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A chilling collection of tales that illustrates Scotland's rich and diverse cultural tradition when it comes to the supernatural.
Tales for Twilight offers a spine-tingling selection of unnerving tales by writers from James Hogg in the early eighteenth century to James Robertson, very much alive in the twenty-first. Scottish authors have proved to be exceptionally good at writing ghost stories. Perhaps it's because of the tradition of oral storytelling that has stretched over centuries, including poems and ballads with supernatural themes. The golden age was during the Victorian and Edwardian period, but the ghost story has continued to evolve and remains popular to this day. Includes stories from Sir Walter Scott, George Mackay Brown, Muriel Spark, Margaret Oliphant, Robert Louis Stevenson, Sir Arthur Conan Doyle, Guy Boothby, Algernon Blackwood, Eileen Bigland, Ronald Duncan, James Robertson and Ian Rankin.
Inheriting the tradition of Hugh Miller, the nineteenth century folklorist and stonemason (whose own haunted life is the subject of the opening chapter), James Robertson has, where possible, researched the original or oldest written source and visited the site of each story to compile the most comprehensive and authoritative collection of the Scottish supernatural. Some of the stories gathered here are deservedly famous, such as those associated with Glamis Castle or the tale of Major Weir, while others ('The Deil of Littledean' and 'The Drummer of Cortachy') are less familiar or even contemporary accounts related to the author personally - but all are equally intriguing and fascinating reflections of the culture and period to which they belong. Neither a wary sceptic nor a fanatical believer, but an advocate of the validity of individual experience of the strange and unexplainable, James Robertson's Scottish Ghost Stories is an imaginative and chilling recasting of an established Scottish ghost-hunting and story-telling tradition - a homage to the particular mystery and character of a land which continues to produce ghosts whether from den to glen, Highlands to Lowlands, Catholic to Protestant.
An examination of how and why Scotland gained its reputation for the supernatural, and how belief continued to flourish in a supposed Age of Enlightenment. SHORTLISTED for the Katharine Briggs Award 2019 Scotland is famed for being a haunted nation, "whare ghaists and houlets nightly cry". Medieval Scots told stories of restless souls and walking corpses, but after the 1560Reformation, witches and demons became the focal point for explorations of the supernatural. Ghosts re-emerged in scholarly discussion in the late seventeenth century, often in the guise of religious propagandists. As time went on, physicians increasingly reframed ghosts as the conjurations of disturbed minds, but gothic and romantic literature revelled in the emotive power of the returning dead; they were placed against a backdrop of ancient monasteries, castles and mouldering ruins, and authors such as Robert Burns, James Hogg and Walter Scott drew on the macabre to colour their depictions of Scottish life. Meanwhile, folk culture used apparitions to talk about morality and mortality. Focusing on the period from 1685 to 1830, this book provides the first academic study of the history of Scottish ghosts. Drawing on a wide range of sources, and examining beliefs across the social spectrum, it shows howghost stories achieved a new prominence in a period that is more usually associated with the rise of rationalism. In exploring perceptions of ghosts, it also reflects on understandings of death and the afterlife; the constructionof national identity; and the impact of the Enlightenment. MARTHA MCGILL completed her PhD at the University of Edinburgh.
Rooted in place, slipping between worlds - a rich collection of unnerving ghosts and sinister histories. 'An impressive line-up of established and emerging names.' The Sunday Times 'These eerie, unsettling stories are guaranteed to send shivers down your spine.' Daily Express Eight authors were given the freedom of their chosen English Heritage site, from medieval castles to a Cold War nuclear bunker. Immersed in the past and chilled by rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories. 'Subtly evocative of human relations loss, grief, or the fear of loneliness.' TLS 'A satisfying and spooky read.' Sun Also includes a gazetteer of English Heritage properties which are said to be haunted.
You will be introduced to some of Scotland s best ghosts and haunted sites
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
Eight spooky stories from the mistress of the unexpected.