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Un volume di studi critici sulle letterature e sulle civiltà dei paesi di lingua inglese, scritto e curato da chi ha partecipato al Corso di Studi in âScienze e Tecniche dellâInterculturalità â, Lettere e Filosofia, Università di Trieste.I saggi spaziano tra argomenti e ambiti culturali e letterari eterogenei: dal confronto fra culture, sistemi di pensiero, classi sociali; al viaggio come descrizione d'incontri e stupore di fronte alla "alterità "; alla letteratura per l'infanzia come veicolo della cultura di un popolo e base formativa per le sue prossime generazioni; ai sistemi economici e politici dell'imperialismo e del colonialismo in ambito anglofono e al loro impatto con le culture autoctone; alle influenze di elementi letterari nei media tradizionali e moderni. I temi, afferenti ai cultural studies, rientrano in cinque ambiti di studio: età Vittoriana; letteratura di viaggio; letterature post-coloniali africane; diaspora indiana; multimedialità nella comunicazione di massa.
Local/ Global Shakespeare and Advertising examines the local/ global and rhizomatic phenomenon of Shakespeare as advertised and Shakespeare as advertising. Starting from the importance and the awareness of advertising practices in the early modern period, the volume follows the evolution of the use of Shakespeare as a promotional catalyst up to the twenty-first century. The volume considers the pervasiveness of Shakespeare’s marketability in Anglophone and non-Anglophone cultures and its special engagement with creative and commercial industries. With its inter-and transdisciplinary perspective and its international scope, this book brings new insights into Shakespeare’s selling power, Shakespeare as the object of advertising and Shakespeare as part of the advertising vehicle, in relation to a range of crucial cultural, ideological and political issues.
Gianni Ferracuti: Jose Ortega y Gasset e il modernismo: Cento anni di Meditaciones del Quijote. Giuseppe D'Acunto: Ortega y Gasset: la metafora come parola esecutiva. Mario Faraone: Prompted by motives of curiosity: l'orientalismo interculturale di William Beckford, autore di Arabian Tales nell'Inghilterra del XVIII secolo. Pier Francesco Zarcone: Martin Buber e l'anarchismo. Guido Bulla: Who is it that can tell me who I am?. Shakespeare, Stow, White: radici interculturali della Letteratura Australiana di lingua inglese. Rosanna Sirignano: Popular wisdom and marriage customs in a Palestinian village: Proverbs and sayings in Hilma Granqvists work. Mirza Mejdanija: L'ultima stagione dei racconti sveviani. Irma Hibert: Posmodernidad, globalizacion, identidad. Edina Spahi
Provides a comprehensive exploration of Beckett's historical, cultural and philosophical contexts, offering new critical insights for scholars and general readers.
Applies an understanding of Zen Buddhism to the 'absurdity' of Beckett, which is seen as an expression of deepest spiritual anguish.
Both devastating and funny, The Lonely Londoners is an unforgettable account of immigrant experience - and one of the great twentieth-century London novels At Waterloo Station, hopeful new arrivals from the West Indies step off the boat train, ready to start afresh in 1950s London. There, homesick Moses Aloetta, who has already lived in the city for years, meets Henry 'Sir Galahad' Oliver and shows him the ropes. In this strange, cold and foggy city where the natives can be less than friendly at the sight of a black face, has Galahad met his Waterloo? But the irrepressible newcomer cannot be cast down. He and all the other lonely new Londoners - from shiftless Cap to Tolroy, whose family has descended on him from Jamaica - must try to create a new life for themselves. As pessimistic 'old veteran' Moses watches their attempts, they gradually learn to survive and come to love the heady excitements of London. This Penguin Modern Classics edition includes an introduction by Susheila Nasta. 'His Lonely Londoners has acquired a classics status since it appeared in 1956 as the definitive novel about London's West Indians' Financial Times 'The unforgettable picaresque ... a vernacular comedy of pathos' Guardian
Samuel Beckett claimed he couldn't talk about his work, but he proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States, Alan Schneider. The 500 letters capture the world of theater as well as the personalities of their authors.
A collection of original essays by a team of leading Beckett scholars and two of his biographers, Companion to Samuel Beckett provides a comprehensive critical reappraisal of the literary works of Samuel Beckett. Builds on the resurgence of international Beckett scholarship since the centenary of his birth, and reflects the wealth of newly released archival sources Informed by the latest in scholarly, critical, and theoretical debates A valuable addition to contemporary Beckett scholarship, and testament to the enduring influence of Beckett’s work and his position as one of the most important literary figures of our time