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These conference proceedings cover topics including technology and provenance; stoneware and porcelain; Han, Tang and contemporary ceramics; production and distribution; and Khmer ceramics.
Among the most revered and beloved artworks in China are ceramics—sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere. Spanning five millennia, the Metropolitan Museum’s collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era. As with previous books in the How to Read series, How to Read Chinese Ceramics elucidates the works to encourage deeper understanding and appreciation of the meaning of individual pieces and the culture in which they were created. From exquisite jars, bowls, bottles, and dishes to the elegantly sculpted Chan Patriarch Bodhidharma and the gorgeous Vase with Flowers of the Four Seasons, How to Read Chinese Ceramics is a captivating introduction to one of the greatest artistic traditions in Asian culture.
"The aim of the book is to report the recent research development of ancient glass and glazing technology and the historical–cultural exchange of the East and West along the Silk Road. The contents of this book are dedicated to promote the exchanges between researchers in both social and scientific fields. The scope of this book includes the new archaeological findings of ancient glass and faience in the world, the relationship of glassmaking with glazing technology, the development and application of modern techniques used for the characterization of ancient glass and glaze, compound colorants/opacifiers among ancient glass, the early exchanges of culture and techniques used between China and elsewhere along the Silk Road, and so on."--Provided by publisher.
Worldwide research on ancient glass began in the early 20th century. A consensus has been reached in the community of Archaeology that the first manmade or synthetic glasses, based on archaeological findings, originated in the Middle East during the 5000-3000's BC. By contrast, the manufacturing technology of pottery and ceramics were well developed in ancient China. The earliest pottery and ceramics dates back to the Shang Dynasty - the Zhou Dynasty (1700 BC-770 BC), while the earliest ancient glass artifacts unearthed in China dates back to the Western Han Dynasty. Utilizing the state-of-the art analytical and spectroscopic methods, the recent findings demonstrate that China had already developed its own glassmaking technology at latest since 200 BC. There are two schools of viewpoint on the origin of ancient Chinese glass. The more common one believes that ancient Chinese glass originated from the import of glassmaking technology from the West as a result of Sino-West trade exchanges in the Western Han Dynasty (206 BC-25 AD). The other scientifically demonstrates that homemade ancient Chinese glass with unique domestic formula containing both PbO and BaO were made as early as in the Pre-Qin Period or even the Warring States Period (770 BC-221 BC), known as Yousha or Faience.This English version of the previously published Chinese book entitled Development History of Ancient Chinese Glass Technology is for universities and research institutes where various research and educational activities of ancient glass and history are conducted. With 18 chapters, the scope of this book covers very detailed information on scientifically based findings of ancient Chinese glass development and imports and influence of foreign glass products as well as influence of the foreign glass manufacturing processes through the trade exchanges along the Silk Road(s).
Over the past fifty years or so early pottery complexes in the wider region of West Asia have hardly ever been investigated in their own right. Early ceramics have often been unexpected by-products of projects focussing upon much earlier aceramic or later prehistoric periods. In recent years, however, there has been a tremendous increase in research in various parts of West Asia focusing explicitly on this theme. It had generally become accepted that the adoption of pottery in West Asia happened relatively late in the history of ceramics. Several regions are now believed to have developed pottery significantly earlier. Thus, pottery occurs in Eastern Russia, in China and Japan by 16,500 cal. BC and in north Africa it is known in the 10th millennium. However, while the East Asian examples in particular do mark chronologically earlier instances, the picture in West Asia is actually rather more complex, in part because of the tyranny of the Aceramic/Ceramic Neolithic chronology. For the first time, The Emergence of Pottery in West Asia examines in detail the when, where, how and why pottery first arrived in the region? A key insight that emerges is that we must not confuse the reasons for pottery adoption with the long-term consequences. Neolithic peoples in West Asia did not adopt pottery because of the many uses and functions it would gain many centuries later and the development of ceramic technology needs to be examined in the context of its original cultural and social milieu.
Presents 50 selected highlights of this world-renowned collection ... The accompanying text gives brief details and draws out their most significant features"--Cover flap.
Adopting the perspective of anthropology of art and combining it with global academic insights, this book helps the readers to recognize that “history is, in great measure, the record of human activity which spreads from the local to the regional, from the regional to the global, and from the global to the universal.” Readers will learn that China was not only the first country to create porcelain, but also the first to export it to the world, both the products and its techniques. Therefore, the history of Chinese ceramics reflects the history of Chinese foreign trade on the one hand and depicts the expansion of Chinese ceramic techniques and cultures on the other. In addition to ceramics types, molds, decoration, and techniques, the book analyzes the spiritual impacts and aesthetic conceptions embodied in the utensils of daily use by the Chinese literati. Therefore, it reaches the conclusion that ideological systems and not technological systems are what bring about social revolutions. In addition, the book is richly illustrated with pictures of earthenware and finely glazed pieces from later periods.
This book follows Chinese porcelain through the commodity chain, from its production in China to trade with Spanish Merchants in Manila, and to its eventual adoption by colonial society in Mexico. As trade connections increased in the early modern period, porcelain became an immensely popular and global product. This study focuses on one of the most exported objects, the guan. It shows how this porcelain jar was produced, made accessible across vast distances and how designs were borrowed and transformed into new creations within different artistic cultures. While people had increased access to global markets and products, this book argues that this new connectivity could engender more local outlooks and even heightened isolation in some places. It looks beyond the guan to the broader context of transpacific trade during this period, highlighting the importance and impact of Asian commodities in Spanish America.
This catalogue of pre-Han pottery presents a variety of regional ancient cultures and reveals China's early civilizations through 63 fine examples of ceramic artworks from the Neolithic period through the Western Zhou dynasty drawn from the renowned Meiyintang Collection. Clearly outlining the different regions and charateristics of the ceramic-producing cultures of ancient China, this volume includes information on newly excavated materials and discussion on how these Neolithic and Bronze age cultures laid the foundations for China's later artistic and cultural achievements.