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"Schiller's Wound is an exciting work that will not only entice scholars but also serve as a useful resource for instructors who wish to reintroduce this important writer into their curricula. As the 200th anniversary of Schiller's death approaches, it will provide an invaluable context for further discussions of his work and its impact."--BOOK JACKET.
In examining Schiller's often-neglected use of gesture, this study treats his dramas as written to be performed -- not merely read. Many aspects of the works of Friedrich Schiller (1759-1805) have attracted attention. His work as a philosopher and pioneering thinker in poetics and aesthetics and as a historian have recently been the focus of much attention. But Schiller's dramas have always held the most interest, and they continue to be performed regularly both in German-speaking lands and around the world. Schiller is a dramatist of psychological conflict rather than of abstract ideas, and he had a unique grasp of how to use the stage to that end. This study of Schiller's use of gesture begins with a discussion of the origins of the gestures he employs, viewing them in relation to his medical writings, his literary influences, theories of the theater and acting, and Enlightenment thinking in general. The study then considers the use of gesture and related aspects of stagecraft in Schiller's nine completed dramas, highlighting elementsof continuity and development. It is concerned with the interpretation of gesture, often marginalized in studies of Schiller's works, and with the interrelationship between gesture and verbal text. It also considers Schiller's relationship to the theater of his day, and discusses the first performances of his plays as well as their more recent stage history in both Germany and Great Britain. Appearing in the 250th anniversary of Schiller's birth, this study treats his dramas as plays written to be performed -- as works that reach their fullest potential in the theater. John Guthrie teaches modern German literature and language at the University of Cambridge, where he isfellow and director of studies at Murray Edwards College.
New essays by top international Schiller scholars on the reception of the great German writer and dramatist, emphasizing his realist aspects. The works of Friedrich Schiller (1759-1805) -- an innovative and resonant tragedian and an important poet, essayist, historian, and aesthetic theorist -- are among the best known of German and world literature. Schiller's explosive original artistry and feel for timely and enduring personal tragedy embedded in timeless sociohistorical conflicts remain the topic of lively academic debate. The essays in this volume address the many flashpoints and canonicalshifts in the cyclically polarized reception of Schiller and his works, in pursuit of historical and contemporary answers to Samuel Taylor Coleridge's expression of frightened admiration in 1794: "Who is this Schiller?" The responses demonstrate pronounced shifts from widespread twentieth-century understandings of Schiller: the overwhelming emphasis here is on Schiller the cosmopolitan realist, and little or no trace is left of the ultimately untenable view of Schiller as an abstract idealist who turned his back on politics. Contributors: Ehrhard Bahr, Matthew Bell, Frederick Burwick, Jennifer Driscoll Colosimo, Bernd Fischer, Gail K. Hart, Fritz Heuer, Hans H. Hiebel, Jeffrey L. High, Walter Hinderer, Paul E. Kerry, Erik B. Knoedler, Elisabeth Krimmer, Maria del Rosario Acosta López, Laura Anna Macor, Dennis F. Mahoney, Nicholas Martin, John A. McCarthy, Yvonne Nilges, Norbert Oellers, Peter Pabisch, David Pugh, T. J. Reed, Wolfgang Riedel, Jörg Robert, Ritchie Robertson, Jeffrey L. Sammons, Henrik Sponsel. Jeffrey L. High is Associate Professor of German Studies at California State University Long Beach, Nicholas Martin is Reader in European Intellectual History at the University of Birmingham, and Norbert Oellers is Professor Emeritus of German Literature at the University of Bonn.
"A final chapter addresses Schillerian intertextuality in the twentieth century, and the survival of Schillerian ideals of freedom and aesthetic education in modern mutations. Foremost among these texts are Anthony Burgess's A Clockwork Orange and Stanley Kubrick's film of that novel."--Jacket.
Friedrich Schiller is not merely one of Germany's foremost poets. He is also one of the major German contributors to world literature. The undying words he gave to characters such as Marquis Posa in Don Carlos and Wilhelm Tell in the eponymous drama continue to underscore the need for human freedom. Schiller cultivated hope in the actualization of moral knowledge through aesthetic education and critical reflection, leading to his ideal of a more humane humanity. At the same time, he was fully cognizant of the problems that attend various forms of idealism. Yet for Schiller, ultimately, love remains the gravitational center of the universe and of human existence, and beyond life and death joy prevails. This collection of cutting-edge essays by some of the world's leading Schiller experts constitutes a milestone in scholarship. It includes in-depth discussions of the writer's major dramatic and poetic works, his essays on aesthetics, and his activities as historian, anthropologist, and physiologist, as well as of his relation to the ancients and of Schiller reception in 20th-century Germany. Contributors: Steven D. Martinson, Walter Hinderer, David Pugh, Otto Dann, Werner von Stransky-Stranka-Greifenfels, J. M. van der Laan, Rolf-Peter Janz, Lesley Sharpe, Norbert Oellers, Dieter Borchmeyer, Karl S. Guthke, Wulf Koepke. Steven D. Martinson is Professor of German at the University of Arizona.
Essays on the Wilhelm Meister novels, Faust, Goethe's early plays, Schiller's Räuber and on Goethe's thought in relation to current debates on cosmopolitanism and postcoloniality. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe Scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcoming contributions from scholars around the world. This year's volume features a cluster of exceptional essays thatshed new light on Goethe's Wilhelm Meister novels and Faust, as well as fascinating articles on the early play Das Jahrmarktsfest zu Plundersweilen and the poem "Ilmenau," Schiller's Die Räuber, and anessay that places Goethe's thought in relation to current debates about cosmopolitanism and postcoloniality. Engaging reviews of recent publications in Goethe studies round out the volume. Contributors include Eric Denton, Matt Erlin, Jaimey Fisher, Ingrid Rieger, Rainer Kawa, David Barry, Stephanie Dawson, and John Pizer. Simon J. Richter is Professor of German at the University of Pennsylvania. Book review editor Martha B. Helfer is Professor of German at Rutgers University.
“What does it take to fly and fight with America’s Air Cavalry? That’s the story of Cowboys Over Iraq. You’ll meet bold personalities right out of a Hollywood movie. You’ll be right there as Jimmy Blackmon and his fellow Cavalry troopers track down and tangle with determined foes. You’ll experience the highs of triumph and the lows of bitter loss. Most importantly, you’ll see how and why Jimmy Blackmon learned hard-won leadership and battle lessons in the deadly skies of Iraq. Strap in. Hang on. Get ready to go hunting with the Air Cav.” —Daniel P. Bolger, Lieutenant General, U.S. Army, Retired, Commander, 1st Cavalry Division 2008-2010 “A great read by an exceptional combat aviator, leader, and writer! Jimmy Blackmon captures brilliantly the enthralling story of the air cavalry unit that was the eyes and ears of the 101st Airborne Division (Air Assault) during the fight to Baghdad and throughout the first year in Iraq – when I was privileged to command the division. He captures vividly, as well, the courage, skill, and feel for the battlefield of the gifted pilot and commander of the squadron, Lieutenant Colonel Steve Schiller, to whom we turned repeatedly when the missions were the toughest.” —General David Petraeus (U.S. Army, Ret.) commanded the 101st Airborne Division (Air Assault), Multinational Force-Iraq, US Central Command, and coalition and U.S. forces in Afghanistan.
In this volume, Paul Bishop investigates the extent to which analytical psychology draws on concepts found in German classical aesthetics. It aims to place analytical psychology in the German-speaking tradition of Goethe and Schiller, with which Jung was well acquainted. Analytical Psychology and German Classical Aesthetics argues that analytical psychology appropriates many of its central notions from German classical aesthetics, and that, when seen in its intellectual historical context, the true originality of analytical psychology lies in its reformulation of key tenets of German classicism. Although the importance for Jung of German thought in general, and of Goethe and Schiller in particular, has frequently been acknowledged, until now it has never been examined in any detailed or systematic way. Through an analysis of Jung’s reception of Goethe and Schiller, Analytical Psychology and German Classical Aesthetics demonstrates the intellectual continuity within analytical psychology and the filiation of ideas from German classical aesthetics to Jungian thought. In this way it suggests that a rereading of analytical psychology in the light of German classical aesthetics offers an intellectually coherent understanding of analytical psychology. By uncovering the philosophical sources of analytical psychology, this first volume returns Jung’s thought to its core intellectual tradition, in the light of which analytical psychology gains new critical impact and fresh relevance for modern thought. Written in a scholarly yet accessible style, this book will interest students and scholars alike in the areas of analytical psychology, comparative literature, and the history of ideas.
An Army squadron of paratroopers share the story of their fifteen-month deployment in Iraq in 2006. Selected in 2005 by the Army to be the first airborne reconnaissance squadron, 5th Squadron, 73rd Cavalry Regiment, better known as 5-73 CAV, was formed from 3rd Battalion, 505th Parachute Infantry Regiment. The members of the squadron were hand-selected by the squadron command team, Lieutenant Colonel Poppas and Command Sergeant Major Edgar. With just more than 400 paratroopers, they were half the size of a full-strength battalion and the smallest unit in the Panther Brigade. The squadron deployed to eastern Diyala in August, 2006. Despite their size, they were tasked with an enormous mission and were given the largest area of operations within the brigade. Appropriately for a unit known by the call sign of its CO—Headhunter—5-73 would go on to pursue various terrorist factions including Al Qaeda in Iraq. They got results, and 5-73 was awarded the Presidential Unit Citation for launching the Turki Bowl campaign from November 2006 to January 2007 against insurgent groups in Diyala Province. However the toll would be heavy—the squadron lost twenty-two paratroopers during the deployment. Headhunter is a unique account of the War on Terror. It’s a soldier’s story, told by those very paratroopers who gallantly fought to tame Diyala. Based on dozens of interviews conducted by the author, the narrative describes the danger of combat, the loss of comrades and the struggles of returning from a deployment. The voice of the families left behind are also included, describing the challenges they faced, including the ultimate challenge—grappling with the death of a loved one. This book explores the human dimensions of loss and struggle and illustrates the sacrifices our service members and their loved ones make. Finalist, 2020 Army Historical Foundation Distinguished Writing Awards Praise for Headhunter “A gut punch that pulls out the raw emotion of combat and the feelings of losing those closest to you. If one is unfamiliar with war, Headhunter will shock the senses.” —ARMY Magazine “A highly interesting and detailed account.” —Journal of Counterterrorism & Homeland Security International