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In this new multi-volume series, author Joe Carr introduces beginning to intermediate guitarists to classic bluegrass ballads and waltzes. the object of the series is to ground players in good technique and to impart the essential skills required for continued self-guided development. the tunes are presented in both Carter-style and flatpicking arrangements. Perfect for beginning lead guitarists.
This book helps guitarists who are currently stuck playing simple melodies develop fiddle-tune-like solos to bluegrass songs and tunes. Thirteen songs are presented in both a simple Carter-style melody-based arrangement followed by a more fleshed out fiddle-style arrangement. Using the licks and concepts presented here, guitarists can develop their own unique solos to popular songs. Angeline the Baker is presented in a special four-part arrangement that details how to take a simple quarter-note-type melody and develop it into a full eighth-note-based flatpicking solo.
In this book, journalist, composer, songwriter, teacher, and 2003 Winfield Flatpicking Guitar Champion, Jeff Troxel, delivers a masterclass in arranging fiddle tunes for flatpicking guitar. These 20 themes and variations on favorite bluegrass melodies are designed to improve overall musicianship and augment your own arranging skills. Ideal for the intermediate to advanced flatpicking guitarist, the author reveals techniques for enabling readers to create their own theme and variations settings. Suggested rhythm guitar chords and light left-hand fingerings are also provided. Troxel points out that one of the unexpected benefits of learning and memorizing themes with variations is that the process will ultimately facilitate linear and harmonic improvisation. It would be a painstaking process to learn this skill from a teacher or a harmony textbook, but once memorized, the scale and arpeggio patterns within these tunes and variations will set you on a viable path towards original improvised lines. As a bonus, the author includes a generous appendix containing several of his Flatpicking Guitar Magazine articles that deal with aspects of musicianship that every guitarist should know. While written in standard notation and tab, if you have relied solely on tablature and recordings in the past, this book can provide the key to understanding essential music theory and reading standard notation. If you’re not quite ready to learn to read standard notation, you can still use the tab and the author’s excellent online recordings to learn these delightful arrangements. In any case, it will be fun to get these settings of standard bluegrass tunes “in-hand” and use them in future jam sessions.
Learn from transcriptions in the styles of Clarence White, Dan Crary, Charlie Waller, Peter Rowan and others. Over 30 tunes in tablature and music notation, plus photos.
Beginning banjo lessons have never been more fun! Written for the absolute beginner, this FUN book is guaranteed to help you learn to play bluegrass banjo (How many books come with a personal guarantee by the author?). · Teaches the plain, naked melody to 23 easy bluegrass favorites without the rolls already incorporated into the tune. · Wayne shows simple ways to embellish each melody using easy rolls. · With Wayne’s unique method, you’ll learn to think for yourself! · Learn how to play a song in different ways, rather than memorizing ONE way. · Includes a link to download 99 instructional audio tracks off our website! You WILL learn to play: Bile ‘Em Cabbage Down, Blue Ridge Mountain Blues, Columbus Stockade Blues, Down the Road, Groundhog, Little Maggie, Long Journey Home, Lynchburg Town, Man of Constant Sorrow, My Home’s Across the Blue Ridge Mountains, Nine Pound Hammer, Palms of Victory, Pass Me Not, Poor Ellen Smith, Pretty Polly, Put My Little Shoes Away, Red River Valley, Roll in My Sweet Baby’s Arms, Shall We Gather at the River, Wabash Cannonball, When I Lay My Burden Down, When the Saints Go Marching In.
Unlock the secrets of moving chord rhythm for bluegrass, blues and swing. Using eleven tunes in six keys including old-time fiddle tunes, bluegrass instrumentals and swing progressions, Joe Carr shows how to create interesting moving chordal backup for practically any song. Mandolin players can now duplicate the 'every-two-beats' chord style associated with western swing guitar. A single-note solo is included for each tune. Chord arrangements are shown in diagrams, standard notation and tablature. Audio Download Available.
This collection of 146 fingerstyle transcriptions and arrangements covers a wide variety of styles including dozens of popular and jazz standards as well as blues and country songs, sea chanteys, folk ballads, sacred, gospel and Christmas melodies, Celtic and patriotic tunes, children's songs, classical and wedding music, and select Piburn originals. the book is designed as a resource for guitarists in virtually any solo performance situation. the result of years of experience as an arranger/composer and performing guitarist, this book provides a goldmine of tunes for the fingerstyle player. from Greensleeves and the Girl I left Behind Me to 'Round Midnight and the Girl from Ipanema, this comprehensive anthology has it all. You'll be able to compile your set lists for a broad array of venues from this single source! Intermediate to advanced in difficulty with all tunes appearing in standard notation and tablature.
Of all the styles of folk guitar, the most familiar is known by a variety of names, such as Carter Family Style, The Church Lick (Woody Guthrie), The Country Lick, or just plain Flat-Pickin’. Whatever its name, though, the foot-tapping boom-chicka, boom-chicka rhythm is as ubiquitous as country music itself; it was played by cowboy balladeers, old-time southern mountaineers, Gene Autry, Woody Guthrie, Hank Williams, The Carter Family . . . well, the list could go on and on. More recently, the art of country flat-picking has been raised to a higher level of virtuosity and skill by pickers such as Doc Watson, Clarence White, and the great Nashville studio musicians. Flat-picking can be as simple or as complicated as you want to make it, and that is what this book is all about. Flat-Pick Country Guitar starts with the simplest strums, and gradually introduces techniques such as bass runs, hammer-ons, and pull-offs, preparing the student for more advanced techniques and at the same time teaching him some fine traditional country songs. Before he is halfway through this book, he will be playing melody breaks with chord accompaniment, and by the time he works his way through to the end he will be playing fiddle tunes, hoedowns, bluegrass licks, fancy cross-picking, and some more modern string-bending techniques known as “The Nashville Sound.” This book is a first of its kind to focus on the whole range of styles that go by the name Flat-picking. Though this book includes a variety of instrumental runs, breaks, and solos, its main emphasis is on flat-picking as an accompaniment—within a string band, bluegrass ensemble, or country rock group, or behind a vocalist (with or without a back-up guitar).
This is the ideal beginner's book, presenting the basics of playing the 5-string banjo is a way that is both fun and produces quick results. Janet Davis takes you on an extensive tour of this instrument's fundamental techniques as well as some intermediate possibilities including rolls, chords, bluegrass banjo techniques, playing up the neck, licks, endings, and other basic information needed to play bluegrass and melodic-style banjo. Thorough performance notes are provided from beginning to end revealing the secrets of this versatile traditional instrument.
Considering the range of stars that have claimed Bill Monroe as an influence—Elvis Presley, Bob Dylan, and Jerry Garcia are just a few—it can be said that no single artist has had as broad an impact on American popular music as he did. For sixty years, Monroe was a star at the Grand Ole Opry, and when he died in 1996, he was universally hailed as "the Father of Bluegrass." But the personal life of this taciturn figure remained largely unknown. Delving into everything from Monroe's professional successes to his bitter rivalries, from his isolated childhood to his reckless womanizing, veteran bluegrass journalist Richard D. Smith has created a three-dimensional portrait of this brilliant, complex, and contradictory man. Featuring over 120 interviews, this scrupulously researched work—a Chicago Tribune Choice Selection, New York Times Notable Book, and Los Angeles Times Best Book of 2000—stands as the authoritative biography of a true giant of American music.