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Friedrich Schiller was a famous German playwright, born in 1759 in the little duchy of Wurttemberg, Germany. Friedrich von Schiller was the son of an army officer. Although the young boy disliked the strict regimentation of his father's chosen profession, he was forced by the Duke of Wurttemberg to enter a military academy. Trapped and overcome with depression, Schiller began to compose morbid poetry. He found some comfort in these literary diversions, but after composing his first play - The Robbers (1782) -Schiller's writing was discovered by his superiors, and he was forbidden to write. The young dramatist quickly determined to desert the army and flee to Mannheim where he lived under an assumed name and made his living as a court playwright and stage manager. During this period, he penned such plays as Fiesko (1783), Intrigue and Love (1784) and Don Carlos (1787). Between 1787 and 1798, Schiller wrote no plays, instead devoting himself to historical studies - The Revolt of the Netherlands and A History of the Thirty Years War - that won him fame as a historian. In 1794, however, Schiller established a close friendship with Johann Wolfgang von Goethe. Under Goethe's influence, Schiller soon returned his attentions to the craft of playwriting and, during the period that followed, composed his most mature dramas including Wallenstein's Camp (1798), The Piccolomini (1799), Wallenstein's Death (1799), Mary Stuart (1800), The Maid of Orleans (1801), and William Tell (1804.) In 1799, he took up residence in Weimar where he and Goethe collaborated to make the Weimar Theatre one of the most prestigious theatrical houses in Germany. On May 9, 1805, Friedrich Schiller died of tuberculosis. He was only forty-six years old. His plays, however, along with those of Goethe, had established a theatrical renaissance in Germany, which would become known as "Weimar Classicism." For more than a century after his death, Schiller remained the favorite playwright of the German people.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Given this situation, Professor Pugh's study of the plays' fortunes at the hands of the various schools of German literary scholarship from Schiller's day down to the present is useful both to literary scholars seeking orientation in the field and also to readers with a wider interest in German intellectual traditions."--BOOK JACKET.
Katherine Saranpa provides an overview of Schiller reception in the context of radical shifts in historical thought. The juxtaposition of three strands, which Saranpa covers, will interest scholars of German literature.