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This volume represents one of the first attempts to examine the connection between Scotland and the British empire throughout the entire twentieth century. As the century dawned, the Scottish economy was still strongly connected with imperial infrastructures (like railways, engineering, construction and shipping), and colonial trade and investment. By the end of the century, however, the Scottish economy, its politics, and its society had been through major upheavals which many connected with decolonisation. The end of empire played a defining role in shaping modern-day Scotland and the identity of its people. Written by scholars of distinction, these chapters represent ground-breaking research in the field of Scotland’s complex and often-changing relationship with the British empire in the period. The introduction that opens the collection will be viewed for years to come as the single most important historiographical statement on Scotland and empire during the tumultuous years of the twentieth century. A final chapter from Stuart Ward and Jimmi Østergaard Nielsen covers the 2014 referendum.
The rise and fall of the British Empire profoundly shaped the history of modern Scotland and the identity of its people. From the Act of Union in 1707 to the dramatic fall of the British Empire following the Second World War, Scotland's involvement in commerce, missionary activity, cultural dissemination, emigration, and political action could not be dissociated from British overseas endeavours. In fact, Scottish national pride and identity were closely associated with the benefits bestowed on this small nation through its access to the British Empire. By examining the opinions of Scots towards the empire from numerous professional and personal backgrounds, Scotland emerges as a nation inextricably linked to the British Empire. Whether Scots categorized themselves as proponents, opponents, or victims of empire, one conclusion is clear: they maintained an abiding interest in the empire even as it rapidly disintegrated during the twenty-year period following the Second World War. In turn, the end of the British Empire coincided with the rise of Scottish nationalism and calls for Scotland to extricate itself from the Union. Decolonization had a major impact on Scottish political consciousness in the years that followed 1965, and the implications for the sustainability of the British state are still unfolding today.
Examines the key roles of Scots in central aspects of the Atlantic and imperial economies from the eighteenth to the twentieth centuries, and demonstrates that an understanding of the relationship between Scotland and the British Empire is vital both for the understanding of the histories of that country and of many territories of the Empire.
Decolonization is the term commonly used to refer to this transition from a world of colonial empires to a world of nation-states in the years after World War II. This work demonstrates that this process involved considerable violence and instability.
Excerpt from Scotland's Work and Worth, Vol. 2: An Epitome of Scotland's Story From Early Times to the Twentieth Century, With a Survey of the Contributions of Scotsmen in Peace and in War to the Growth of the British Empire and the Progress of the World On 21st October 1805 the most glorious event in the annals of the British Navy took place, when Nelson, having previously outwitted his enemies in regard to their feigned West Indian Expedition, crushed at Trafalgar the combined naval power of France and Spain, converted the proud boast that Britannia rules the waves into a literal fact, and freed Britain from the nightmare dread of invasion. In spite of the wording of his famous signal, England expects every man to do his duty, there were Scotsmen to the front as usual, not only among the personnel of the seamen, but in positions of trust and responsibility. Shortly before the engagement of Trafalgar, Nelson had written in his diary° May the great God, whom I worship, grant to my country a great and glorious victory; and may humanity after victory be the pre dominant feature in the British fleet. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Written by specialists from various fields, this edited volume is the first systematic investigation of the impact of imperialism on twentieth-century Britain. The contributors explore different aspects of Britain's imperial experience as the empire weathered the storms of the two world wars, was subsequently dismantled, and then apparently was gone. How widely was the empire's presence felt in British culture and society? What was the place of imperial questions in British party politics? Was Britain's status as a global power enhanced or underpinned by the existence of its empire? What was the relation of Britain's empire to national identities within the United Kingdom? The chapters range widely from social attitudes to empire and the place of the colonies in the public imagination, to the implications of imperialism for demography, trade, party politics and political culture, government and foreign policy, the churches and civil society, and the armed forces. The volume also addresses the fascinating yet complex question of how, after the formal end of empire, the colonial past has continued to impinge upon our post-colonial present, as contributors reflect upon the diverse ways in which the legacies of empire are interpreted and debated in Britain today.
For more than four decades, historians have devoted ever-increasing attention to the affinites that linked Scotland with the American colonies in the eighteenth century. This volume moves beyond earlier discussions in two ways. For one, the geographical coverage of the papers extends beyond the territories that became the United States to include what became Canada, The Carribean and even Africa. For another, the volume attends not only those areas in which Scotland was closely linked to the Americas, but also to those where it was not.
Exhibiting the empire considers how a whole range of cultural products – from paintings, prints, photographs, panoramas and ‘popular’ texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture – were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception. This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.
Scottish nationalism is a powerful movement in contemporary politics, yet the goal of Scottish independence emerged surprisingly recently into public debate. The origins of Scottish nationalism lie not in the medieval battles for Scottish statehood, the Acts of Union, the Scottish Enlightenment, or any other traditional historical milestone. Instead, an influential separatist Scottish nationalism began to take shape only in the 1970s and achieved its present ideological maturity in the course of the 1980s and 1990s. The nationalism that emerged from this testing period of Scottish history was unusual in that it demanded independence not to defend a threatened ancestral culture but as the most effective way to promote the agenda of the left. This accessible and engaging account of the political thought of Scottish nationalism explores how the arguments for Scottish independence were crafted over some fifty years by intellectuals, politicians and activists, and why these ideas had such a seismic impact on Scottish and British politics in the 2014 independence referendum.
Decolonising Europe? Popular Responses to the End of Empire offers a new paradigm to understand decolonisation in Europe by showing how it was fundamentally a fluid process of fluxes and refluxes involving not only transfers of populations, ideas, and sociocultural practices across continents but also complex intra-European dynamics at a time of political convergence following the Treaty of Rome. Decolonisation was neither a process of sudden, rapid changes to European cultures nor one of cultural inertia, but a development marked by fluidity, movement, and dynamism. Rather than being a static process where Europe’s (former) metropoles and their peoples ‘at home’ reacted to the end of empire ‘out there’, decolonisation translated into new realities for Europe’s cultures, societies, and politics as flows, ebbs, fluxes, and cultural refluxes reshaped both former colonies and former metropoles. The volume’s contributors set out a carefully crafted panorama of decolonisation’s sequels in European popular culture by means of in-depth studies of specific cases and media, analysing the interwoven meaning, momentum, memory, material culture, and migration patterns of the end of empire across eight major European countries. The revised meaning of ‘decolonisation’ that emerges will challenge scholars in several fields, and the panorama of new research in the book charts paths for new investigations. The question mark in the title asks not only how European cultures experienced the ‘end of empire’ but also the extent to which this is still a work in progress.