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The classic case for why government must support science—with a new essay by physicist and former congressman Rush Holt on what democracy needs from science today Science, the Endless Frontier is recognized as the landmark argument for the essential role of science in society and government’s responsibility to support scientific endeavors. First issued when Vannevar Bush was the director of the US Office of Scientific Research and Development during the Second World War, this classic remains vital in making the case that scientific progress is necessary to a nation’s health, security, and prosperity. Bush’s vision set the course for US science policy for more than half a century, building the world’s most productive scientific enterprise. Today, amid a changing funding landscape and challenges to science’s very credibility, Science, the Endless Frontier resonates as a powerful reminder that scientific progress and public well-being alike depend on the successful symbiosis between science and government. This timely new edition presents this iconic text alongside a new companion essay from scientist and former congressman Rush Holt, who offers a brief introduction and consideration of what society needs most from science now. Reflecting on the report’s legacy and relevance along with its limitations, Holt contends that the public’s ability to cope with today’s issues—such as public health, the changing climate and environment, and challenging technologies in modern society—requires a more capacious understanding of what science can contribute. Holt considers how scientists should think of their obligation to society and what the public should demand from science, and he calls for a renewed understanding of science’s value for democracy and society at large. A touchstone for concerned citizens, scientists, and policymakers, Science, the Endless Frontier endures as a passionate articulation of the power and potential of science.
DEBUNKING THE "EVIDENCE" BEHIND THE EVOLUTIONIST WORLDVIEW: Throughout the last half of the twentieth century, and now into the new millennium, the public has been fed a steady diet of anti-Biblical propaganda by an increasingly determined cadre of evolutionist scientists, educators and media outlets. The result of this concerted effort has been a shifting of public consciousness away from Biblical truth and into a new paradigm in which belief in some form of Darwinian evolution has become a Litmus test of acceptability in our society. But is this paradigm shift founded on legitimate scientific evidence? The answer to this question is a resounding NO. Over the last several decades, scientists in widely varied disciplines have refuted much of the "evidence" behind today's various competing evolution theories. The time has finally come to expose evolution for what it is: delusion. Kenneth Lawrence was born in British Columbia, Canada, where he currently resides. He has had an intense interest in science most of his life. A believer in Darwinian evolution for many years, Ken became a Christian at the age of twenty-three, but had difficulty accepting a straightforward reading of the Bible's account of origins for many years. In his late forties, Ken began to seriously investigate the scientific claims of evolution theory. Nearly a decade of personal research has resulted in an invigorated faith in the God of the Bible and in the writing of this book.
Science fiction is a field of literature that has great interest and great controversy among its writers and critics. This book examines the roots, history, development, current status, and future directions of the field through articles contributed by well-respected science fiction writers, teachers, and critics. This book can be used as a textbook for courses in theory as well as courses in science fiction literature and science fiction writing.
In the eighth in the Strangers and Brothers series Donald Howard, a young science Fellow is charged with scientific fraud and dismissed from his college. This novel, which became a successful West End play, describes a miscarriage of justice in the same Cambridge college which served as a setting for The Masters.