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The Fear of Looking or Scopophilic–Exhibitionistic Conflicts presents the importance of socophilic–exhibitionistic or look–show factors in neuroses, in the treatment situation, and in everyday life. This book examines some of the implications of scopophilic–exhibitionistic cathexes for creativity. Organized into six chapters, this book begins with an overview of the emotional impact made through scopophilic–exhibitionistic modalities. This text then explains that the social, fighting, and mating rituals of many species involve looking and showing. Other chapters consider the typical connection between the screen function of a memory or remembered fantasy and the screen function of compulsive scopophilic–exhibitionistic reenactment in reducing current anxiety. This book discusses as well the partial instincts of scopophilia and exhibitionism that are present in everyone. The final chapter deals with the concept of psychic masochism that predominates in scopophilic–exhibitionistic suffering. This book is a valuable resource for psychiatrists, psychoanalysts, and behavioral scientists.
This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock
What happens when Theodor Adorno, the champion of high, classical artists such as Beethoven, comes into contact with the music of Chuck Berry, the de facto king of rock 'n' roll? In a series of readings and meditations, Robert Miklitsch investigates the postmodern nexus between elite and popular culture as it occurs in the audiovisual fields of film, music, and television—ranging from Gershwin to gangsta rap, Tarantino to Tongues Untied, Tony Soprano to Buffy the Vampire Slayer, Miklitsch argues that the aim of critical theory in the new century will be to describe and explain these commodities in ever greater phenomenological detail without losing touch with those evaluative criteria that have historically sustained both Kulturkritik and classical aesthetics.
What is the nature of desire? This book gives an accessible introduction to the concept, and a coherent critique of the competing theories of desire within contemporary theory. Through analysis of representations of desire in television and film, it considers ways in which the concept is theorized and presented on screen.
Originally published in 1970, this volume describes in condensed but detailed form Freud’s development of the theory of instincts. As is well known, Freud reformulated and amplified his theory of instincts at several points during his lifetime. Such periodical amplifications and reformulations were made necessary by a number of factors, for as Freud gained experience he not only developed fresh insights but also was faced with the problem of explaining an increasing amount of clinical phenomena that offered itself for examination under the psychoanalytic microscope. There can be no doubt that Freud considered his theory of instincts as one of the corner stones of psychoanalysis and yet at the same time he recognised that it was an area where many of his formulations were necessarily of a tentative character and open to discussion and modification. In this volume the reader will be able to follow the development of Freud’s thought from his initial discovery of the duality of ‘sexual’ and ‘ego’ instincts and his recognition of the fundamental importance of the aggressive forces in human nature and behaviour, to the formulation of his theories regarding life and death.
When first published in 1992, The Critical and Cultural Theory Reader served the growing need for essays and extracts for the study of culture. Now, the second and expanded edition of this highly successful reader reflects the growing diversity of the field and includes thirteen new essays.
Enlightening Encounters traces the impact of photography on Italian literature from the medium's invention in 1839 to the present day. Investigating the ways in which Italian literature has responded to photographic practice and aesthetics, the contributors use a wide range of theoretical perspectives to examine a variety of canonical and non-canonical authors and a broad selection of literary genres, including fiction, autobiography, photo-texts, and migration literature. The first collection in English to focus on photography's reciprocal relationship to Italian literature, Enlightening Encounters represents an important resource for a number of fields, including Italian studies, literary studies, visual studies, and cultural studies.
Critical Theory: The Key Concepts introduces over 300 widely-used terms, categories and ideas drawing upon well-established approaches like new historicism, postmodernism, psychoanalysis, Marxism, and narratology as well as many new critical theories of the last twenty years such as Actor-Network Theory, Global Studies, Critical Race Theory, and Speculative Realism. This book explains the key concepts at the heart of a wide range of influential theorists from Agamben to Žižek. Entries range from concise definitions to longer more explanatory essays and include terms such as: Aesthetics Desire Dissensus Dromocracy Hegemony Ideology Intersectionality Late Capitalism Performativity Race Suture Featuring cross-referencing throughout, a substantial bibliography and index, Critical Theory: The Key Concepts is an accessible and easy-to-use guide. This book is an invaluable introduction covering a wide range of subjects for anyone who is studying or has an interest in critical theory (past and present).
"Everything you might want to know about the history and practice of feminist criticism in North America". -Feminist Bookstore News