOR THE GHOST OF RABBIE BURNS "A wonderful book of poetry and a great asset if you are making a trip to Scotland." Duke of Argyll, Chief of Clan Campbell "Laurence is a true sennachie, a genealogist as well as a bard." Ted Cowan, Emeritus professor of Scottish history and literature, University of Glasgow "touchingly sincere and thoughtful... laced with a wry but kindly humour." Isla St Clair, singer and broadcaster "Historically interesting and accurate... a passionate perspective of olden Caledonia." Steve McDonald, composer, Sons of Somerled "an amusing, heartfelt, historical journey that every exile should take. Weel duin, Laurence." Iain H Scott, Scocha "Overmire has captured that idea of the warrior/poet/wanderer so many of us dream of being. We can live the adventure of William Wallace at Stirling Bridge, or the devotion of Greyfriars Bobby, or the heartbreak of Culloden. Whither from your armchair at home with a glass of single malt in your hand, or on the plane ride over for your own first Scottish Adventure, I would highly recommend Overmire's capture of his own 'first trip home'." Eric Bullard, President, Clan Buchanan Society Intl., Inc. "an engaging meditation on Scotland, its history, places and people." Rev. Calum I. MacLeod, Minister of St. Giles' Cathedral, Edinburgh "The imagery evoked in his verse and the moral lessons imparted by Laurence represent the message of Robert Burns for the modern time." Mark Myers, President, Clan Maclean Association of California, USA "Much of Burns' collected works were captured during his tours of Scotland... this book captures the mood very well as a trail through Scotland." Jock Meikle, President of the Burns Club of London "Overmire uncovers the heart of each place he visits and helps us know the very soul of this country." Anita Scott-Philbrick, Ph.D, Deputy Chieftain, Clan Scott Society "Overmire has captured what it is like for those with even a trace of Scottish heritage to long for a connection with their ancestral roots... It is refreshing to view history in the context of poetry." Larry Bardell, President, Oregon Scottish Society "This book is a poetic, informed and sensitive testament to Scotland - its history, its art, its enduring values, its conflicts, and its spirituality." Weeden Nichols, F.S.A. Scot., President, Clan MacLeod Society USA "always with an ear/eye on literary or musical echoes... this poet is interested in connections, not separations." Dr. Keith Hughes, English Literature, University of Edinburgh "The art of painting into words my homeland and its history was well done and should be experienced by all whose blood runs 'Per Mare Per Terras'." Chevalier Dr. Gregory A. McDonald, D.D.S., K.T.J., formerly Ohio Deputy Commissioner, Clan Donald "It's a pleasant book to curl up with on a cold winter's evening in front of the fireplace, or at the beach on a sunny summer day." Margaret Frost, Chairman, Scottish American Society, President, American Clan Cumming Association
The Golden Treasury of Scottish Verse is a timeless collection of Scottish poetry. It contains over three hundred poems ranging from the early medieval period to the twenty-first century, and paints a full-colour portrait of Scotland’s poetic heritage and culture. Edited and introduced by award-winning poets Kathleen Jamie, Don Paterson and Peter Mackay, and including poems by Robert Burns, Carol Ann Duffy, Sorley Maclean, Violet Jacob, William Dunbar, Meg Bateman, George Mackay Brown, Màiri Mhòr nan Òran, Robert Louis Stevenson, Jackie Kay, Liz Lochhead, and many more, The Golden Treasury of Scottish Verse is a joyous celebration of Scotland’s literary past, present and future.
This book contains a selection of the finest work from three of Scotland's best-known and best-loved poets. They have fascinated and charmed thousands of readers and listeners across Europe and America with the energy, humor and compassion of their vision.
For several years now, Kathleen Jamie's work has addressed two principal concerns: how we negotiate with the natural world, and how we should define our conduct within family and society. In The Tree House Jamie argues - as Burns did before her - for an engagement of the whole being through a kind of practical earthly spirituality. These often startling encounters with animals, birds, and other humans propose a way of living which recognises the earth as home to many different consciousnesses -- and a means of authentic engagement with ‘this, the only world’. Together they form one of the most powerful poetic statements of recent years.