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Scott-King's Modern Europe is a satire on post-1945 totalitarianism. The story sets out in particular Waugh’s attitudes towards communism in the Balkans and is plainly also an attack on the drabness of the continent following the Second World War.
A collection of illustrated essays on sovereignty and political power in seventeenth- and eighteenth-century Europe.
An exciting account of the origins of the modern world Who formed the first literate society? Who invented our modern ideas of democracy and free market capitalism? The Scots. As historian and author Arthur Herman reveals, in the eighteenth and nineteenth centuries Scotland made crucial contributions to science, philosophy, literature, education, medicine, commerce, and politics—contributions that have formed and nurtured the modern West ever since. Herman has charted a fascinating journey across the centuries of Scottish history. Here is the untold story of how John Knox and the Church of Scotland laid the foundation for our modern idea of democracy; how the Scottish Enlightenment helped to inspire both the American Revolution and the U.S. Constitution; and how thousands of Scottish immigrants left their homes to create the American frontier, the Australian outback, and the British Empire in India and Hong Kong. How the Scots Invented the Modern World reveals how Scottish genius for creating the basic ideas and institutions of modern life stamped the lives of a series of remarkable historical figures, from James Watt and Adam Smith to Andrew Carnegie and Arthur Conan Doyle, and how Scottish heroes continue to inspire our contemporary culture, from William “Braveheart” Wallace to James Bond. And no one who takes this incredible historical trek will ever view the Scots—or the modern West—in the same way again.
This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned. The Oxford Handbook of Early Modern European History, 1350-1750 provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of "early modernity" itself and to survey early modern Europe as an established field of study. The overriding aim will be to establish that 'early modern' is not simply a chronological label but possesses a substantive integrity. Volume II is devoted to "Cultures and Power", opening with chapters on philosophy, science, art and architecture, music, and the Enlightenment. Subsequent sections examine 'Europe beyond Europe', with the transformation of contact with other continents during the first global age, and military and political developments, notably the expansion of state power.
Originally published in 1953, What Shall I Read Next? lists nearly 2000 works published after 1900, with the compiler's own appreciatory comments on selected items. It was a companion volume to Mr Seymour Smith's English Library. Both books are published on behalf of the National Book League. In his introduction, explaining the scope and purpose of the book, Mr Seymour Smith wrote: 'Some will find it useful merely as a shopping list, reminding them of books they know something about already, and serving as a remembrancer. To others, and particularly to younger readers, it may introduce books which have so far escaped their notice. It is hoped, too, that for booksellers and librarians it will have a practical use as a desk-book, for answering enquiries, for serving as a check list for stock, and for use as a reference book when memory fails'.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Aristocratic dynasties have long been regarded as fundamental to the development of early modern society and government. Yet recent work by political historians has increasingly questioned the dominant role of ruling families in state formation, underlining instead the continued importance and independence of individuals. In order to take a fresh look at the subject, this volume provides a broad discussion on the formation of dynastic identities in relationship to the lineage’s own history, other families within the social elite, and the ruling dynasty.
“A well-founded and presented description of the integral role that psychoactive substances played in ancient societies. . . . A unique addition to ancient history collections.”—Choice “Very informative, well referenced, and well illustrated.”—Latin American Antiquity “A diverse and interesting introduction to the evidence for psychoactive use in the past, including consideration of the physical techniques and interpretative methods for understanding these practices.”—Journal of Psychedelic Studies "This well-researched and fascinating volume not only demonstrates the important cultural role of psychoactive substances in ancient societies but also points the way to an emerging research field. The unveiling of the past history of drug use becomes a lesson for present-day society."--Jan G. Bruhn, founding editor, Journal of Ethnopharmacology "Presents a broad overview of drug plants and fermented beverages by using anthropological, ethnological, archaeological, iconographic, chemical, and botanical approaches. Essential reading."--Elisa Guerra Doce, author of Drugs in Prehistory: Archaeological Evidence of the Use of Psychoactive Substances in Europe Mind-altering substances have been used by humans for thousands of years. In fact, ancient societies sometimes encouraged the consumption of drugs. Focusing on the archaeological study of how various entheogens have been used in the past, this volume examines why humans have social and psychological needs for these substances. Contributors trace the long-term use of drugs in ancient cultures and highlight the ways they evolved from being sacred to recreational in more modern times. By analyzing evidence of these substances across a diverse range of ancient cultures, the contributors explore how and why past civilizations harvested, manufactured, and consumed drugs. Case studies examine the use of stimulants, narcotics, and depressants by hunter-gatherers who roamed Africa and Eurasia, prehistoric communities in North and South America, and Maya kings and queens. Offering perspectives from many different fields of study, contributors illustrate the wide variety of sources and techniques that can provide information about materials that are often invisible to archaeologists. They use advanced biomolecular procedures to identify alkaloids and resins on cups, pipes, and other artifacts. They interpret paintings on vases and discuss excavations of breweries and similar sites. Uncovering signs of drugs, including ayahuasca, peyote, ephedra, cannabis, tobacco, yaupon, vilca, and maize and molle beer, they explain how psychoactive substances were integral to interpersonal relationships, religious practices, and social cohesion in antiquity. Scott M. Fitzpatrick, professor of archaeology at the University of Oregon, is coeditor of Island Shores, Distant Pasts: Archaeological and Biological Approaches to the Pre-Columbian Settlement of the Caribbean. Contributors: Quetta Kaye | Victor D. Thompson | Thomas J. Pluckhahn | Sean Rafferty | Mark Merlin | Matt Sayre | Constantino Manuel Torres | Zuzana Chovanec | Jennifer A. Loughmiller-Newman | Justin Jennings | Daniel M. Seinfeld | Shannon Tushingham | Scott M. Fitzpatrick
In Evelyn Waugh and the Modernist Tradition, George McCartney argues that unlike traditional satirists, Evelyn Waugh was not primarily concerned with correcting morals and manners. Instead, he laid siege to the cultural and metaphysical assumptions of his time. McCartney demonstrates that the one constant in Waugh's work was his lively engagement with contemporary intellectual fashion. It was especially his response to modernism, the zeitgeist of his formative years, that gave his fiction its distinctive energy. McCartney shows how at every turn Waugh's writing pays parodic tribute to modernist esthetics. Although he deplored many of the movement's philosophical premises, he nevertheless admired its methods, borrowing them freely whenever it suited his purposes. In effect, Waugh developed an alternate modernism. Whether it was his playful reworking of Bauhaus and Futurist theory, or his borrowings from film technique, he was determined to take his place in what he called "the advance-guard" despite his avowedly "antique" tastes. Part aesthete, part traditionalist, he appropriated the strategies of experimental art in order to defeat its metaphysical implications. McCartney provides evidence that this ambivalent regard for modernism reveals not only Waugh's interest in aesthetics and philosophy, but also his personal conflicts. For a man who prized rationality, he was remarkably, even notoriously impulsive. McCartney concludes that Waugh's satire sprang not only from his dismay with contemporary intellectual fashions but also from an inward struggle between his orthodox and wayward selves, a struggle that registered the cultural conflicts of his time with uncanny accuracy. In McCartney's reading, Waugh's personal and intellectual ambivalence enabled him to become a prescient critic of our age. The result was a body of work that remains as vital today as when it was written. George McCartney teaches at St. John's University. He has written on Waugh for The Columbia History of the British Novel and Evelyn Waugh: New Directions. He also writes for a variety of publications including National Review, The American Spectator, and the Weekly Standard. His monthly film column appears in Chronicles Magazine.