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The Science Fiction Handbook offers a comprehensive and accessible survey of one of the literary world's most fascinating genres. Includes separate historical surveys of key subgenres including time-travel narratives, post-apocalyptic and post-disaster narratives and works of utopian and dystopian science fiction Each subgenre survey includes an extensive list of relevant critical readings, recommended novels in the subgenre, and recommended films relevant to the subgenre Features entries on a number of key science fiction authors and extensive discussion of major science fiction novels or sequences Writers and works include Isaac Asimov; Margaret Atwood; George Orwell; Ursula K. Le Guin; The War of the Worlds (1898); Starship Troopers (1959); Mars Trilogy (1993-6); and many more A 'Science Fiction Glossary' completes this indispensable Handbook
Copy from the 1975 Owlswick Press print edition: L. Sprague de Camp's original Science-Fiction Handbook, published in 1953 and long out of print, has been favourably remembered by a whole generation of science fiction readers and aspiring writers. Over the years, at convention after convention, fans have urged its reissue. Teachers of courses on imaginative fiction have begged for the book; one planned to reproduce the manual for his creative writing course until he learned that the material was under copyright Because of this enduring interest, the present book came into being. Completely rewritten by de Camp and his wife Catherine, Science Fiction Handbook, Revised serves two purposes. It introduces the general reader to the fascinating field of imaginative fiction. The first two chapters describe the growth of science fiction from Aristophanes to Asimov and give the history of its parent literature, fantasy, which is as old as cavemen and as young as tomorrow. The rest of the book affords the apprentice writer an overview of the pleasures and problems of writing imaginative fiction an teachers him the many and varied skills such writing requires. There are chapters on setting the scene, plotting the story and writing dialogue. Other chapters are devoted to showing the creative writer how to sore his literary works, keep records for tax purposes, market a story, deal with editors and agents, read the fine print in contracts and bargain with publishers. Finally, there are helpful hints for the successful writer about relating to his community, handling publicity and melding the needs of the creative artists with those of a successful human being and family member. In short, here is a wealth of information on the techniques of writing fiction. Here, too, is the wisdom distilled by the de Camps in the course of their long writing careers. And, for those who have no desire to write, here is a chance to see what the writer's world is really like and to learn something about the remarkable literature that we call science fiction and fantasy.
The excitement of possible futures found in science fiction has long fired the human imagination, but the genre's acceptance by academe is relatively recent. No longer marginalized and fighting for respectability, science-fictional works are now studied alongside more traditional art forms. Tracing the capacious genre's birth, evolution, and impact across nations, time periods, subgenres, and media, The Oxford Handbook of Science Fiction offers an in-depth, comprehensive assessment of this robust area of scholarly inquiry and considers the future directions that will dictate the terms of the scholarly discourse. The Handbook begins with a focus on questions of genre, covering topics such as critical history, keywords, narrative, the fantastic, and fandom. A subsequent section on media engages with film, television, comics, architecture, music, video games, and more. The genre's role in the convergence of art and everyday life animates a third section, which addresses topics such as UFOs,
Here are 25 stories of science fiction that push the envelope, by the biggest names in an emerging new crop of high-tech futuristic SF - including Charles Stross, Robert Reed, Alastair Reynolds, Peter Hamilton and Neal Asher. High-tech SF has made a significant comeback in the last decade, as bestselling authors successfully blend the super-science of 'hard science fiction' with real characters in an understandable scenario. It is perhaps a reflection of how technologically controlled our world is that readers increasingly look for science fiction that considers the fates of mankind as a result of increasing scientific domination. This anthology brings together the most extreme examples of the new high-tech, far-future science fiction, pushing the limits way beyond normal boundaries. The stories include: "A Perpetual War Fought Within a Cosmic String", "A Weapon That Could Destroy the Universe", "A Machine That Detects Alternate Worlds and Creates a Choice of Christs", "An Immortal Dead Man Sent To The End of the Universe", "Murder in Virtual Reality", "A Spaceship So Large That There is An Entire Planetary System Within It", and "An Analytical Engine At The End of Time", and "Encountering the Untouchable."
A collection of classic science fiction short stories features tales by H. G. Wells, Arthur C. Clark, Frederik Pohl, Clifford Simak, Brian Aldiss, Ursala K. LeGuin, and many others. Edited by the author of The Road to Middle-Earth. 20,000 first printing.
S. M. Stirling presents his first Novel of the Change, the start of the New York Times bestselling postapocalyptic saga set in a world where all technology has been rendered useless. The Change occurred when an electrical storm centered over the island of Nantucket produced a blinding white flash that rendered all electronic devices and fuels inoperable—and plunged the world into a dark age humanity was unprepared to face... Michael Pound was flying over Idaho en route to the holiday home of his passengers when the plane’s engines inexplicably died, forcing a less than perfect landing in the wilderness. And as Michael leads his charges to safety, he begins to realize that the engine failure was not an isolated incident. Juniper McKenzie was singing and playing guitar in a pub when her small Oregon town was thrust into darkness. Now, taking refuge in her family’s cabin with her daughter and a growing circle of friends, Juniper is determined to create a farming community to benefit the survivors of this crisis. But even as people band together to help one another, others are building armies for conquest...
In a world where every word and gesture is copyrighted, patented or trademarked, one girl elects to remain silent rather than pay to speak, and her defiant and unexpected silence threatens to unravel the very fabric of society. Speth Jime is anxious to deliver her Last Day speech and celebrate her transition into adulthood. The moment she turns fifteen, Speth must pay for every word she speaks (“Sorry” is a flat ten dollars and a legal admission of guilt), for every nod ($0.99/sec), for every scream ($0.99/sec) and even every gesture of affection. She’s been raised to know the consequences of falling into debt, and can’t begin to imagine the pain of having her eyes shocked for speaking words that she’s unable to afford. But when Speth’s friend Beecher commits suicide rather than work off his family’s crippling debt, she can’t express her shock and dismay without breaking her Last Day contract and sending her family into Collection. Backed into a corner, Speth finds a loophole: rather than read her speech—rather than say anything at all—she closes her mouth and vows never to speak again. Speth’s unexpected defiance of tradition sparks a media frenzy, inspiring others to follow in her footsteps, and threatens to destroy her, her family and the entire city around them.
Stories deal with the discovery of extraterrestrials, people turned into trees, new religions, alien talk show hosts, brain stimulation addicts, future race cars, androids, and alternate universes.
To hold the interest of knowledgeable sci-fi readers, a writer the genre must stay within certain fuzzy boundaries of scientific belief. This volume provides some of the scientific detail that will make a writer's adventures compelling and consistent with current views of the universe. Annotation copyright by Book News, Inc., Portland, OR