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Scholarly Research in Music: Shared and Disciplinary-Specific Practices, Second Edition offers a comprehensive and detailed guide to engaging in research in all disciplines of music. This second edition continues to provide the foundational principles of research for all musicians, including performers, theorists, composers, conductors, music educators, and musicologists. It strengthens the core pedagogical framework of the first edition by offering updated guidance on available technologies, methodologies, and materials. Driven by the rapidly shifting research paradigms within music, sixteen contributors expand the already broad scope of the book, with new chapters on research in today’s library, neurophenomenology in music, and self-efficacy in music performance, as well as new sections in chapters on philosophy, historical research, social science research, and statistics. Introducing research as a friendly and accessible process, the book engages students in brainstorming a topic, asking pertinent questions, systematically collecting relevant information, analyzing and synthesizing the information, and designing a cohesive research plan to conduct original research. Detailing the methodologies and techniques of both conventional and innovative approaches to music research, Scholarly Research in Music provides an essential grounding for all kinds of music researchers.
This new novel begins an all-new story arc in Modesitt's popular Imager Portfolio.
The Freak Observer is rich in family drama, theoretical physics, and an unusual, tough young woman—Loa Lindgren. For eight years, Loa Sollilja's world ran like one of those mechanical models of the solar system, with her baby sister, Asta, as the sun. Asta suffered from a genetic disorder that left her a permanent infant, and caring for her was Loa's life. Everything spun neatly and regularly as the whole family orbited around Asta. But now Asta's dead, and 16-year-old Loa's clockwork galaxy has collapsed. As Loa spins off on her own, her mind ambushes her with vivid nightmares and sadistic flashbacks―a textbook case of PTSD. But there are no textbook fixes for Loa's short-circuiting brain. She must find her own way to pry her world from the clutches of death. The Freak Observer is a startling debut about death, life, astrophysics, and finding beauty in chaos.
In recent years, scholars from a wide range of disciplines have examined the revival in intellectual and literary cultures that took place during India’s ‘early modern’ centuries. This was both a revival as well as a period of intense disputation and critical engagement. It took in the relationship of contemporaries to their own intellectual inheritances, shifts in the meaning and application of particular disciplines, the development of new literary genres and the emergence of new arenas and networks for the conduct of intellectual and religious debate. Exploring the worlds of Sanskrit and vernacular learning and piety in the subcontinent, these essays examine the role of individual scholar intellectuals in this revival, looking particularly at the interplay between intellectual discipline, sectarian links, family history and the personal religious interests of these men. Each essay offers a fine-grained study of an individual. Some are distinguished scholars, poets and religious leaders with subcontinent-wide reputations, others obscure provincial writers whose interest lies precisely in their relative anonymity. A particular focus of interest will be the way in which these men moved across the very different social milieus of early modern India, finding ways to negotiate relationships at courtly centres, temples, sectarian monasteries, the pandit assemblies of the cosmopolitan city of Banaras and lesser religious centres in the regions. This bookw as published as a special issue of South Asian History and Culture.
It is possible to eclipse a felt sense of physical dread or the expansive feeling of flourishing with the cognitive habit of universalizing our experience. We belong to a culture that surrenders the sacred vitality and dynamism of sensed experience to critical analytic cognition. Cognitional theories and emotions-as-cognitions dominate our understanding of the self; physiologic and anatomic models of normalcy dictate our approach to the body; socio-economic models of global utility shape the common good; abstract moral principles eclipse the holistic sensation of advance towards flourishing. Following Thomas Aquinas on the sensory nature, this book outlines a different approach, in which the depth that lies under cognition and emotion is exposed, allowing human movement to come into focus. Such movements as recoil, contraction, embrace, glee, letting go, crying, etc.--the passions--arise from the sensory interiority, where imprinted experiences of body memory are concealed and shaped by the rational/non-intellectual cogitative sense with meanings of harm and/or wellness. When movement is retained as sensory experience and not universalized by the mind, then the experience of a sufferer becomes permissible in ethics discourse as an expressed felt-sense of emerging mysteriously from dread and advancing towards flourishing.
Scholarly Research for Musicians presents a range of research methods and techniques, incorporating both the common elements of traditional music research methodologies with innovative research strategies endemic to the fields of social science, education, and performance science. The author’s collaborative and interdisciplinary approach reinforces the belief that research is most palpable and successful when accessed through a relevant and meaningful way of organizing thoughts and knowledge. Drawing from over twenty years of classroom experience, the author organizes the text into five units: Common Bases, Qualitative Research, Quantitative Research, Performance Science, and Review. Research is presented as an accessible process, one facilitated by brainstorming and question-asking, the systematic collection of information, and the analysis and synthesis of information—all with the aim to develop a succinct conceptual framework. In explicating this process, the author introduces traditional Western thought alongside contemporary and Eastern philosophy. Experts in the field of performance science explore novel approaches to studying the audience, incorporating various measuring devices and methods. In the final chapter, the author offers strategies for disseminating and publishing research reports. Scholarly Research for Musicians demystifies the research process for musicians and music students alike, demonstrating the common principles of cohesive research plans. PowerPoint presentations are available to instructors, covering chapter discussion points in summary format. This text explores interdisciplinary methods that merge with and focus on the study of music while emphasizing concepts and materials relevant to all types of research.