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inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire of•Bach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
The Sonata for Arpeggione and Piano in A minor, D. 821, was written by Franz Schubert in Vienna in November of 1824. This Masterpiece, the only consequential composition for the arpeggione ever written, is elevated to a present day concert work for guitar and orchestra in a masterful arrangement by Gregg Nestor. Published by Clear Note with eBook guitar part and supporting state-of-the-art East/West orchestra realization audio for learning and practicing the work.
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Until comparatively recent times very little had been written for the viola as a solo instrument. Our contemporary composers have done a great deal to remedy this situation. Bax, Beresowsky, Bliss, Bloch, Delius, Hindemith, Honegger, Milhaud, Vaughan Williams, Walton and many others have contributed important sonatas, suites and concertos for the viola. Many new works are constantly being added. This new literature has placed new demands upon the violist, who in the past found a place only as an orchestra or chamber music player. Higher standards of technical perfection are required. It therefore occurred to me that the “Scalesystem” published by the eminent pedagogue and violinist Carl Flesch, regarded as a standard work by violinists the world over, would be equally valuable to violists if translated into their medium. I have undertaken this task with the encouragement of Professor Carl Flesch. The publishers and I hope that it will be found useful by performers and teachers of the viola. Charlotte Karman New York October 1941
Jan H���_mal�_ (1844-1915) was an influential Czech violinist and teacher, associated with Moscow Conservatory for 46 years. These are his progressive scale studies in 10 sections.
Expertly arranged Trumpet Solo by Th̩o Charlier from the Kalmus Edition series.
Chamber music includes some of the world's greatest music. It is widely played in homes, without an audience, by players who are mostly amateurs, and much of the repertoire is playable even by those of quite moderate ability. A Player's Guide to Chamber Music gives advice on what music is available and helps the player to identify what is suitable. It covers chamber music from the seventeenth to the later twentieth century and all instrumental combinations including strings, piano, wind instruments, duet sonatas and baroque ensembles. All the significant composers and musical aspects of playing are covered along with works suitable for inexperienced players. Illustrated with 63 black & white illustrations.
Record producer Peter Andry recounts his experiences over 50 years in the classical music industry in Inside the Recording Studio, offering portraits of great singers, instrumentalists, and conductors such as Maria Callas, Yehudi Menuhin, and Herbert von Karajan against a background of the dramatic changes in the recording industry.
This volume includes essays by leading scholars - Barkhoff, Boyle, Byrne, Canisius, Duerr, Fischer, Hill, Kramer, Lamport, Lund, Meikle, Newbould, Norman McKay, White, Whitton, Wright, Youens - on Goethe's musicality and his relationship to Schubert; Schubert's contribution to sacred music and the Lied and his setting of Goethe's Singspiel, Claudine. A companion volume of this Singspiel (with piano reduction and English translation) is also available.