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The inspiration for the NBC TV series "Rise," starring Josh Radnor, Auli'i Cravalho, and Rosie Perez — the incredible and true story of an extraordinary drama teacher who has changed the lives of thousands of students and inspired a town. By the author of The Last Temptation of Rick Pitino. Why would the multimillionaire producer of Cats, The Phantom of the Opera, and Miss Saigon take his limo from Manhattan to the struggling former steel town of Levittown, Pennsylvania, to see a high school production of Les Misérables? To see the show performed by the astoundingly successful theater company at Harry S Truman High School, run by its legendary director, Lou Volpe. Broadway turns to Truman High when trying out controversial shows such as Rent and Spring Awakening before they move on to high school theater programs across the nation. Volpe’s students from this blue-collar town go on to become Emmy-winning producers, entertainment executives, newscasters, and community-theater founders. Michael Sokolove, a Levittown native and former student of Volpe’s, chronicles the drama director’s last school years and follows a group of student actors as they work through riveting dramas both on and off the stage. This is a story of an economically depressed but proud town finding hope in a gifted teacher and the magic of theater.
The essential guide to getting into drama school. Packed with sound advice and essential information for young people who want to train as actors and performers (including musical theatre), this clear and honest guide is written by a teacher and audition panellist with a lifetime's experience of the audition process. It will help all aspiring actors develop the self-confidence, motivation and skills required to get into the drama school of their choice. Topics include: * Researching and selecting the appropriate drama school * Making yourself the best prepared candidate * Choosing and preparing your speeches and songs * Developing your working process and your self-awareness * Coping with the audition day itself * Considering your next steps if you do (or don't) get in. Also includes suggestions of speeches and songs to look at (as well as those you should avoid), information about the major UK drama schools, how to obtain funding, suggested further reading, and an introduction to the theatrical terms and genres that every prospective student should know.
The story that kicked off the international #1 bestselling Vampire Academy series is NOW A MAJOR MOTION PICTURE St. Vladimir's Academy isn't just any boarding school--it's a hidden place where vampires are educated in the ways of magic and half-human teens train to protect them. Rose Hathaway is a Dhampir, a bodyguard for her best friend Lissa, a Moroi Vampire Princess. They've been on the run, but now they're being dragged back to St. Vladimir's--the very place where they're most in danger. . . . Rose and Lissa become enmeshed in forbidden romance, the Academy's ruthless social scene, and unspeakable nighttime rituals. But they must be careful lest the Strigoi--the world's fiercest and most dangerous vampires--make Lissa one of them forever.
"Welcome to Memorial Middle School, where drama fills the classrooms and follows students home on the bus. Social awkwardness. Mean girls. Hallway gossip. It's all part of life in junior high, but maybe it helps to know you aren't alone. Can Lucia avoid the boy-girl party? Will Kamilla overcome her self-consciousness and try out for the play? Can Allie keep anyone from finding out her secret? Told in graphic format, Junior High Drama shows that while you can't escape the drama, you can certainly survive it."--Publisher's description.
It has never been easy to be a middle school girl. Between the ages of 11 and 14, girls go through an incredible number of physical and mental changes, making this the most formative and precarious time in their lives. The Drama Years is packed with the voices of tweens who share their experiences, anecdotes and advice on everything from stress to body image to getting along with parents. This is a survival guide written from the trenches, packed with real life examples and practical strategies, to help parents and daughters survive The Drama Years.
Patrice Baldwin gives an overview of the way drama links to learning, teaching and the curriculum. It will help those who need to connect with the rationale for drama in and across the curriculum and who need to plan for it and explain it to others in terms of its necessity and impact. The book offers guidance that will facilitate schools' work on self-evaluation, preparing for Ofsted, drawing up school development plans and drama policies. With exemplar lessons for each of the year groups across KS1-KS3, this is a highly practical book that has something to offer all who work in or with primary and secondary schools.
A book for teachers of primary school children, which will help both the novice and seasoned professional to plan exciting lessons that fit in with the Scottish Government's new Curriculum for Excellence. The themes and issues chosen for exploration in this edition reflect the broad scope of the current curriculum, with its wide ranging and 'holistic' approach to learning and teaching, and all the Lesson Plans are completely suitable and relevant for continuing use under the still evolving curriculum. At the end of each lesson, the Outcomes & Experiences, as contained in the Curriculum for Excellence guidelines, are given for that lesson. Please refer to the appropriate section of these guidelines for the full interpretation of the codes, by visiting: www.curriculumforexcellencescotland.com. The book retains the format of the original edition, and is composed of a series of Lesson Plans or Lesson Sequences, with each Plan covering a particular theme or issue. Some of the lessons will enlarge and expand upon material covered in previous chapters, but with more detail or different emphases. Shopping, for example, is a more detailed exploration of a section in the Our Food Lesson Plan, and is included here in response to feedback from teachers, who found it to be the most popular Lesson among pupils in P1-P3 - and the most requested! Again, the Plans are ordered in relation to the pupils' age and their stage - P1 to P7 - within the school. Once again, however, it should be emphasised that a class of pupils will not learn at the same pace, nor work at the same level as each other. Teachers, therefore, should utilise fully the flexibility of the Lesson Plans by adapting them to suit the ability of the pupils in their class. For example, a Lesson Plan suggested for P3 or P4 may also be given to P6 or P7 (and vice versa), with appropriate and imaginative modifications. Also, in the same lesson, pupils may contribute at levels of varying degrees according to their individual abilities. As always, the shared experience of the lesson is the key issue. An expanded Glossary of drama terms and definitions is included in the Book, as well as further suggestions for extension work, useful websites, and relevant resources and materials. It should be emphasised once more that this edition represents the latest stage of an evolving 'work-in-progress', with infinite scope for growth and expansion as future ideas and possibilities are created by the continuing evolution